Italy

Originally released in 2010 on Superb Entertainment Records 2017 repress

Originally released in 2007. Official 2017 repress by Groovin Recordings.

A soundtrack for the contemporary 'Vinti' (defeated) with its dark and at the same time sparkling flavour of the '80s sounds. Between cold wave, synth pop and imaginary electronic atmospheres. This record with its horror-framed and dystopian scenario ("Slot Machine") reveals a content of social criticism healed through the warm and evocative indulgence of "Che Male C'e'. Courtesy of Naples based imprint Early Sounds Recordings.

Best Italy continues to do a wonderful job of unearthing much-sought after gems and giving them the re-press they deserve. Lily Ann was a quintessential one hit wonder of Italo disco perfection that surfaced in 1984, and "Going Crazy" captures the mood of early 80s dance music perfectly. Adding value to the release beyond the fresh mastering job and high-end modern pressing, as well as the previously released vocal and instrumental we also get treated to a dub mix of "Going Crazy" to give you even more options for dropping this impeccable slice of Italian dance music history.

The latest dig from Best Record Italy's eternal mission to release the finest Roman musical manna features noted jazz man Pino Presti taking on Manu Dibango's eternal party jam "Soul Makossa". Presti's interpretation uses oodles of gleaming 80s synths in place of the original traditional instrumentation, but fear not as the iconic brass section remains a real-world force, and sounds mighty fresh with it. Following up that cover is a sumptuous version of "Ain't No Sunshine" which is aimed square at the heartstrings of the most Balearic cruisers. "I Call Your Name / Come Back To Me" gets even smoother, the vocals capturing Mediterranean getaway romance to perfection.

Once more scouring the annals of disco history for the hottest jams, Best look beyond Italy and snap up this much-vaunted slice of American funk from 1982. While second hand prices can get out of control, it's not hard to hear why this glittering prize from Jagg would be so coveted - it's got everything. Jazz-leaning slap bass, mean synthesizer chops and soaring vocals - "Take Time" is prime to set the party off, and no longer is it the preserve of wealthy collectors. Originally a single-sided affair, Best have done the right thing and filled the B-side up with an extended version to let that groove roll on even longer.