MINT

he first ever repress of the legendary Disco Hamam serie -still vinyl only!Includes some of the edits that made Baris K’s Eurasia mix trilogy series compulsive listening.The EP revives rare and hidden 70s Turkish disco, folk and psych classics, blending the golden era sound of Anadolu Pop with nu-disco style edits

DaM-FunK brings his Architecture Trilogy on Saft to a close with a fantastic final EP. The series started in 2016, included the second volume in 2018, and now wraps up with a double 12" packed with heat from the legendary Californian beatmaker.DaM-FunK has been in a class of one since first emerging in 2008. He's a definitive Stones Throw Records artist, musician and vocalist, boss of GlydeZone Recordings, a sometime Snoop Dogg collaborator and prolific producer. What he doesn't know about boogie, g-funk and synth-pop isn't worth knowing, and this final Architecture EP is another doozy.The gorgeous 'Grow' immediately sinks you into a hazy house vibe. Lo-fi beats and farsighted chords melt your heart and lock you in a gentle groove. 'Night Kruise' lays down a classic DaM-FunK bassline then builds it up with melancholic keys and lowslung funk that is simply irresistible, then 'Think' ups the pace with a punchy but still deep house groove, heat-damaged chords and a clipped bass phrase that makes you move.The seductive sounds continue through the balmy 'Feel' in which you can almost see palm trees and burnt orange Cali skies as the low riding groove skates along in lovably low key fashion. 'Sun Gospel' is a perfectly rough edge MPC workout with busy keys, scruffy kicks and bright boogie all jostling for your attention, and 'Shine' closes with a prickly boom-bap, knotted bassline and epic prog-guitar riffs that ring out into a latenight sky.Architecture III is another heart aching, humid and feel-good house EP from the one and only DaM-FunK.

Pre-pandemic, there was a plan. The plan was for musicians from South Africa and Senegal to travel to London’s in uential Total Refreshment Centre to make an album with musical kindred spirits in the UK. Like so many plans, it had to be adapted. Album features an array of high profile players from the burgeoning nu-jazz scenes in London and Johannesburg, including Theon Cross, Asher Gamdeze, Siya Makuzeni (SPAZA), The Comet Is Coming’s Danalogue & Alabaster dePlumeDuring the first wave of COVID-19 lockdowns, groups of heavy-hitting musicians met for a day of intense recording in their home cities then sent the music to their compadres across the oceans. They returned to the studio a month later to respond to the music they’d been sent. The result is ‘On Our Own Clock’, a sonic testament to trenchant and collaborative creativity which digs into layers of South African jazz, traditional Senegalese instrumental music and London’s rich diaspora-informed musicality. Individually these are powerful strands of music. Collectively, they are super-sized.The 14 players are individually stellar and include tuba don Theon Cross; Alabaster dePlume, whose album ‘To Cy & Lee’ has been a pandemic panacea to so many people (including Bon Iver, who sampled it); top South African players including Siya Makuzeni (SPAZA), Zoe Molelekwaand Asher Gamedze, who appears on Angel Bat Dawid’s critically-acclaimed ‘The Oracle’ and whose debut album, ‘Dialectic Soul’, received universal acclaim upon its release in 2020; The Comet Is Coming’s Danalogue; Senegal’s highlyrespected Kora player, Tarang Cissoko as well as Balimaya Project’s Yahael Camara Onono. Collectively they’ve ascended their individual brilliance into an album that is variously warm and layered, full of tuff grooves, and steeped in moments of reflective transcendence.

500 copies limited edition