2018

45 year anniversary of William DeVaughn's smooth soul classic remastered and reissued for RSD on exclusive white vinyl.“Diamond in the back / Sunroof top / Digging the scene with the gangster lean" - Does it get any smoother than that? Stick this record on and get lost in that effortless bassline, sensual guitar licks, coupled with DeVaughn's silky vocals and you'll be right there kicking back in the Cadillac. Oft sampled by the likes of NWA and De La Soul and covered multiple times, most notably on Massive Attack's debut album.On the B side you're treated to 'Blood Is Thicker Than Water', DeVaughn's first single giving a taste of the masterfully stylish soul he was to carry throughout his career.

Two seminal cuts from Norman Whitfields standout project, The Undisputed Truth. Remastered and reissued on 180g vinyl.If you're not familiar with "You + Me = Love", well that bass synth intro will have you hooked from the off. "Sandman" on the B side is a funk bomb nestled on the Smokin' LP….must have!

RSD 2018 release.180 gram vinyl 12"This is the first time this ground-breaking release has been available on 12" for four decades.That instantly recognizable bassline, the cosmic guitar and then that vocal / flute combo - "Expansions" is one of those glorious jazz funk records that really does expand your mind.On the B side - "A Chance For Peace" is about as smooth as you can get and provides the perfect accompaniment for this RSD treat, lovingly pressed on 180g vinyl.

Preservation Records dug out two killer blue eyed soul tracks from the Mirage vault.Here is the original version of "Just Cause I'm Guilty", taken from the unissed tracks from the group. Shelved for over 40 years.The soulful B side is another sureshot killer soulful track, you have probably heard it by Ruben Howell and Carl Carlton. This version made it to a mega limited demo 7" run on Warner Brothers, but never had an official release. The track is so good that it deserved a place on our Mirage releases.Carefully remastered and cut by Timmion for Preservation Records.

Cork native Colm K has been making waves on both the Irish and international scene since his selection for the Red Bull Music Academy in 2003. With releases onBastard Jazz,r2, and his recent release onAll City Records, Colm K has earned his place on both critics' and fans' radars. He has refined and defined his style throughout the years both as a producer and DJ, as well as holding down his residency at Cork's renownedSunday Timesparty.Colm K steps up for the third release on Tiff's Joints with two contrasting off-kilter jams. "Beginnings" sees Colm strip things right back - led by a bubbling organic percussion line, soothing chords and a near g-funk lead melody. "Six Four Hundred" steps things up a notch. Kicking off with jagged, broken drums and morphing into a skippy, bottom heavy bubbler with a tilt of the hat to West London's Co-Op movement. The B-side sees the inimitable K15 (Eglo Records/Wild Oats) put his own spin on "Beginnings", trading the spaced grooves for a driving beat and luscious keys licks. Early support comes from the likes of Gilles Peterson, Josey Rebelle, Alexander Nut, Jimpster, Kev Beadle and more.

Boogie Jams On Wax by Juan Laya & Jorge Montiel

Bosq's aptly titled third full-length effort "Love & Resistance" is a collection of songs that reflect a producer's continuing emergence by diving deeper into his influences. The strains of Afro and Latin flavors are interwoven and still heavily permeate but the underlying groove and rhythms have taken on a more modern, jazz-funk and disco-soul vibe with nods to Bobby Caldwell, Roy Ayers, the Mizell brothers and Nile Rodgers' Chic.Originally based out of Boston, MA but now calling Medellin, Colombia home, Bosq's new surroundings have inspired him to create his most diverse and creative album to date. Already featuring the top tune "Can't Seem To Hide" with Megan Doherty that made a splash off the gates as the first single from the album (10/10 rating from Mixmag), the whole album is soldered together with each track being a single-worthy release in it's own right. Featuring guest vocalists on all but one of the tunes including frequent collaborators Kaleta, and Nicole Willis, along with Ray Lugo who's known for his work in Kokolo and Boogaloo Destroyers. LA based singer Induce and new duo Lucid Paradise (E da Boss & Ishtar) along with vocalist Bruno Morais whose classic Brazilian voice is reminiscent of Jorge Ben round out the cast of Bosq's most vocally varied album work to date, reflecting both his growth as an artist and his willingness to push his own sonic boundaries.A relentless work ethic fused with a broad and varied music palette all attuned to the groove and a focus on making folks move has led to numerous remix projects, most recently with legendary Benin-based Orchestre Poly-Rythmo De Cotonou. With a steadily growing fan base and reputation amongst fellow artists and musicians, Bosq's immediate future is already laden with releases lined up for Fania and his collaborative effort Body Music alongside The Rapture's Vito Roccoforte.