UK

Structuralism

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SEKITO 002

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0
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Tracklist: 

Side 1
1. 44
2. Falling (feat Kaya Thomas-Dyke)
Side 2
1. Mulago
2. Glad I Lived
Side 3
1. Screen
2. Naiyti
Side 4
1. Retainer
2. Door (feat Jordan Rakei)

Second_hand: 
Non
Forthcoming: 
Oui
Origine: 
Original
Newsletter: 
Non
Partager: 

Way West

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XOA, led by London based producer and musician Nick Tyson, is set to release debut album ‘Way West’ on 14thJune via Five Easy Pieces.

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FEP 028LP

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0
Tracklist: 

Side 1
1. VS20
2. Heartland (feat Hollie Cook)
3. Way West
4. Damascene
5. Call On Me (feat Lulu James)
Side 2
1. Les Musiciens
2. Only One Thing (feat Ruby Wood)
3. Osu
4. Dance Of The Mantas
5. Out & Out

Second_hand: 
Non
Forthcoming: 
Oui
Origine: 
Original
Newsletter: 
Non
Partager: 

Origin

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référence du label: 
ZEN 256X

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0
Tracklist: 

Side 1
1. Mad World
2. Say Something
3. Mind's Eye
4. Rolling Into One
5. Oasis
6. Wildfire
Side 2
1. Signs
2. You & Me
3. Moda
4. Speak
5. Mantra

Second_hand: 
Non
Forthcoming: 
Oui
Origine: 
Original
Newsletter: 
Non
Partager: 

System

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a propos: 
Linkwood's debut album System from way back in 2010 finally gets a timely reissue on his own imprint Night Theatre. Fresh with a new two colour screen printed sleeve and a couple of track changes, the album (in his own words) 'is how it should have looked and sounded the first time around'; occupying an important transitional space between the highly collected early Firecracker 10"s and the crafted Linkwood sound of today.

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référence du label: 
NT 202

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état pochette:

stock: 
1
Prix panier: 
30.00
Second_hand: 
Non
Forthcoming: 
Non
Origine: 
Re-Issue
Newsletter: 
Non
Partager: 

City Limits

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référence du label: 
RS 025

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1
Prix panier: 
17.00
Tracklist: 

Side 1
1. Tropical Bleu
2. Honey
3. Ceasors (12" mix)
Side 2
1. Nightcrawler (12" mix)
2. Sunday Smokes
3. City Limits

Second_hand: 
Non
Forthcoming: 
Non
Origine: 
Original
Newsletter: 
Non
Partager: 

Dubonnet

photo: 
a propos: 
The man who doesn’t need no intro” LA’s finest Delroy Edwards returns for his 2nd release on Apron but this time a solo project “Dubonnet” with six trax of real honest raw house music!

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Année:

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référence du label: 
APRON 37

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état pochette:

stock: 
1
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15.00
Tracklist: 

Side 1
1. Live & Let Live
2. Fat Dynamics
3. Funny Styles
Side 2
1. Dubonnet
2. In Orbit
3. How High Is The Moon

Second_hand: 
Non
Forthcoming: 
Non
Origine: 
Original
Newsletter: 
Non
Partager: 

Demos (1973-75) Vol. 2

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Since their debut album release in 1975, Azymuth have risen to rank alongside the world’s greatest jazz, funk and fusion artists. As young men in Rio de Janeiro, they stood out for both their exceptional talent as musicians, and their wild rock ‘n’ roll antics in the predominantly middle-class worlds of bossa nova and jazz. Their signature ‘Samba Doido’ (crazy samba) sound ruptured the tried and tested musical structures of the day, resulting in what can only be described as an electric, psychedelic, samba jazz-funk hybrid.Before they became Azymuth, José Roberto Bertrami (keyboards), Ivan ‘Mamão’ Conti (drums), Alex Malheiros (bass) and Ariovaldo Contesini (percussion) played backing band to just about every major artist in Brazil. Bertrami was also contracted as an arranger and songwriter at some the biggest labels of the era: Polydor, Philips, Som Livre, and EMI being just a few. Azymuth’s name can be found on record sleeves by the likes of Jorge Ben, Elis Regina, Marcos Valle, Ana Mazzotti and countless others. But at the dawn of the seventies, fascinated by developments in improvisational music - from jazz in the US, to progressive rock in the UK and of course samba, bossa and tropicália on home turf - the energetic young group were inspired and ready to move forward. Any spare moment in which they weren’t in sessions and writing music for other artists, they would be carving out their own sound.These previously unheard recordings took place between 1973-75 at Bertrami’s home studio in the Laranjeiras district of Rio de Janeiro. At the time of recording, there was nothing in Brazil, less the world that sounded anything like them, so perhaps it’s unsurprising that when Bertrami presented his demos to the record companies he had been working for, he was turned away, and told in effect that the music was ‘wrong’.One of the demos ‘Manhã’ would be picked up by Som Livre and Azymuth released their seminal debut album in 1975. Throughout the late seventies and eighties, the group released a series of now classic albums for Milestone Records, before taking an indefinite hiatus to pursue their individual careers.When English producers Joe Davis and Roc Hunter arrived in Brazil in 1994 to record the first Azymuth album in over a decade, Bertrami dug out the demos which had sat virtually untouched for over twenty years. Joe recalls how he was “blown away by the freedom and intensity of the music, as well as the genius of the ideas musically.” Beginning a long and fruitful relationship, ‘Prefacio’ would be the first track Azymuth recorded for Far Out Recordings and was released on the Carnival album (1996).Along with ‘Manhã’ and ‘Prefacio’, only a handful of these demos were ever professionally recorded and released, making this the first opportunity to hear many of these early Azymuth compositions in their raw, original form.On every track the frenetic energy in the studio is palpable, giving the recordings a beautifully personal feel and a sense of the phenomenally creative vision Bertrami, Malheiros and Conti were realising at the time. Fifty years on, Azymuth’s earliest recorded music retains an ineffable, futuristic quality, standing amongst their most captivating and moving work.

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Année:

format:

référence du label: 
FARO 210LP2

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état disque:

état pochette:

stock: 
0
Tracklist: 

Side 1
1. Duro De Roer
2. Manha
3. Tempos Do Parana
4. Bateria Do Mamao
Side 2
1. Quem Tem Medo
2. Xingo (version 2)
3. Juntos Mais Uma Vez
4. Castelo (version 2)

Second_hand: 
Non
Forthcoming: 
Oui
Origine: 
Original
Newsletter: 
Non
Partager: 

Demos (1973-75) Vol. 1

auteur:

photo: 
a propos: 
Since their debut album release in 1975, Azymuth have risen to rank alongside the world’s greatest jazz, funk and fusion artists. As young men in Rio de Janeiro, they stood out for both their exceptional talent as musicians, and their wild rock ‘n’ roll antics in the predominantly middle-class worlds of bossa nova and jazz. Their signature ‘Samba Doido’ (crazy samba) sound ruptured the tried and tested musical structures of the day, resulting in what can only be described as an electric, psychedelic, samba jazz-funk hybrid.Before they became Azymuth, José Roberto Bertrami (keyboards), Ivan ‘Mamão’ Conti (drums), Alex Malheiros (bass) and Ariovaldo Contesini (percussion) played backing band to just about every major artist in Brazil. Bertrami was also contracted as an arranger and songwriter at some the biggest labels of the era: Polydor, Philips, Som Livre, and EMI being just a few. Azymuth’s name can be found on record sleeves by the likes of Jorge Ben, Elis Regina, Marcos Valle, Ana Mazzotti and countless others. But at the dawn of the seventies, fascinated by developments in improvisational music - from jazz in the US, to progressive rock in the UK and of course samba, bossa and tropicália on home turf - the energetic young group were inspired and ready to move forward. Any spare moment in which they weren’t in sessions and writing music for other artists, they would be carving out their own sound.These previously unheard recordings took place between 1973-75 at Bertrami’s home studio in the Laranjeiras district of Rio de Janeiro. At the time of recording, there was nothing in Brazil, less the world that sounded anything like them, so perhaps it’s unsurprising that when Bertrami presented his demos to the record companies he had been working for, he was turned away, and told in effect that the music was ‘wrong’.One of the demos ‘Manhã’ would be picked up by Som Livre and Azymuth released their seminal debut album in 1975. Throughout the late seventies and eighties, the group released a series of now classic albums for Milestone Records, before taking an indefinite hiatus to pursue their individual careers.When English producers Joe Davis and Roc Hunter arrived in Brazil in 1994 to record the first Azymuth album in over a decade, Bertrami dug out the demos which had sat virtually untouched for over twenty years. Joe recalls how he was “blown away by the freedom and intensity of the music, as well as the genius of the ideas musically.” Beginning a long and fruitful relationship, ‘Prefacio’ would be the first track Azymuth recorded for Far Out Recordings and was released on the Carnival album (1996).Along with ‘Manhã’ and ‘Prefacio’, only a handful of these demos were ever professionally recorded and released, making this the first opportunity to hear many of these early Azymuth compositions in their raw, original form.On every track the frenetic energy in the studio is palpable, giving the recordings a beautifully personal feel and a sense of the phenomenally creative vision Bertrami, Malheiros and Conti were realising at the time. Fifty years on, Azymuth’s earliest recorded music retains an ineffable, futuristic quality, standing amongst their most captivating and moving work. Volume 1:

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Année:

format:

référence du label: 
FARO 210LP1

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état pochette:

stock: 
0
Tracklist: 

Side 1
1. Prefacio
2. Castelo (version 1)
3. Melo Da Cuica
4. Xingo (version 1)
Side 2
1. Laranjeiras
2. Equipe 68
3. Unknown Jam
4. Unknown Song For Mario Telles

Second_hand: 
Non
Forthcoming: 
Oui
Origine: 
Original
Newsletter: 
Non
Partager: 

Sempre

auteur:

photo: 
a propos: 
The original Rio beach boy returns with a new record of feel-good Brazilian music! Featuring Azymuth bassist Alex Malheiros (responsible for some of Brazil's all-time funkiest low-end licks), a horn section including Valle's go-to high-trumpeter Jesse Sadoc, and percussion master Armando Marcal, Sempre has all the masterful composition, exceptional musicality, and forward-thinking ideas you'd expect from the Brazilian titan.

pays:

Année:

format:

référence du label: 
FARO 211LP

genre:

état disque:

état pochette:

stock: 
0
Tracklist: 

Side 1
1. Vou Amanha Saber
2. Minha Roma
3. Alma
Side 2
1. Olha Quem Ta Chegando
2. Odisseia
3. Sempre
4. Distancia

Second_hand: 
Non
Forthcoming: 
Oui
Origine: 
Original
Newsletter: 
Non
Partager: 

Bamboo

photo: 

pays:

Année:

format:

label:

référence du label: 
MRBLP 195

genre:

état disque:

état pochette:

stock: 
1
Prix panier: 
32.00
Tracklist: 

Side 1
1. Take Five
2. Mogamigawa Funauta
3. The Positive & The Negative
4. And I Love Her
Side 2
1. The House Of The Rising Sun
2. Do You Know The Way To San Jose
3. Soul Bamboo
4. Call Me
5. Scarborouge Fair

Second_hand: 
Non
Forthcoming: 
Non
Origine: 
Re-Issue
Newsletter: 
Non
Partager: 

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