Grotto

Wait... No Hurry

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First official reissue of Nigerian Boogie Disco Grail LP produced by Grotto for EMI Nigeria and originally released in 1978. Contains dance classic‘Bad city Girl’. Liner notes by Nigerian Music expert Uchenna Ikkone, include previously unpublished photos and extensive interviews by Temitope Kogbe.“Odion Iruoje was the A&R manager at EMI at the time,” Benson says, “and he auditioned us, liked he material and signed us.” Odion Iruoje of course had groomed and produced Ofege. Now he was looking to repeat the formula with other high school groups such as Tirogo, Apples and Question Mark. Grotto’s deep rock would be a welcome addition to this “schoolboy rock” series. Work on their album started immediately, with Iruoje in the producer’s chair. Adapting to the tastes of the times—as well as their own maturing musical sensibilities—Grotto started transitioning from acid rock towards sleeker, more dance floor-friendly grooves. “As I grew older I think I got a bit jazzier,” Benson says. “I also listened to Curtis Mayfield, James Brown, Isley Brothers, Prince and a lot of funk groups from that era.” “Hard rock was the content of the first album,” Amenechi agrees, “and funk/jazz/R&B the focus of album number two. Especially with the late Toma Mason Jr. joining as bassist.” The group’s second album, Grotto II: Wait… No Hurry (released in 1979) reflected the growing sophistication of its members’ musical outlook. Fat, funky bass grooves rubbed shoulders with jazzy flute lines; space-age synthesizer tones punctuated good, old-fashioned crunchy rock riffs.

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LIVST 004

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30.00
Tracklist: 

Side 1
1. Wait... No Hurry
2. Maya
3. When Will I Learn
4. Who Gives A Damn
Side 2
1. Bad City Girl
2. Yeah Runnin'
3. Freestyle

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At Last...

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Odion Livingstone present another essential reissue of a rare gem from the Nigerian archives, Grotto’s lost Afrorock classic from 1977, ‘At Last’.Formed at “Greg’s” (St Gregory’s college in Ikoyi, Lagos), Grotto came up at the same time as several other in?uential student bands based there, including Ofege. “As Grotto, we played a rock/funk fusion. We were probably aged 15, 16 or thereabouts and we were heavily into music, we listened to Jimi Hendrix, Carlos Santana and lots of rock bands,” explains lead guitarist Soga Benson.Their debut album is a heavyweight trip, drifting from psychedelic workouts to crunching breaks and funkier directions. “Odion Iruoje was the A&R manager at EMI at the time and he auditioned us, liked the material and signed us. He also produced our recordings,” continues Benson. “Most of us were boarders and the school encouraged music and had instruments so we had time to jam and really gel together. The group still continued after we left Gregs. We had to juggle A-Levels with gigs and we used to skip school whenever we had a show, rehearsal or a recording date.”While many Nigerian student bands were studio-based projects, Grotto was an active live unit during the ‘70s. “We played at The Shrine with Fela, with Tee Mac at Batakoto, with Sonny Okosun at Kakadu, Segun Bucknor at Granada Hotel.”This frst international reissue of Grotto’s debut album comes with a full interview with Soga Benson and producer Odion Iruoje + a selection of rare and previously unseen photos of the band. The album is fully remastered by The Carvery.

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ODILIV2LP

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30.00
Tracklist: 

Side 1
1. Come Along With Me
2. Bad Times
3. Funk From Mother
4. Grottic Depression 2
Side 2
1. Grottic Depression 1
2. Change Of Tide
3. Doomed

Second_hand: 
Non
Forthcoming: 
Non
Origine: 
Re-Issue
Newsletter: 
Non
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