Africa Seven

We are pleased to welcome you once more aboard Africa Airways. For your third flight your pilot has informed us of some particularly adverse turbulence en-route. Your trip may be multi-coloured, the winds may be swirling and the clouds may be kaleidoscopic. Ladies and Gentlemen, please fasten your seat belts for your mind-expanding journey through the Afro-Psych skies. Opening up proceedings are Afro National from Sierra Leone. Their progressive psyche-highlife foot-stomper setting down a marker for things to come. Next it is Ifang Bondi who serves up a swirling concoction of powering afro rhythms, fuzz guitar, magic flute, fuzz organ, all underpinned with a driving powerful driving bass line. Next stop is Mali where Sory Bamba serves up the highlight from his 1979 album "Kanaga 78". An early use of psychedelic synthesizer paired cleverly with pulsating bass guitar and harsh choppy guitar. We step forward in time a few years for the distorted guitar chords and over-stacked beats of "Nzango" by African Black. Bunzu Soundz from Ghana close side A with their choppy, percussive, "Zinabu". Messi Jacques & Les Dissoumbas De Libreville open up side B with "Onga Ben Ma Na Mene Mebua", prepare for an onslaught of psych organ, crazed drumming and eeechho vocals to the max. Decca West Africa, Nigerian favorites Ofo and The Black Company grind out the psych factor next with their conga driven fuzz fest "Allah Wakbarr". The Damas Swing Orchestra slow proceedings down with their afro left-field swing micro epic "Odylife". We take a brief detour via Indonesia for the AKA and their dance floor mover "Shake Me". It's a track of two halves. Psychedelic throughout but in the second half things swing fast and funky. We close down with the master Manu Dibango. Proving he can turn his hand to just about any genre of music, the Cameroonian legend delivers his pensive, xylo-driven, riff locked, soundtrack epic "Ceddo" to close out our journey. Welcome to your destination. We hope you enjoyed your trip.

One of the most pivotal figures in the history of Malian music is Sorry Bamba. His work spans five decades and his music bridges the gap between Mali's cultural traditions and new the music which arose from the musical cross overs which occurred in Mali's post-Colonial period. Bamba was born in 1938 in Mopti. This is dissected by both the Niger and Bani rivers and known for its rich cultural diversity. Bamba's father was a distinguished veteran of Emperor Samory Toure's military and a nobleman in Malian society, however, this meant young Sorry was forbidden to make music, as under the nation's caste system, music was an art form reserved for the Griots.At the age of 10, Sorry's parents died and in traumatic times that followed the young teen found solace in music. He first taught himself to play am African six-holed flute. As he progressed he began to absorbed the rich tapestry of music of his surroundings, traditional Malian music, highlife from Ghana, local accordion master Toumani Toure, European singers and musicians. In 1957 Sorry formed his first band, Group Goumbe, named after a popular Ivory Coast dance style. In 1960 Mali gained independence from France, Bamba and his group benefited from a new openness toward local music on the state-run radio network Radio Mali. Sorry then went on to form two award-winning, further collectives Bani Jazz and later the Kanaga Orchestra. They fused Latin jazz, Western R&B, Psychadelic and funk, and traditional Malian styles made them a favourite in Mali and beyond.In 1979 Sorry produced his third LP for the Paris based Sonafric group. Long out of print Africa Seven is pleased to be re-issuing the LP with the authorization of the newly reformed Sonafric group. The re-issue benefits from extensive restoration and re-mastering to a spectral analysis level, bringing and polishing long lost and distorted sounds.The six track masterpiece opens with "Mayel". It blends Afro-space grooves, cowbell and swirling organ with psych guitar and punchy horns. "Kanaga 78" was named after his band of the time. Sounding as fresh (if not more so) in 2016 as it did in 1979 the hypnotic bass, expansive drums, twisting organ and snakelike fuzz-guitar all combine to create a masterpiece of African psychedelia. "Bayadjourou" closes off Side A of the LP with its pulsating, incessant organ hook-line and driving tom drums while adding in layers of Malian vocal from a female chorus and Sorry himself.Side B opens up with "Tjamantie Kolo" which is powered by driving conga and drums layered with traditional vocals and distorted picked electric guitar lines. "N'Nebakaidi" focuses on the song writing skill and delivery of Sorry who delivers a masterful vocal over grooves which somehow manage to sound melancholy but somehow also forlornly uplifting at the same time. The LP closes with "Nani Nani" which is a brass driven wall of African sound.Stay tuned for further re-issues of Sorry Bamba's first and second albums soon on Africa Seven.

It is late 1972. Six emigres from Congo, Benin and Cameroon find themselves in Pavia, near Milan in Italy. Sharing a passion for music and dance rooted in African culture they form a band called M'Bamina ("Lightning") they and stage their dance and music show in Le Rotonde di Garlasco. Two years of hard work and gigging follow before they make their first album "African Roll", released in 1975.Following a European tour in 1976 then find themselves performing in Cameroon for a landmark concert at the Stade de Yaounde with Claude Francois (French Pop star and the writer of the original version of Sinatras My Way) and African music legend Manu Dibango. As it often happened in the 70s when talented ambitious bands met Manu Dibango, a move to France and a record deal with Fiesta Records (Decca) soon followed.In Paris 1977 the band find themselves opening for a James Brown's concert Au Pavillon de Paris. By now the band is a well-oiled machine they have honed their live shows and sound by distilling a pure and fresh blend of R.& B, Rumba, Afro-Cuban, Funk and traditional African. M'Bamina then hook up with French producer Philippe Brejean to record their second album "Experimental" in Sysmo studios (a hot bed of album activity and French production music at the time). The results capture the band at the peak of their powers.The core of M'Bamina was made up of Samba Ngo (guitar and vocals), Antoine Nkouka Batenda (guitar and vocals), Bernard Bifuanibo (bass), Jean-Marie Bolangassa (percussion), Anselme Tambakassa (congas) et Ligali Ali Amidou (percussion and vocals). The band would go on to make 2 further albums before disbanding in 1985.

Jake Sollo was one of the most prolific innovative musicians from Nigeria in the 70s and 80s. His talents as a rhythm guitar player saw him through much of his career where he played with several Nigerian bands of varying styles. After a stint in the beat group the Hykkers (which he formed whilst studying at the University of Nigeria in Nsukka) then went on to wider recognition as a member of the Funkees. Sollo then went on to play with famed Afro-rock group Osibisa. His stint working alongside group leader Teddy Osei. The Funkees had become very popular, not just in Nigeria where a rough demo of the track "Akula Owu Onyeara" was on constant rotation at the East-Central State Broadcasting Service, but the track was went on to be picked up by the BBC DJ John Peel.After successes in bands, Sollo went solo and found a steady stream of work in London as a session musician and a producer. He returned to Nigeria in 1981 where he produced "bouncy, high gloss boogie" which was incredibly in demand. He had a distinctive playing and producing style and was incredibly popular. He utilized synthesizers which were uncommon in Nigeria at the time.The 1979 "Jake Sollo" self titled album was produced for Pye / Disques Esperance in London. Touches of pop, plenty of African groove, moments of psychedelica... all bound together with Jakes distinctive guitar playing and sleek production. These are sounds that are reminiscent of African music lovers contemporary of Sollo such as David Byrne and Talking Heads, and Paul Simon in Graceland, but with a glittering grooviness that is all Jake Sollo.Sadly Jakes career was cut short when he tragically died in a car accident in 1985. Depriving the world of no doubt what would have been decades of more innovative and creative music.

ts early 2015. Welcome to Africa Seven. We are a new record label. We may be based in Paris and London but our hearts firmly rooted in the universal motherland. We love African music, we want everyone to hear it and we want to spread the love. We are a collective of crate diggers, afro music-heads, label spotters and vinyl buying obsessives. We don't have any particular musical release agenda apart from, "is it of African origin, does it have a beat?, do we like it?". For the first few releases on Africa Seven we are exploring a rich seam of creativity and groove from the 70's. Stand by for re-issues from Manu Dibango, Jake Sollo, Jo Tongo, Pasteur Lappe and Tala AM to name but a few.Trying to decide our first release was a long drawn out affair. Everyone had their favorites...,. Would it Manu, Tala, Ray, Jake or Jo? In the end we just couldn't decide. To keep the peace we settled on a taster compilation called "African Airways Vol 01". Think of it as a statement of intent. A sample of aural treats in store. As for the cheesy name, well...,.. we like African Music, who doesn't like air hostesses? and we are aeroplane geeks. It was a no-brainer really.Volume 1 of Africa Airways focuses on the funkier side of 70s African music. We can't think of any better way to start an African compilation than some pounding, powerful, masterful African drumming. Thank you Ekambi Brilliant, you sure know how to set up an opening track. Next up we jump to the Cameronian king of the Tchamassi dance, Tala Andre Marie (Tala AM is his snazzier moniker). "Black Gold" is a track that really says it all. Cant-sit-still grooves, masterfully jangly guitars and a really cool nascent use of synthesizers. Is it possible to play a song over and over again 300 times? - we think so. Elvis Kemayo is next up with the funky assault. Big brass, big basslines and happy times. Cameroonian native Jo Tongo, now lives in New York but back in the 70s he was part of the Fiesta label massive who were cranking out great records in Paris. "Jangolo" is quite possibly his finest moment. Keeping things Cameroon to finish up side one is the Saxophone master Manu Dibango. "Mimbo" is jazzy, darty gem. Manu recently turned 80 and celebrated with a series of gigs. A true afro legend with over 30 albums to his name. Quite a few have never been re-issued since the 70s and they are now patiently queued up on our release schedule.Opening side two of our vinyl is Jo Bisso. Give It Up is a funky, brass however from 1977 on the Disques Esperance label. Next up is "Mbongui". Did you think a flute in African music could sound this funky? Nigerian Jake Sollo met with an untimely death but his music lives on. Jake was a leader of one of the first wave of funky afro bands to come out of Nigeria in the early 70s, "The Funkees". "Father Time and Mother Nature" retains all those key elements of what made his band so successful. Sookie are next up with their US style funk..., but with an African twist. To finish up the LP Paris based "African Soul Band" bring out the dark strings, chanted Senegalese vocals and mirroring marimbas for their epic closer "Nande" from 1978.Stay tuned for more Africa Seven releases on CD, Vinyl and Digital. Our next release is from the Cameroonian Saxophone master Manu Dibango with a rare 1977 Film Soundtrack "Ceddo". Think thoughtful, brooding afrobeat meets Shaft.

We are more than ten releases in here at Africa Seven. It has been a wild ride... It was eight months ago that we launched our label and released our debut release the Compilation "Africa Airways 01: Funk Connection". It did better than we ever imagined and we had to repress the darned thing twice... So predictably for a follow up we humbly present you with "Africa Airways 02: Funk Departures 1973-1982". We have unashamedly stuck to the formula of our debut, keeping the funk deep and the groove pan-African. Heading straight for the afrobeat, dance-funk jugular.We open up Volume Two with an absolute corker... "Na Real Sekele Fo Ya" from Cameroonian-in-Paris Pasteur Lappe. Produced by Jacob Desvarieux of Kassav fame, this track is an instant grabber, Think of the Blockheads "Rhythm Stick" goes Afro chant with deep, soulful moog grooves and on-point brass stabs. Next up is M'Bamina an Italian / Ivory Coast band who swing things heavy with "Kilowi Kilowi". Sweeting strings, funky bass lines wrapped around a late 70s style disco groove.Ekambi Briallant is next up with his floor tappingly catchy afro soul "Aboki (Mon Copain)", produced by one of our favorite producers Slim Pezin. To round off the A-side of the vinyl we present the first outing from the Makeba family. Here the (sadly prematurely departed) Bongi Makeba, daughter of "Mama Africa" Myriam Makeba, shows the world just what an amazing artist she would have developed into. Bongi wrote a fair number of her mother's tracks in her later years and "Don't Do It" shows us what true talent for the song she was blessed with. The track her powers along with wah-wah guitar and masterful alto sax. A real treat.Friend of Africa Seven and Cameroonian native Jo Tongo opens thing up on Side B. Jo now lives in New York but back in the 70s he was part of the Fiesta label collective who were cranking out great records in Paris. "Piani" is his purest dancefloor moment, here again in full glory.Next up we bend our African remit ever-so slightly and head off to Holland for a James Brown style fuelled funk stomper "Relax.. Before Doing Sex" from Oscar Harris and his crew. Its big, its bold, its brassy...,.. It's fun.The power trio of Bozambo are next up. Between them they have released over 12 solo LPs and here together with "Get it On The Music" they power through with a keyboard/synyh driven afro-funk groove years ahead of its time..., made in 1978 but sounding like 1984. Misse Ngoh is one great guitarist and a masterful adaptor of the Makossa rhythms of his native Cameroun. The title track from his Esperance 1979 LP "Tata Ngoh" mixes in his trademark rhythms and grooves with slap bass and striking brass lines. One heck of a catchy song too.We round off the compilation with the Queen of Queens, Myriam Makeba. Possibly / probably the most influential female musician to come out of Africa..., ever. "Mama Africa's" biography is awe-inspiring and vast, but very hard to summarize in a few sentences... so please check it out for yourself. From breaking the African sound in the West, to the obsessively catchy "Pata Pata" to the influential, focal role she played in helping bring an end to Apartheid in her native South Africa. There are many tracks to feature from Myriam but we aren't about hits here at Africa Seven. Being the crate diggers we are, we thought the best way we could honour the lady was to dig the crate even deeper and go with the most obscure Myriam track we could find. "Toyota Fantasy" was recorded during her exile years spent in Guinea with the Esperance team as a one off promotional 7" single giveaway release. Be aspirational, as the lady says.We hope you enjoy your flight with African Airways 02. We hope to be fuelling up an aircraft with some psychedelic propellant for volume 3 sometime in 2016... at a vinyl store near you.

Tala AM (or Tala Andre Marie to give him his full and proper name) was born in Bandjoun in Cameroun in 1950. Talas life initially wasn't easy, he becomes blind at an early age and has lost both his mother and father by the age of 12. He then went on to make his first guitar by hand and form his first band "The Rock Boys" by the age of 17. Shortly after he meets the powerhouse of Camerounian music at the time Manu Dibango, a pivotal moment. With help, he re-locates to Paris and signs a contract with Fiesta Records. The first fruit of those labours is his debut album "Hot Koki".The lead track (and highlight of this compilation) is "Hot Koki" it is a powerhouse of funk guitar, soul and infectious afro rhythms. Fast forward to 1974 and the famous "Rumble In The Jungle" fight between Muhammad Ali and George Foreman. The story goes a little something like this... At an accompanying musical event we find James Brown and Tala AM. JB Hears Hot Koki and creates a remarkably similar sounding track "The Hustle" (check it out side by side if you have the time).Fast forward another 40 years. Time to take a look back on the funkier moments of Tala. This is not a "best of" Tala, that has already been done. Want to get into Tala's famous Tchamassi sound or do some "bend skin" beats... well check out the other compilations. Here at Africa Seven (and in this case) we are headed for destination funk. The musical topic inevitably leads us to the 70's and we borrow our super slick source material mainly from the albums Tala made for Fiesta Records from 1973 to 1978.We open up the bombastic brass, swinging basslines and all out groove of Hot Koki (well after a little intro ditty gem). Then its on to the one of the highlights of "Arabia" album "Black Gold". This track swoons groove. Layers of picked and choppy guitar and on point drumming. "Sugar Lump" is next which sticks to the formula of the previous track but adds in catchy vocals.Mining into the cave of delights that is the 1978 "Black Woman" album we then follow up with the driving afro beat grooves and stabby brass of "Gotam" and the boogie flowing grooves of "Black Woman" and the frenetic and driving grooves of "Ma Ka La". We round things off with the stabby clavi-funk of "Nom Te Ma" and the ultimate groovy funk-riff closer (and ear worm) Tcham Tcham.So there you some slices of pure funk from a master. Tala's role of awards and achievements is long and impressive (check his Wikipedia), Knight of Valour of Cameroun, SACEM awards and his opening of a music school in Douala... However.. we feel these musical masterpieces are right up there with his finest achievements.. A true man of music.