Soundtrack

Musique Originale De Films

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Ahmed Malek - Algeria's Ennio MorriconeAhmed Malek was one of the most important musicians of the Algerian scene of the 1970s. His sountrack works that were composed for various Algerian movies of the time fuse Arabic influences with jazz, psych and funk influences. Dark cineastic soundscapes meet african Jazz at times reminicent of Mulatu. Original copies of his vinyl releases have been sold for enormous amounts. For this release we combined the strongest tracks from his releases with a selection of unreleased material straight from the families archive. The vinyl edition comes with a 8 page 12” size booklet, the cd version with a 16 page booklet with lot of unseen photos, an interview with the artist from 1978 and an introduction to Algerian cinema.Introduction: I still remember the first time I heard Ahmed Malek. It was 2012. Back then I didn’t know much about Arabic music, but I was about to leave Berlin for a couple of weeks to go to Tunisia. I was working as a project manager for a music recoding session which ended up being released by Jakarta Records as the “Sawtuha” release. I knew I would have some time off during my stay and I was certain that I would dedicate some of this time to diggin. I askesome people whether they knew of any titles that I should look for. Roskow, who also ended up re-mastering this release, told me about an Algerian composer called Ahmed Malek whose music was also released in Tunisia.Fast forward three years: Arabic records have become my number one hobby and luckily I got my hands on a copy of Ahmed Malek’s “Musique Originale De Films” album. I already knew some of the tracks but listening to the music the way it was originally released, and not as a crappy Youtube version, made me fall in love with Malek’s compositions all the more. It manages to create this very special mood: melancholic and reflective, emotional and touching, but never depressing. Even without having seen any of the pictures created for this, it immediately brings visuals to one’s imagination. Around that time I became captivated with the idea of reissuing some of Ahmed Malek’s music. I knew some people had tried to locate his family but, but with no success. In the end it was an incredible amount of luck that made it possible for you to read these words and listen to this record. I had a DJ gig in Beirut playing old Arabic records and I mentioned my passion for Ahmed Malek’s music to a friend. She said she knew one person in Algier, and as much as it would be a shot in the dark, she could ask her if she had an idea of how to find Malek’s family. Two weeks went by before I heard back, and what I got was incredibly good news. Her Algerian friend was the neighbor of Ahmed Malek’s daughter! I’m not a spiritual person, but it felt like the universe wanted to see this release happen.

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HABIBI 003

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32.00
Tracklist: 

Side 1
1. Omar Gatlato
2. Tikjda
3. La Ville
4. La Ville (part 2)
5. Halla
6. Maya
7. Les Vacances De L'Inspecteur Tahar
Side 2
1. La Silence Des Cendres
2. Autopsie D'un Complot
3. La Cote
4. Henya
5. Bolero
6. Un Toit Et Une Famille
7. Omar Gatlatou (alternative version)

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Parisian Dreams

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"What you have here, pouring out of your listening devices, is Parisian Dreams. A genre-busting, generation-spanning, cross-pollination of 21st century beatmaking and 1970’s psychedelic composition. The styles are myriad. Running the gamut, between acoustic folky guitar riffs, through fuzzy movie-soundtrack textures, hitting grooves that land somewhere between dub and funky breakbeat jazz.MPC producer Yeti recently found himself in a session with one of his musical heroes, Janko Nivolic. A veteran composer of psychedelic funk and jazz dating back to the late 1960’s. In his digging and sampling obsession Yeti had marvelled at the compositions of Mr Nivolic for years, collecting these rarities, mostly found on obscure Library records.The title ‘Parisian Dreams’ is highly significant as is explained in this anecdote from Yeti. “At the session that I was involved in with Janko in Paris, he showed up with a score that he had conceived while dreaming the previous night. He awoke at 5 AM, scribbled it down immediately and brought it with him to the session. He didn’t need to take it over to the piano, to check if it made sense. He just knew it did. Blew my mind!” So, sit back and absorb these magical sounds from the sub-conscious of an 80 year-old musical legend, combined with punchy beats, from a revered MPC pad-tapper, specially designated, to give your woofers a workout. DJ Ollie Teeba". (Text by Soundsci/The Herbaliser)

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HMG 01PDV

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15.00
Tracklist: 

Side 1
1. Parisian Dreams
Side 2
1. Until I See You Again

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Non
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Original
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VTC

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For it’s 10th album, Blundetto drops his first soundtrack on LP, an ode to road trips and 70’s scores. VTC is a Canal + mini series and features Golshifteh Farahani as Nora, the main character. This soundtrack is the most « urban » and « electronic » work from Blundetto to date. 33 mins of funk grooves, hypnotic atmospheres and psychedelic landscapes. This is the first release of Blundetto’s new label: Les Rythmes Ruban.

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LRR 001LP

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22.00
Tracklist: 

Side 1
1. Evidences Are Bases Of Conclusion
2. Tunnel
3. Half Blind Dog
4. Rooster
5. La Chapelle
6. The Meeting
7. L'Espace
Side 2
1. This Is A Trap
2. Hald Blind Drive
3. The Liquid Chase
4. Mapesa
5. Walk A Mile In My Mind
6. Les Flammes

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Il Tempo Degli Assassini

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Between the 60s and 80s, Albert Verrecchia played a major role in Italian pop music and on the European disco and Afro-cosmic scene, both under his own name and under the monikers Albert Weyman and Albert Prince. He was the keyboardist of legendary Italian-French r'n'b band I Pyranas, served as a session Hammondist for singer and TV star Raffaella Carrà, and produced the disco trio Belle Epoque as well as the debut album of singer-songwriter Alan Sorrenti. Among his many incarnations, in the early and mid-70s he also composed a few soundtracks for Italian genre cinema, including for movies such as the poliziottesco Roma drogata, la polizia non può intervenire (Hallucinating Trip, 1975, Lucio Marcaccini) and the erotic drama Tecnica di un amore (1972, Brunello Rondi).The score he wrote in 1975 for Il tempo degli assassini (Season of Assassins, a film about a gang of criminal youths who terrorize the city of Rome in the already violent 70s) is certainly his most accomplished work in the genre. Conceived for a small ensemble, it was written almost entirely on the spot in the recording studio. Verrecchia himself played the Moog, and his dynamic and percussive approach to the instrument resulted in a style midway between funk and proto-disco. A modern rhythmic style - or Ritmico Moderno, which is the title chosen by CAM for the LP containing the soundtrack and released two years later as part of a promotional library music series only distributed to film professionals and radio and TV programmers (CML series, cat. no. 131). One is led to wonder whether it was thanks to that LP that, in 1977, three pieces from the soundtrack found their way into another film about youth gangs, the Spanish Perros callejeros (Street Warriors), written and directed by Jose Antonio de la Loma. On a side but important note, there's the added bonus of popular 70s and 80s entertainer Sammy Barbot singing on Gang Leader alongside female vocal group Baba Yaga. What a pity that Verrecchia's career as a film composer ended here!

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FLIES 37

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42.00
Tracklist: 

Side 1
1. Escape
2. In The Space
3. Discoteque Music
4. In The Country
5. Season Of Assassins
Side 2
1. Escape #2
2. Leave It Behind
3. Gang Leader
4. Dancing
5. Upsetting
6. Gang Leader - M15

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Non
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Original
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Les Secrets De La Mer Rouge

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Transversales Disques presents for the first time on LP, François de Roubaix’s full score for the French TV series Les Secrets de la Mer Rouge, an adaptation of the epic travel, through the Middle East, of the famous writer and explorer Henri de Monfreid. This album is a collection of the original (1967) themes and those recorded later in 1975 when the TV series was continued.In the 1967 soundtrack, de Roubaix uses various flutes, marine conches, and for underwater views, unexpected instruments such as a celesta or a crystal xylophone. By 1975, electronic technology had dramatically developed and this evolution is clearly apparent when one listens to the recordings of the two seasons. For the later 1975 series, de Roubaix composed a new music score, mixing old and new sounds, a great combination of EMS VCS3 synthesizer subtly mixed with acoustic instruments.For François de Roubaix, there was never a border between fiction, life and music, and writing music for Les secrets de la Mer Rouge was an extension of his love of the open sea.

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TRS 18

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26.00
Tracklist: 

Side 1
1. Celima
2. Du Vent Dans Les Voiles
3. La Vie A Bord
4. Marche Dans La Montagne
5. Enterrement De Said Ali
6. Generique
7. La Mer La Nuit
8. Pecheur De Perles
9. Les Plus Belles Perles Du Monde
10. Theme De L'adieu (Final)
11. Generique (version 2)
Side 2
1. Mafia Au Moyen-Orient
2. Hadji
3. La Peche
4. Amina
5. L'esclave Gabre
6. Les Pirates
7. L'enlevement
8. L'evasion
9. Desert
10. Amina (version 2)

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La Femme-Objet

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Comes with two posters and a 28p.B&W comic in French and English about Cicciolina

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LDDC 03

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35.00
Tracklist: 

Side 1
1. Portrait Robot D'une Poupée Gonflée
2. Kim, Programmée Pour Le Désir, Équipée Pour Le Plaisir
3. Le Programme Mateur Dans L'amatrice
4. Les Bacchanales Horizontales De Marie-Chantal
5. Rodéo Romantique Pour Angélique
6. Eros, Thanatos et Mykonos
7. Olga Et L'attachée De Fesses
8. Kim Et Olga Dézipent Les Gigabits
9. Énergie Cinétique Pour Surtension Érotique
10. Kim, Prise Femelle Pour Mâle En Panne
Side 2
1. Rencontre Du Troisième Sexe
2. Laura, La Dernière Mise À Jouir
3. Supernaturiste
4. Robot À Tout Faire Pour Parties De Jambes En L'air
5. Amour Mélancolique Et Plaisirs Mécaniques
6. Interlude Interlope
7. Lucille Préfère Les Disques Durs
8. Secrétaire Intérimaire Pour Plaisir Longue Durée
9. Olga, Lucille, Kim Et Les Autres

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Serpico

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WWSLP 030

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25.00
Tracklist: 

Side 1
1. Theme From Serpico
2. Honest Cop
3. Alone In The Apartment
4. Meeting In The Park
5. Shoe Shop
Side 2
1. On The Streets
2. Flashback
3. Laurie's Fable
4. Disillusion
5. End Title

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Re-Issue
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Uccidete Il Vitello Grasso E Arrostitelo

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For the first time on LP, Maestro Morricone's full score for Uccidete il vitello grasso e arrostitelo. A 1969 giallo-noir, full of cruel twists, directed by Salvatore Samperi.This almost unknown soundtrack wasn't released at the time and the original master tapes were carefully archived in the vault of legendary C.A.M. label. Conducted by Bruno Nicolai and featuring voices by Edda Dell'Orso.The maestro delivers one his best scores from the late 60's. A psych-baroque journey with typical beat arrangements, crazy organs solos, wah-wah guitars and tense harpsichord phrases. Including the previously unreleased "Shake introspettivo". Remastered from the original master tapes. Limited Edition.

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TRS 16

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24.00
Tracklist: 

Side 1
1. Uccidete Il Vitello Grasso (Titoli)
2. Ricordo Tanti Fiori
3. Shake Introspettivo
4. Al Confini Della Follia
5. Scivolando Nel Buio (Versione 2)
Side 2
1. Scivolando Nel Buio
2. Al Confini Della Follia (Versione 2)
3. La Fredda Lama Del Coltello
4. Lungo La Stradina
5. Uccidete Il Vitello Grasso (Versione 2)

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Non
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Re-Issue
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La Dimostrazione/Elikiller

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For the first time on 7-inch vinyl, the killer "Dusty Fingers” tune, LA DIMOSTRAZIONE, taken from the soundtrack for the Spanish movie, “Metralleta Stein”. A moody, dark-funk midtempo track, fueled with solid drum breaks and heavy basslines. A real classic for any beatmaker, this track has been sampled and compiled a dozen times. On the flip side, you will find the more dynamic ELIKILLER, another smashing jazz-funk tune with great rhythmical and menacing tension.Limited Edition of 300 copies. 

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FLIES 45-19

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13.00
Tracklist: 

Side 1
1. La Dimostrazione
Side 2
1. Elikiller

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Non
Origine: 
Original
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Ash/Gli Angeli Del 2000

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One of the Italian soul-mod tracks that every DJ has always dreamed of having on 7-inch! Taken from GLI ANGELI DEL 2000 OST by Mario Molino, ASH is an ace uptempo dancefloor burner, provided by a great brass section, and sung by the fabulous Edda Dell’Orso.On the flip-side is GLI ANGELI DEL 2000 - a lysergic Italian version of Pierre Henry’s retro-futuristic “Psyché Rock" anthem, featuring bells, fat bass lines, wah wah guitar, and electronic effects.Limited Edition 300 of copies.

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FLIES 45-18

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13.00
Tracklist: 

Side 1
1. Ash (feat Edda Dell'Orso)
Side 2
1. Gli Angeli Del 2000

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Non
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Non
Origine: 
Original
Newsletter: 
Non
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