G's Way

Following the success of "Seventy Seven", Gerald Bonnegrace returns with another super-immersive journey into jazz and Afro tickled roots. Taking off where the last album left us, our focus is squared plainly on the authenticity of the sound, production and arrangement. From the Bob James' motif right at the end of "Once Upon A Time" to the more languid Hathaway-style narrative of "Manikou" via the heavy freneticism of "Jam Session" and Vadim-esque French hip-hop licks of "One Nation", there's much more consistency than the album title suggests.