France

I Know You Got Soul

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Betino’s got a brand new bag!Salut à toutes & tous.Aujourd’hui, la nouveauté chez Betino’s n’est pas un disque mais un joli tote bag en coton 220 grs ,bleu marine ou bleu roi, parfait pour vos vinyls.Il est sérigraphié en jaune du motif afro qui orne déjà nos t-shirts.Now in stock.Hit me !!!SHIPPING INFORMATION:FRANCE :1 Tote Bag : 4€1 Tote Bag : Shipping with tracking number 5€2 Tote Bag : 6€2 Tote Bag : Shipping with tracking number 6,50€EUROPE :1 Tote Bag : 7€1 Tote Bag : Shipping with tracking number 10€2 Tote Bag : 11€2 Tote Bag : Shipping with tracking number 14€REST OF THE WORLD :1 Tote Bag : 17€1 Tote Bag : Shipping with tracking number 11€2 Tote Bag : 11€2 Tote Bag : Shipping with tracking number 14€

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Bleu Roi

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1
Prix panier: 
6.00
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Non
Forthcoming: 
Non
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Original
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Non
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I Know You Got Soul

photo: 
a propos: 
Betino’s got a brand new bag!Salut à toutes & tous.Aujourd’hui, la nouveauté chez Betino’s n’est pas un disque mais un joli tote bag en coton 220 grs ,bleu marine ou bleu roi, parfait pour vos vinyls.Il est sérigraphié en jaune du motif afro qui orne déjà nos t-shirts.Now in stock.Hit me !!!SHIPPING INFORMATION:FRANCE :1 Tote Bag : 4€1 Tote Bag : Shipping with tracking number 5€2 Tote Bag : 6€2 Tote Bag : Shipping with tracking number 6,50€EUROPE :1 Tote Bag : 7€1 Tote Bag : Shipping with tracking number 10€2 Tote Bag : 11€2 Tote Bag : Shipping with tracking number 14€REST OF THE WORLD :1 Tote Bag : 17€1 Tote Bag : Shipping with tracking number 11€2 Tote Bag : 11€2 Tote Bag : Shipping with tracking number 14€

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Bleu Marine

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1
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6.00
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Non
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Non
Origine: 
Original
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Non
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Crash Test

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Sauce Combo is a powerful and dynamic jazz trio lead by Marcjean, saxophonist from Bestown (Besançon), sided by the mercenary drummer Tom Moretti and the melodious Victor Pierrel on bass. The trio's music takes place in the modern jazz renewing coming especially from England and the USA. France has now a champion.Inspirated by vintage african and west indies jazz, 70's jazz funk and fusion but also 90's drum & bass, broken beat and hip hop, the repertoire is a rich jazz bomb exploding to the ears. Each second brings its his new colorful burst to admire. The band's brilliant game makes it a living listening experience. The music is rich and versatile but cohesive and united. Why?Crash Test came to light in one day during a single 7 hours recording session at the Honey For Bear laboratories. Arnaud Bataillard, the sound's engineer, wanted to try several new tubes and audio gears added in his studio set up. The trio went to test it in a crash test session. All the recordings could have been compromise somewhere but... What was before planned as a try ended into a fantastic album. The mental disposition, while playing when you know that all can be lost in a minute, gave the musicians the proper dimension to express their feelings in a total freedom. They were playing for pleasure and without any pressure. It was for all, but it could have been also for nothing. And we can literally feel that.This unique record had to be release as soon as possible to transmit the freshness of this beautiful impact to the listeners. Above all, Clément Laurentin's "Equilibre Précaire VI" achieves this album, offering a painting with four figures at the edge of the fall, in a constant imbalance, playing with time and gravity. It's the perfect allegory for the three band's members plus the engineer while making this record.

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MBLP 06

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1
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30.00
Tracklist: 

Side 1
1. Carpe Dilemme
2. Entre Deux Eaux
Side 2
1. Disposer
2. Exocet
3. Gran Tomobil

Second_hand: 
Non
Forthcoming: 
Non
Origine: 
Original
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Non
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Nebula

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DLGONWAX 005

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0
Tracklist: 

Side 1
1. Knuckle G - Late Night Walk
2. Le Hutin - Al Dente
3. Chinau - I've Been Doing My Own Thing
Side 2
1. Vanderkraft - Ca Pointe
2. BK Mik - Since She's Mine
3. Thirsty Guys - Deep Sensations

Second_hand: 
Non
Forthcoming: 
Oui
Origine: 
Original
Newsletter: 
Non
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Treasure #3

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TREASURE003

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1
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10.00
Tracklist: 

Side 1
1. Journey (GB version)
2. Journey (GB Instrumental)
Side 2
1. What About (Rodamix Version)
2. What About (Rodamix Instrumental)

Second_hand: 
Non
Forthcoming: 
Non
Origine: 
Original
Newsletter: 
Non
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Marvin

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HS 193VL

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1
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12.00
Tracklist: 

Side 1
1. Marvin
2. Porsche 944
Side 2
1. Aout
2. Porsche 944 (The Drop Vibes remix)

Second_hand: 
Non
Forthcoming: 
Non
Origine: 
Original
Newsletter: 
Non
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Le meilleur titre pour un album

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DKOLP06

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1
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24.00
Tracklist: 

Side 1
1. Suce Mon Groove (JMBLC Mix)
2. Ssod Révolution Jamais Dans Les Charts
Side 2
1. Le Son à 1000 Balles (Meg)
2. La Celle-Sound-Cloud (Titiwistiti Mix)
3. Plus Jamais Le Même
Side 3
1. Du Son Pour Mes Chaussures
2. Ligue De Défense Des Objets (PCEA REMYX)
3. OG Boss Master (Réalité Certaine)
Side 4
1. Bienvenue à Pantruche
2. JTBGD92

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Non
Forthcoming: 
Non
Origine: 
Original
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Non
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French Disco Boogie Sounds Vol 4: 1977-1991

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The motor hasn’t had time to cool down and the belt drive is feeling the fatigue. But Charles Maurice is the kind of DJ who just can’t let a turntable rest. After steaming up the slipmat with three sexy compilations of French Boogie, Charles Maurice is back with Volume 4.In the late 70s and early 80s, while France was still firmly tuned into variety-show pop, a few enlightened ears and souls picked up the hypnotic beat of funk from across the Atlantic. These first warrior monks spread the good word in discotheques, jumped on newly available frequencies to fill the airwaves and, in some cases, took up instruments themselves to unabashedly build on the U.S. model.In a short decade stretching from the late 70s to the late 80s – just a blip on the scale of music history – they turned out material in abundance. Lush productions with colorful covers, groovy typeface and creative photo shoots…But first and foremost, they made music weaned on, spoon-fed and imbued with funk. Music defined by a groove with a robotic beat (Djeneba) that clearly hears hip-hop banging on the door, where layers of synthesizers, handclaps (Eric Chotteau), horns and African percussion line up and follow the all-powerful lead of the swelling slap bass (Cyrill). Music that tells everyday stories, both humorous and lovelorn (Serge Delisle), and often packed with pheromones just waiting to be released on the dance floor or sofa (Chris O’Hara). Shaped by synthetic textures, these productions are also spiced with Caribbean and Creole arrangements that reflect the West Indies’ critical contribution to French Boogie (Wai Kop, Acayouman).With his immaculate tailoring, slicked back hair and clipped moustache, Charles Maurice has once again transformed himself into a HiFi stylus to explore the groove traced by this specifically French musical style. From 45 to 33 rpm, he has traveled the black spiral to bring us a new selection that proudly features a number of rarely heard pieces and even an unreleased track by Marco Attali. True to form, Monsieur Charles carefully crafted this fourth volume from his personal collection of impeccably restored and mastered vinyl recordings.Charles Maurice, where French elegance meets uncompromising musical taste.

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FVR150 LP

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1
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30.00
Tracklist: 

Side 1
1. Dwight Druick - Georgy Porgy (Disco version)
2. Marco Attali - J'ai Pris Une Claque (previously unreleased)
3. Serge Delisle - Germaine (remix)
Side 2
1. Wai Kop - Lola
2. Chris O'Hara - Sur Les Coussins De La Discotheque
3. Acayouman - Funk Around
Side 3
1. Djeneba - Better Day (Hard Soul mix)
2. David Simon - Transistor (instrumental)
3. Marco Attali - La Releve Du Matin (instrumental)
Side 4
1. Shen & Les Shendys - Je Ne Suis Que Musique
2. Eric Chotteau - Affirmatif-Negatif
3. Cyrill - Night Ghetto
4. Aries - Aries

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Non
Forthcoming: 
Non
Origine: 
Original
Newsletter: 
Non
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Oriental Groove

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In the summer of 1986, inspired by gypsies from Turkey and the Balkan region, a Kurdish immigrant and six Austrians locked themselves in a small rehearsal room in Vienna's 5th district. What came out of these sessions sounded rather unusual for the local music scene.Using songs from the Eastern Mediterranean and Middle East as a vehicle for improvisations based on odd scales and rhythms, and looking for ways to adapt them to their instruments and European feel, the band gave birth to its own sound signature. Delivering some of the tightest oriental jazz fusion recorded that decade.Submitted by soundman Michael Fitsch as his end of the year project at audio engineering school, the album was ultimately released on his teacher Hans Hartel's Ha Ha Soundwave label. Mostly sold in venues during legendary performances, Oriental Groove fatally faded from memory since the group disbanded a few months after its release.To conclude a year of investigation and continuous efforts to put the band members back in touch 30 years later, Hot Mule Records is proud to bring this groundbreaking record back to life with an official reissue, carefully remastered from the original source.Limited Deluxe Edition of 500 copies in tip-on sleeve, including extensive liner notes by Donna Leake, with exclusive photos handpicked in the band's archives.

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HTML 004

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1
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28.00
Tracklist: 

Side 1
1. Nazmiye
2. Plajda - On The Beach
3. Deli Horoz - The Crazy Cock
Side 2
1. Ahtarma Meni - Don't Search Me
2. Ayrilik - Seperation
3. Cano Cano - Darling Darling
4. Kervan - Caravan

Second_hand: 
Non
Forthcoming: 
Oui
Origine: 
Re-Issue
Newsletter: 
Non
Partager: 

Brasilian Sound

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L’ALBUM 60-70’S DE MUSIQUE BRÉSILIENNE MADE IN FRANCERÉÉDITION À L’OCCASION DES 50 ANSA la fin des années 60/début des années 70, le Brésil faisait rêver. Il était à la mode, un peu partout en Europe, et donc aussi en France. On pense à "Samba Sarava" sur la BO du film Un Homme et Une Femme, à Françoise Hardy avec son album produit par Tuca, à Isabelle Aubret et son "Casa Forte" ou à France Gall avec "Zozoi". Trois musiciens brésiliens exilés en France, Edson Lobo (basse), Fernando Martins (piano) et Nelson Serra (batterie), forment le Trio Camara. Ils rencontrent un groupe d’amis amoureux de la musique brésilienne, tous professionnels de la musique, mais qui souhaitaient rester anonymes, d’où le nom de leur groupe : Les Masques. Claude Germain (Les Double Six), José Bartel, Marie Vassiliu, Pierre Vassiliu... les chanteurs formant Les Masques sont loin d’être des inconnus. En 1969 ils entrent donc au Studio Davout avec le Trio Camara pour enregistrer Brasilian Sound.Composé de 11 titres, c’est un superbe album, magistralement produit et enregistré, qui s’écoute d’une traite et nous transporte dans des ambiances à la fois légères et naïves, si propres à cette époque. Tiré à 500 e xemp l a i r e s s u r C B S l ’a l b um n e s e r a malheureusement pas un succès et il est aujourd’hui quasiment impossible de trouver le pressage original français (sonnant bien mieux que le pressage canadien paru à la même époque). Cette réédition du Très Groove Club est donc la bienvenue, pour que 50 ans après sa parution, un plus large public puisse découvrir ce magnifique album, écho d’une époque définitivement révolue.

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LTGC 005

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0
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25.00
Tracklist: 

Side 1
1. Echo
2. Il Faut Tenir
3. Un Regard... Un Sourire...
4. Enfer
5. Bal Chez Le Baron
6. La Grosse Bosse A Casanova
Side 2
1. Mais Un Jour...
2. Initiation
3. Dis Nous Quel Est Le Chemin
4. L'Oiseau
5. Les Filles Et Les Garcons

Second_hand: 
Non
Forthcoming: 
Non
Origine: 
Re-Issue
Newsletter: 
Non
Partager: 

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