Strut

Obiaa!

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Strut is proud to announce Pat Thomas & Kwashibu Area Band’s sophomore release ‘Obiaa!’, released on 4th October 2019. The album, produced again by Kwame Yeboah and Ben Abarbanel-Wolff at Lovelite Studio’s analogue HQ in Berlin, is a deep and soulful journey into the heart of Ghana’s indigenous highlife music celebrating the timeless and iconic voice of Pat Thomas, the 72 year-old “Golden Voice of Africa”.After producing Ebo Taylor’s seminal albums ‘Love and Death’ and ‘Appia Kwa Bridge’ for Strut Records, in 2014 Ben Abarbanel-Wolff approached Kwame Yeboah, Ghana’s top contemporary instrumentalist and bandleader, to work on a new project: “We initially wanted to invite Pat back into the studio with Ebo Taylor and Tony Allen to recreate and expand on some of the vibes they had recorded together during a lost session in 1977,” Ben explains. Recorded in Accra, the result was the critically acclaimed self-titled debut album ‘Pat Thomas & Kwashibu Area Band’ in 2015. Pat and the Kwashibu Area Band (named after Kwame’s neighbourhood in Accra) hit the road in October 2015.After a memorable performance at WOMEX in Budapest, they never looked back. The next two years took them around the world to play at major venues and festivals including Glastonbury, Roskilde, WOMAD, Sakifo, WOMADelaide, Sines and many more. “We could see there was something for everyone in our music. People of all ages, colours and trends were dancing together!’ explains Kwame, the mastermind behind the band’s unbelievable precision and killer live show.The new album is called ‘Obiaa!’ which means ‘Everybody!’. Tracks include the modern parables ‘Onfa Nkosi Hwee’ warning against arrogance and ‘Odo Ankasa’ about the value of real love and trust as well as a great new cover of Thomas’ Afro-disco favourite ‘Yamona’. “Playing highlife around the world taught us what we had to do to move our sound forward,” continues Ben. While simultaneously looking back towards the classic days of highlife and forward to a fresh revival of the guitar band sound, this album cements Pat Thomas & Kwashibu Area Band’s position at the pinnacle of modern African music.‘Obiaa!’ is released on all formats on 4th October The album features exclusive cover artwork by Lewis Heriz with photos by Marie Weikopf and Michelle Chiu and is mastered by Édouard Bonan at Ed-Room Studio in Paris.-Brand new album from Ghana’s original highlife master-Produced by Kwame Yeboah and Ben Abarbanel-Wolff and recorded at Jochen Stroeh’s Lovelite Studios-Mastered and cut by The Carvery with illustrated design by Lewis Heriz-Full worldwide PR campaign + European tour during Oct / Nov 2019-2LP IN SINGLE SLEEVE, 12” SHEET INSERT

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STRUT 201LP

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Onfa Nkosi Hwee
Bubu
Obi Nfreno
Listen/Ecoute :
Prix panier: 
33.00
Tracklist: 

Side 1
1. Onfa Nkosi Hwee
2. Yamona
Side 2
1. Bubu
2. Atesem
Side 3
1. Obi Nfreno
2. Odo Ankasa
Side 4
1. Okomfe Bone
2. Ntobuase
3. Obinim

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Non
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Original
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Afro-Latin Soul

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Strut continue their essential work with the “Godfather Of Ethio Jazz”, Mulatu Astatke, with the frst offcial reissues of his early classics ‘Afro Latin Soul’ Volumes 1 and 2 from 1966, recorded as The Ethiopian Quintet. Arriving after Astatke’s life-changing years studying at Berklee College in Boston, the albums were the frst experiments in his pioneering sound, fusing Ethiopian cultural music with Afro Latin and jazz forms. “I have always felt a deep connection between Latin and African music,” he explains. “I travelled to Cuba and listened to their musicians, the tempo, rhythm and feeling was very similar to different African forms. In the mid-‘60s, I formed a band called The Ethiopian Quintet in New York comprising Ethiopian, Latin and Afro-american musicians - the band included trumpeter and pianist Rudy Houston who later played with Yambu and Felix Torres who played with La Sonora Poncena.” Supported by Worthy Records’ Gil Snapper who offered to record the quintet,Astatke began to experiment during two separate sessions: “We created a different feel and different arrangements. On the frst recording, I played an adaptation of an ancient Ethiopian warrior song, ‘I Faram Gami I Faram’ - the lyrics were translated so that the singer could sing it in Spanish. Some compositions were important steps for me: ‘Mascaram Setaba’ (‘Summer Is Coming’) ‘Shagu’ and ‘Almaz’. With the second album, a personal favourite is ‘Girl From Addis Ababa’ which worked very nicely as a fusion of Ethiopian modes and R&B rhythms.”Astatke would start to perfect his Ethio jazz sound on his later album for Worthy in 1972, ‘Mulatu Of Ethiopia’ (STRUT129) but the two volumes of ‘Afro Latin Soul’ stand as important recordings documenting his early career. “It was a very interesting time to be in New York during the mid-‘60s. I was there at the same time as Hugh Masekela, Miriam Makeba and Fela Kuti and we each tried to play our part in putting Africa on the map of contemporary jazz.” ‘Afro Latin Soul’ Volumes 1 and 2 come in their full original artwork and are painstakingly remastered by The Carvery. All formats feature personal liner notes by Mulatu Astatke.- First official reissue of landmark Mulatu Astatke albums from 1966- Early Ethio jazz / Afro Latin experiments from the early days of Astatke’s career- Fully remastered by The Carvery- Package includes new liner notes by Mulatu Astatke- Essential addition to Strut’s Mulatu Astatke official reissue seriesSINGLE LP WITH 12” INSERT SHEET

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STRUT 156LP

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I Faram Gami I Faram
Mulatu's Hideaway
Playboy Cha Cha
Listen/Ecoute :
Prix panier: 
32.00
Tracklist: 

Side 1
1. I Faram Gami I Faram
2. Mascaram Setaba
3. Shagu
4. One For Buzayhew
5. Alone In The Crowd
Side 2
1. Almaz
2. Mulatu's Hideaway
3. Askum
4. A Kiss Before Dawn
5. Playboy Cha Cha

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Re-Issue
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Lloyd Miller & The Heliocentrics (OST)

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Strut repress a classic from 2010, The Heliocentrics’ groundbreaking studio collaboration with Lloyd Miller, ‘(OST)’.Recorded following their award-winning collaboration with Ethio jazz pioneer, Mulatu Astatke (Mojo magazine Top 50 of the year 2009, Sunday Times World Music Album of the year), pioneering UK collective The Heliocentrics resurfaced with another fascinating jazz enigma, ethno-musicologist, jazz maestro and multi-instrumentalist, Lloyd Miller. Learning various instruments and immersing himself in New Orleans jazz through his father, a professional clarinet player, Lloyd Miller first trained himself in the styles of George Lewis and Jimmy Giuffre and cut his first Dixieland jazz 78 rpm record in 1950. During the late ‘50s, his father landed a job in Iran and Miller began to develop a lifelong interest in Persian and Eastern music forms, learning to play a vast array of traditional ethnic instruments from across Asia and the Middle East.He toured Europe heavily, basing himself in Switzerland, Belgium, Sweden, Germany (where he played with Eddie Harris and Don Ellis) and, most famously, in Paris where he worked with leftfield bandleader Jef Gilson, a phenomenon in French jazz during the early ‘60s. Miller returned to the Middle East during the ‘70s, landing his own TV show on NIRTV in Tehran under the name Kurosh Ali Khan. His show became a national fixture and ran for seven years. More recently, his mid-‘60s album ‘Oriental Jazz’ has become a collector’s favourite.Emerging from an acoustic jazz session in 2007 set up by Jazzman, the Heliocentrics collaboration was recorded at the band’s Quatermass Studios in East London during January and February 2010, a fresh, freeform mix of Eastern arrangements, jazz and angular psychedelics. The recordings involved a number of ethnic instruments that Miller played and studied throughout his career including the oud, Phonofiddle, Indian santur, Chinese shawm and wooden flute. Lloyd Miller & The Heliocentrics’ ‘(OST)’ will be repressed on its original 2LP format, 1000 copies only.

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STRUT 060LP

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Electricone
Nava
Spiritual Jazz
Listen/Ecoute :
Prix panier: 
36.00
Tracklist: 

Side 1
1. Electricone
2. Nava
3. Mandala
Side 2
1. Spiritual Jazz
2. Bali Bronze
Side 3
1. Fantasia (part 1)
2. Modality
3. Salendro
4. Pari Ru
Side 4
1. Lloyd's Diatribe
2. Fantasia (part 2)
3. Chahargah
4. Sunda Sunset

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Non
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Disques Debs International - An Island Story: Biguine, Afro Latin & Musique Antillaise 1960-1972 Volume 1

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STRUT 187LP

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Ces P'Tits Je T'aime
Travail Z'enfants! Chantez Apres!
Feeling Happy
Listen/Ecoute :
Prix panier: 
30.00
Tracklist: 

Side 1
1. Daniel Forestal Et Sa Guitare - Ces P'Tits Je T'aime
2. Casimir Letang - Travail Z'enfants! Chantez Apres!
3. Cyril Diaz Et Son Orchestre - Feeling Happy
4. Georges Tinedor Et Manuela Pioche - Collie Et Zanno
5. Henri Debs Quintet - Douce Kombass
6. Joseph Lacides - Mr Morin
Side 2
1. Geno Exile - Lan Mise
2. Dolor Et Les Diables Du Rythme - Salvana
3. Syndey Leremon Et Ses Amis Du Calvaire Baie-Mahault - You You Matayango
4. Raymond Cicault Et Son Orchestre Volcan - A Mon Ami Lucien Jolibois
5. Orchestre Esperanza Et Jean Leroy - Ou Pas Bel
6. Henri Debs Sextet Et Paul Blamar - Moin Ce On Malere
Side 3
1. Le Ry-Co Jazz - Si I Bon Di I Bon
2. Remy Mondey - Meringue Mondey
3. Henri Guedon Et Les Contesta - Van Van
4. Les Shupa Shupa D'Haiti - Batterie Shupa
Side 4
1. Paul Blamar Et Vello - Lovency
2. Eric Virgal - Stanislas
3. Les Aiglons - Les Aiglons Ka Satisfait
4. Tutus De La Guyane - Nanao Nanao
5. Guy Conquette - Assez Fait Cancan

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Non
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Original
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Fishman

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Strut presents an exclusive release for Record Store Day, an 11-minute previously unreleased version of folk-soul gem ‘Fishman’ from 1972 by legendary Caribbean funk band The Beginning Of The End.Unearthed recently from the band’s tape archives, ‘Fishman’ paints a warm picture of life in Nassau. As The Beginning Of The End’s bandleader Ray Munnings remembers, “There was this guy that would walk through the streets early morning – you’d hear him calling ‘Fishmaaan, Fishmaaan!’ He had the catch, fresh from the boats so you could buy grouper, goggle eye and snapper there on your doorstep. The song is a nice way of remembering that slice of island culture from the early ‘70s.”This newly unearthed version builds from the 45 version, with the band solo-ing and jamming freely: “it’s great to hear this version after 55 years,” Munnings continues, “we would always stretch out in the studio. We were a tight unit with my two brothers and I at its heart. We just naturally played long during our sessions and it’s great to hear the end part here too – we just started talking together, laughing about cooking up some conk stew!”This new release features the rediscovered full length version and the 45 version, originally released as a B-side to ‘Doin’ The Funky Do’. It also includes the in-demand full length edit of the band’s rare groove classic, ‘Funky Nassau’ built from the Part 1 and Part 2 versions. ‘Fishman’ is released on Strut on Record Store Day (21st April 2018) featuring a strong new cover design by Bethany Porteous. All tracks are remastered from the original reel to reel tapes by Peter Beckmann at Technology Works.- First ever release of extended 11-minute version of The Beginning Of The End’s ‘Fishman’- Includes in-demand full length edit of the band’s rare groove classic ‘Funky Nassau’- Remastered from original tapes by Peter Beckmann at Technology Works- Release previews full Beginning Of The End reissue programme during 2018

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STRUT 191EP

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16.00
Tracklist: 

Side 1
1. Fishman (Full Lenght version)
Side 2
1. Funky Nassau (Full Lenght version)
2. Fishman (original 45 version)

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Non
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Non
Origine: 
Original
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Agboju Logun

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BACK IN STOCK Strut present a brand new 12” reissue of Shina Williams’ monster Nigerian disco anthem ‘Agboju Logun’, pairing the rare original album version (released on Phonodisk Nigeria) with the more sparse 12” remix which surfaced later internationally on Earthworks. This is the third release on STRUT'S new Original Masters Series.Back in 1979 when Shina Williams’ ‘Agboju Logun’ frst appeared on his ‘African Dances’ LP, Williams knew well that the track was breaking new ground. “I want to show the whole wide world that Africa is alive with modern musicians to reckon with anywhere,” he stated. Now an accepted Afro disco classic of its time, ‘Agboju Logun’ did indeed bring together the cream of Nigeria’s players as a oneoff supergroup in one inspired session. As a long-standing and well respected highlife musician and vocalist, Williams called in the ‘A’ list: Tunde Martins from Afro Collective played bass guitar, the brilliant Biddy Wright (player on albums by Lijadu Sisters, Blo and many more) contributed the famous synth lines and handled production, Fred Fisher was on trombone and Saliu Alabi played talking drum.Enjoying limited success upon its release in Nigeria, ‘African Dances’ nevertheless gained some international attention when Earthworks’ Jumbo Van Renan licensed two tracks from it for an international 12” single release in 1984, remixing ‘Agboju Logun’ in a more stripped back mix for dancefoors. However, it was the period following Fela Kuti’s death in the late ‘90s that truly ignited interest in archive African grooves for a new internet generation. Strut’s frst ‘Nigeria 70’ compilation featured the track in 2000 and it has been a staple in DJs’ crates ever since. ‘Abboju Logun’ is released in a picture jacket 12” featuring original artwork and all musicians’ credits and is fully remastered by The Carvery.- First offcial reissue of 12” version and LP version together- Restored by See Why Audio and remastered by The Carvery- Sleeve features original Phonodisk artwork and musicians’ credits- Essential reissue of Afro disco classic

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STRUT 154S

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Agb'oju L'ogun (12" version)
Agb'oju L'ogun (LP version)
Listen/Ecoute :
Prix panier: 
16.00
Tracklist: 

Side 1
1. Agb'oju L'ogun (12" version)
Side 2
1. Agb'oju L'ogun (LP version)

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Non
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Re-Issue
Newsletter: 
Non
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Under Burning Skies

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Canada’s fastest moving and hardest working collective are back with one of their finest albums to date, a brand new journey into tropical, soul and jazz styles on their scorching new release, ‘Under Burning Skies’.Turbulent times call for strong voices and The Souljazz Orchestra’s new set packs a suitably heavy lyrical punch, with wry observations and an urge for progressive change. Musically, the band continue to push the limits, dusting off ‘80s vintage synthesizers and early drum machines for the first time, bringing lo fi disco, boogie and electro touches to their trademark horn arrangements and earthy analogue sound. The fruits are a-plenty and the group sound at their confident and versatile best from start to finish.Opener ‘Dog Eat Dog’ powers in with Mabinuori Idowu and Philippe Lafrenière lambasting the powerful and the corrupt over an infectious Afro-disco groove, ‘Lufunki’ takes the group right back to their B-Boy roots, bringing the Afro vibes to Beat Street and ‘Is Yeelyel’ delivers a killer rework of an obscure original by Somalian super-group Dur-Dur Band. The band go on exploring their passion for French Caribbean styles on the beautiful, lilting ‘Oublier Pour Un Jour’ and ‘Tambour À Deux Peaux’ and they take time for reflection on the potent instrumental title track and poignant closer ‘Aduna Jarul Naawo’, featuring the vocals of Élage Mbaye. The Souljazz Orchestra continue to be an unstoppable force. Nominated for a Canadian Juno award for the third time in 2016, the band regularly tear up venues worldwide through their punishing touring schedule – they have played to audiences in over two dozen countries across the globe and have shared bills along the way with heavyweights as varied as Stevie Wonder, Bob Dylan, and Femi Kuti. Not many bands out there have been going for 15 years with their original line-up still intact while still sounding as fresh as this. As saxophonist Ray Murray says, “Souljazz is more than just a band for us, it’s a way of life.” ‘Under Burning Skies’ is released on LP, CD, cassette and digital formats. The LP is pressed on bright yellow vinyl and all formats feature superb illustrated artwork by The Souljazz Orchestra’s Pierre Chrétien.- Great new album from groundbreaking Canadian collective exploring Afro, Latin and tropical styles- Includes new version of Dur Dur Band’s ‘Is Yeelyel’- Striking artwork and pressed on yellow vinyl- Full European tour accompanies release of album during Autumn 2017

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STRUT 155LP

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Dog Eat Dog
Lufunki
Adawe Boogie
Listen/Ecoute :
Prix panier: 
30.00
Tracklist: 

Side 1
1. Dog Eat Dog
2. Lufunki
3. Is Yeelyel
4. Oublier Pour Un Jour
5. Under Burning Skies
6. Holla Holla
7. Adawe Boogie
8. Sorrow Fly Away
9. Tambour A Deux Peaux
10. Aduna Jarul Naawo

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Non
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Non
Origine: 
Original
Newsletter: 
Non
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Jungle Music (Mixed With Love: Essential & Unreleased Remixes 1976-1986)

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Strut present a new reissue of Walter Gibbons’ ‘Jungle Music’ compilation LP, the definitive collection of Gibbons’ groundbreaking remixes during the heyday of New York’s disco era.Walter Gibbons remains one of the most important and unheralded DJ / remixers in New York dance music history, a pioneer of reel to reel edits and the art of the remix and a tangible link between early hip hop and disco through his quickfire turntable skills developed during the mid-70's.At his famed residency at Galaxy 21 (alongside a then young percussionist, Francois Kevorkian), Gibbons perfected his turntable prowess, mixing two copies of records seamlessly at a similar time to Kool Herc's famed block parties across town in the Bronx in 1975. He was among the first to make his own reel to reel edits of tracks, extending breaks and restructuring tracks specifically for the dancefloor. As a direct result, he was the first DJ to be granted access to multi-track tapes as Ken Cayre's Salsoul Records brought him in to re-work Double Exposure's 'Ten Percent' in '76, a mix that would set the blueprint for disco, the 12" format and all future dance music mixes.This compilation focuses on some of the more adventurous and ground-breaking mixes that Gibbons produced during the disco era including a freeform treatment of Dinosaur L's 'Go Bang', Paradise Garage favourite 'You Are My Love' by Sandy Mercer and underground disco rarity, 'I've Been Searching' by Arts & Craft.- Reissue of the definitive compilation of 12” mixes by Walter Gibbons- Features rare and acetate-only mixes released widely for the first time- Includes full Walter Gibbons biography by author Tim Lawrence + rare photos- Original LP release in-demand and now fetching large sums on Discogs

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STRUT 066LP

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It's A Better Than Good Time (Walter Gibbons Acetate mix)
Go Bang (Walter Gibbons unreleased mix)
Moon Maiden (12" mix)
Listen/Ecoute :
Prix panier: 
38.00
Tracklist: 

Side 1
1. Jakki - Sun... Sun... Sun (Walter Gibbons original 12" edit)
2. Gladys Knight - It's A Better Than Good Time (Walter Gibbons Acetate mix)
Side 2
1. TC James & The Fist O'Funk Orchestra - Get Up On Your Feet (Keep On Dancin') (Walter Gibbons mix)
2. Sandy Mercer - You Are My Love (12" version)
Side 3
1. Bettye Lavette - Doin' The Best That I Can (Walter Gibbons 12" mix)
2. Arts & Craft - I've Been Searching (Walter Gibbons 12" mix)
Side 4
1. Dinosaur L - Go Bang (Walter Gibbons unreleased mix)
2. Luv You Madly Orchestra - Moon Maiden (12" mix)

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Non
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Non
Origine: 
Re-Issue
Newsletter: 
Non
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Mulatu Of Ethiopia

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Strut present the first official reissue of a landmark album in the field of African music , Mulatu Astatke’s ‘Mulatu Of Ethiopia’ from 1972. Recorded in New York , the album arrived at a time when Astatke had begun to master the delicate fusion of styles needed to create Ethio jazz. “I left the UK for America and studied at Berklee College in Boston. I learnt the technical aspects of jazz and gained a beautiful understanding of many different types of music. That’s where I got my tools. Berklee really shook me up.”Journeying regularly to the Big Apple to play and watch live shows at the Cheetah , the Palladium and the Village Gate, Astatke met producer Gil Snapper on the circuit. “Gil was a nice and very interesting guy. He produced music and worked with all kinds of musicians.” The meeting would lead to a series of albums on Snapper’s Worthy label. The first , ‘Afro Latin Soul’ , documented Astatke’s new-found directions. “Mulatu has created a new sound , ” enthused Snapper on the album jacket. “He has taken the ancient five-tone scales of Asia and Africa and woven them into something unique and exciting, a mixture of three cultures , Ethiopian, Puerto Rican and American.”A second volume of ‘Afro Latin Soul’ followed before Astatke began to hone his sound further , infusing funk and cultural influences into the mix. Returning to a downtown Manhattan studio with Snapper and working with some of the city’s top young jazz and latin session players, ‘Mulatu Of Ethiopia’ began to take shape. “We rehearsed for 3-4 weeks” remembers Astatke. “it took them a while to get the right feeling in the music.” The resultant album represented the first fully formed document of Astatke’s trademark Ethio jazz sound. It features ‘Kulunmanqueleshi’, ‘Dewel’ , and ‘Kasalefku-Hulu’ , tracks that Mulatu would return to regularly on singles and in live shows , the Ethio-Latin workout ‘Chifara’ and the self-titled groover ‘Mulatu’ (“I wanted to make a track for... myself!”). This definitive reissue of the album comes in a limited edition 3LP 6-panel gatefold set featuring the stereo album master , a pre-mix mono master and a selection of outtakes from the sessions , giving the listener rare access to the DNA of the studio process. Also available are standard 1CD and 1LP formats. All formats feature a new interview with Mulatu Astatke and rare photos.- 3LP 6-PANEL GATEFOLD with DOWNLOAD CARD- First ever official reissue of Mulatu Astatke classic from 1972- Remastered by Carvery Cuts from original reel to reel tapes- Limited edition 3LP features unreleased mono version of album + exclusive out-takes from the studio sessions- All formats include rare photos and a new interview with Mulatu Astatke- All formats include full original Worthy Records artwork

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STRUT 129LPB

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Mulatu
Mascaram Setaba
Kulunmanqueleshi
Listen/Ecoute :
Prix panier: 
38.00
Tracklist: 

Side 1
1. Mulatu
2. Mascaram Setaba
3. Dewel
Side 2
1. Kulunmanqueleshi
2. Kasalefkut-Hulu
3. Munaye
4. Chifara
Side 3
1. Mulatu (mono album mix)
2. Mascaram Setaba (mono album mix)
3. Dewel (mono album mix)
Side 4
1. Kulunmanqueleshi (mono album mix)
2. Kasalefkut-Hulu (mono album mix)
3. Munaye (mono album mix)
4. Chifara (mono album mix)
Side 5
1. Munaye (take 1)
2. Mascaram Sebata (take 1)
3. Mascaram Sebata (take 2)
4. Mascaram Sebata (take 3)
Side 6
1. Kulunmanqueleshi (take 1)
2. Kulunmanqueleshi (take 2)
3. Kulunmanqueleshi (take 4)
4. Kasalefkut-Hulu (take 1)
5. Kasalefkut-Hulu (take 2)

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Non
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Non
Origine: 
Original
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Non
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Oté Maloya - The Birth Of Electric Maloya On Reunion Island 1975-1986

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Strut present a brand new compilation documenting the groundbreaking maloya scene on Réunion Island from the mid-‘70s, as Western instrumentation joined traditional Malagasy, African and Indian acoustic instruments to spark a whole era of new fusions and creativity. Compiled by Réunionese DJ duo La Basse Tropicale, ‘Oté Maloya’ follows up last year’s acclaimed ‘Soul Sok Séga’ release on Strut.Traditional maloya, originally called “séga”, described the songs, music and dances of slaves on the sugar plantations of Réunion Island in the 17th Century – maloya ceremonies paid tribute to ancestors and mediated between the living and the dead. The music and culture began to be more widely accepted by Réunionese society from the 1930s as folklorist Georges Fourcade began to play maloya songs. By the ‘50s, maloya tracks were appearing on 78rpm releases and, in the ‘60s, it was used as a form of cultural protest music.In the mid-‘70s, a new generation began exploring new directions in the music, using Créole language, many were self-taught and learned their craft in 1960s dance band “orchestres”. André Chan-Kam-Shu’s Studio Royal in the south of the island became the main hub for experimentation and collaboration. Most notably, the band Caméléon honed their sound here – with maloya legends Alain Peters and vocalist Hervé Imare involved, Caméléon became the leading collective on the scene, using poetic lyrics and creating their own potent fusion of maloya, jazz and psychedelia. ‘Oté Maloya’ tells the story of this fertile period in Réunion Island music for the first time and features the full spectrum of maloya styles. From Caméléon’s genius to the teenage Michou’s classic ‘Maloya Ton Tisane’, Daniel Sandié’s breakbeat sleeper ‘Défoule 3e Age’ and more traditional styles from Maxime Lahope and Pierrot Vidot, this is an essential trip through a lost era of Indian Ocean blues and soul. ‘Oté Maloya’ is released with an extensive booklet on CD and LP featuring a history of maloya by Nathalie Valentine Legros of 7 Lames Lamer. All tracks are fully remastered by The Carvery.- 12” INSERT BOOKLET 12pp - First ever international compilation of 1970s maloya scene on Réunion Island- Includes extensive sleeve notes tracing the history of the culture across four centuries- DJ support from Gilles Peterson, Lauren Laverne, Mr Scruff and more- Essential follow up to Strut compilation ‘Soul Sok Séga’

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STRUT 151LP

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0
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La Rosee Si Feuilles Songes
Sega Le Sport
Maloya Ton Tisane
Listen/Ecoute :
Prix panier: 
35.00
Tracklist: 

Side 1
1. Cameleon - La Rosee Si Feuilles Songes
2. Michou - Maloya Ton Tisane
3. Jean Claude Viadere - Moin La Pas Fait Tout Sel
4. Daniel Sandie - Defoule 3e Age
5. Cormoran Group - P'tit Femme Mon Gate
Side 2
1. Marie Helen Et Ses Creol's - Sega Le Sport
2. Francoise Guimbert - Tantine Zaza
3. Vivi - Toe Meme Maloya
4. Pierrot Vidot - Commandeur
5. Herve Imare - Mele-Mele Pas Toue P'tit Pierre
Side 3
1. Groupe Dago - Reveil Creole
2. Ti Fock - Se Pi Bodie
3. Gaby Et Les Soul Men - C'est Le Meme Cadence
4. Vivi - Mi Bord' A Toe
5. Maxime Lahope - Sous Pied D'Camelias
Side 4
1. Gilberte - Serre Serre Pas
2. Gaby Et Les Soul Men - Oh Maloya
3. Herve Imare - Mi Donne A Toue Grand Coeur
4. Carrousel - Ote Maloya

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Original
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