Netherlands

Travelling extensively across Asia and Africa between 1974-1985 to study music, Roberto made many field recordings and collected many instruments on his travels which he would then combine with synthesizers and electronics back in Italy.Music From Memory returns with their penultimate release of 2016, this time bringing together a compilation of works by the Italian composer and musician Roberto Musci. Whilst studying guitar and saxophone in his hometown of Milan, Musci developed a deep fascination for non-western music and set out to travel across India, Asia and Africa, which he would do extensively between 1974-1985. During his many journeys Roberto would become deeply embedded in each unique world of rhythms, scales and approaches to making and performing music. Throughout this period of travel he would make many field recordings as well as collect and study many traditional and indigenous instruments that he would then later combine with synthesizers and electronics on his return to Italy.Combining personal documents of music and sounds deeply connected to the history and cultures of those lands, with his own explorations and experiments with cutting edge sound technology Roberto Musci would develop through his music a very unique and at times wholly mystical space, where ancient and modern would evolve into a new musical language.As well as making his own music, during the 1980’s and 1990’s Roberto would also regularly broadcast radio shows of experimental and indigenous music on Italian radio stations such as Rai and Radio Popolare. Deeply connected to the arts he would also compose and perform numerous pieces of music for theatre, dance and performance art pieces as well as soundtracks for film and television.‘Tower of Silence’ brings together a double LP of material from Roberto Musci’s solo recordings commencing with the Loa of Music sessions from 1984 up until later very recent works. The compilation also includes a number of collaborative pieces, many performed and written in collaboration with Giovanni Venosa, such as material taken from their ‘Water Messages On Desert Sand’, which as an album was Grammy-nominated in in the UK in 1987. A unique and at times intensely mesmerising musical world ‘Tower of Silence’ offers an introduction to the work of a unique and visionary artist.

Long awaited restocks of the third Loosefingers from Larry Heard. Fresh and remastered cut of What Is House? which is one of the dopest acid tracks that has been released in recent years! On this 12 the great extended version. Very stubborn and fierce track that has an endless cool groove that's just plain basic, but as most of Larry Heard's releases so powerful! On the flip side a long version of the deep and smooth Dreaming Of Better Days, that has that trademark jazzy sound of Larry Heard. Essential house record!

Killer selection of adventurous electronic dance music. Craigie Knowes are back with the second instalment of their Annual Fundraiser series for War Child. Music spanning from instrumental to experimental, and from electro to techno... all killer, no filler!!!! They welcome back Neville Watson and The Burrell Connection to the series along with a wealth of new friends like Legowelt, Andy Hart, Aroy Dee, Chaos In The CBD and more. Recommended!

Official re-issue of DJ Joe Lewis' 1988 Change Reaction EP. Remastered for Clone Classic Cuts.

On this third delivery from AM Records the A-side is reserved for two disco edits by grandmaster Loud-E and new kid on the block Baerlz from Paris. Here's Jonny is a pushy synthetic track build from Claudia Barry's Open the Door and Dis-Le-Mewa is a sweet Bollywood rework, fine-tuned to sound nice on heavy club systems. The flip side contains two more contemporary afro house edits by Afrobot: Kwaito is a subtly pounding percussive South African jam and Angola House Marimba is a fast Kuduro banger with a raw vocal sample. Handstamped artwork by Frank Koedood on the sleeve again.

Music from Memory’s final release of 2016 is an EP of works by a German trio formed in the city of Wuppertal, in the late eighties. A one off and unique project, Becker, Stegmann and Zeumer were asked to produce an album of recorded material after a string of successful concerts celebrating the work of local poet Else Lasker-Schüler (1869–1945).Very much an integral part of the Wuppertal jazz scene in the 1980’s, trumpetist Heinz Becker and Pianist Karl-Heinz Stegmann met the actress Isabel Zeumer when performing at the opening of an event organized by Wuppertal’s cultural department. Following this the three of them were asked put together a programme on Else Lasker-Schüler. A unique figure in her time Jewish poet Lasker-Schüler embraced a bohemian lifestyle and became a leading exponent of Germany’s expressionism and avant-garde poetry movement before fleeing the country in 1937. Becker, Stegmann and Zeumer’s programme would combine readings of Lasker-Schüler’s works with experimental music and imagery. These performances were met with great enthusiasm at the time in Wuppertal and were even televised. Following on from the strong response to the music and performances, the trio were invited to release the material on local label ITM Records.Embracing Lasker’s avant-garde sentiments within their own musical compositions, Becker, Zeumer and Stegmann’s album ‘Ich Träume So Leise Von Dir’ LP blends jazz and electronics to create a wholly unique sound. Embracing and experimenting with elements of Ambient and even New Wave; the four tracks selected here, in particular, seem to take music and spoken word into an entirely unique musical realm.

On the leading edge of NYC’s underground music scene, Vito Ricci produced only a handful of self-­‐released cassettes and one LP between 1983-­‐1985 with most of his work being recorded for experimental theatre and performance art pieces.Taking their label name from Vito Ricci’s only LP, Music From Memory brings together a compilation of works by one of the unsung heroes of New York’s downtown music scene.Starting out as a percussionist, Ricci’s early musical journey led him to improvised and experimental jazz; working alongside such luminary musicians as Rashied Ali, Byard Lancaster, Peter Zummo and Yousef Yancey.Quickly becoming involved in the avant-­‐garde scene with spoken word performances, film scores for independent movies and even playing in punk bands with performances at venues such as CBGB’s and Mudd Club, Vito’s own compositions drew on all of these influences whilst channeling them through his experiments with synthesizers and drum computers.Drawing comparisons with New York’s downtown No-­‐wave scene Vito’s compositions blend his unique use of intricate percussion with a wide sphere of musical influences to create a world of hypnotising ambient, meditative minimal-­‐synth through to dubbed out electronic funk and even left-­‐field boogie. With most of Vito Ricci’s music remaining previously unreleased, Music From Memory’s compilation ‘I Was Crossing A Bridge’ unveils Vito Ricci’s unique and visionary take on electronic music