France

New York Underground / 7

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NYU 7

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13.00
Tracklist: 

Side 1
1. Track 1
2. Track 2
Side 2
1. Track 3

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Non
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Non
Origine: 
Original
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Remixed By Vol 3

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PG 13

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13.00
Tracklist: 

Side 1
1. Talk (Sergie Rezza remix)
Side 2
1. Air (Hugo LX remix)
2. Talk (DJ Deep remix)

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Non
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Original
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Remixed By Vol 2

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PG 12

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13.00
Tracklist: 

Side 1
1. Nebula (Leo Pol remix)
Side 2
1. Take Me (Flabaire remix)
2. Blackjack (Pauline T remix)

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Non
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Non
Origine: 
Original
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Remixed By Vol 1

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PG 11

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13.00
Tracklist: 

Side 1
1. Have You (Dj Steaw remix)
Side 2
1. The Call (D'Julz remix)
2. Dim (Cinthie remix)

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Non
Origine: 
Original
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Non
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Guillotzer EP

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zoll001

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1
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10.00
Tracklist: 

Side 1
1. U Look Great Today
2. That Booty Got Me Staying
Side 2
1. Someone Broke Into My Flat
2. What a Divvy

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Non
Origine: 
Original
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Non
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Cross Section

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Faces Records proudly presents "Cross Section", the debut album of Kez YM, the Berlin based japanese producer.It's been a long way since his debut EP at 4Lux Recordings was played by Moodyman back in 2008. Since then he also received support from influential people like Theo Parrish, Rick Wade and Cassy, just to name a few.Strongly rooted on his Detroit/Chicago Deep House/Funk/Disco/Afro he rocks dancefloors from Berlin to Tokyo, and he's one of the current leading deep house dj's from Japan.From downbeat to more uptempo tracks, this album is a perfect extension of Kez's path until now. Classy and lustful synths pave the way for a combination of elements that draw inspiration from his jazz masters, his motorcity heroes and a strong percusssive connection to Africa.

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FACESLP 001

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23.00
Tracklist: 

Side 1
1. Console Swing
2. Free The Vibe
3. Get Down
Side 2
1. Music Is Playing
2. Riding
3. Half Awake
Side 3
1. Grind
2. On My Mind
3. Sweet Dust
Side 4
1. Forgotten Code
2. Thru The Night
3. New Skyline

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Original
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I Wish You Were Mine

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Nyami Nyami Records present a lost piece of Zimbabwean musical history: the only album from local legends the New Tutenkhamen, combining Jazz, Soul, Folk and Township rhythms - available for the first time in over 40 years.The New Tutenkhamen included many stars of Zimbabwean township music: Elisha Josamu was an alumnus of the fabulously-named Hallelujah Chicken Run Band (alongside Thomas Mapfumo), and Green Jangano’s long-running Harare Mambos, and would later form Two Plus Two with bassist Christopher “Chex” Tavengwa. Jethro Shasha played the drums, and would arguably become the New Tutenkhamen’s most famous export, making continental waves working with likes of Salif Keita. Paul Sekerani played the rhythm guitar, with Amos Chatyoka on the organ, while the enigmatic Maggie Mbuli provided vocals and F. Manda played the sax.I WISH YOU WERE MINE was recorded at Teal Records and was produced by Crispen Matema, a talented jazz drummer in his own right who had played drums on the all-time classic “Skokiaan”, and had backed Louis Armstrong on his 1960 Rhodesia visit. Combining the heavyweight producing talents of Matema and the writing chops of Josamu, the New Tutenkhamen band created an album showcasing various musical styles popular at the time.From the afro-jazz jam session aesthetics of “Tutenkhamen Theme”, “Big Brother Malcom” and “Forever Together”, to the almost Van Morrison-sounding “Sunday Morning”; from the upbeat rock ballad “True Love”, to the funk-infused dance song “Togetherness”; from the bouncy jazz exhortations to work hard in “Ane Nungo”, to the brassy, raunchy foot-stomper “Me & Dolly”. The title track “I Wish You Were Mine” is a ska-infused ballad that wouldn’t be out of place in post-war Birmingham, while the star of the show is “Joburg Bound”, itself a fast-paced rock piece with Motown undertones and funky guitar lines.

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NNR 008

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24.00
Tracklist: 

Side 1
1. Tutenkhamen Theme
2. Sunday Morning
3. I wish you were mine
4. Togetherness
5. True love
Side 2
1. Ane Nungo
2. Big Brother Malcolm
3. Forever Together
4. Me An' Dolly
5. Johburg Bound

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Re-Issue
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Singe Tema

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The return of the Zanzibara series: a Deep Taarab masterpiece from legendary singer Zuhura Swaleh, recorded in Nairobi in 1981.Taster for the forthcoming Zanzibara double vinyl compilation: Taarab experiments in 70s Mombasa - due Spring 2019Zuhura Swaleh & Party initially rose to fame on the Mombasa scene in the 1970s with a new fast-paced taarab style led by the electrically amplified tashkota (actually a Japanese instrument correctly spelled as taishokoto), that resembles a mix of electric guitar, slide guitar and sitar.Zuhura’s chakacha-styled taarab sound and stinging lyrics became popular up and down the coast, leading to invitations for performances all over Kenya, Tanzania and Uganda throughout the 1970s.Her no-nonsense way of speaking out openly and voicing women’s concerns helped pave the way for the new “modern taarab” sound that came to fore in the 1990s.While playing a wedding in Nairobi in 1981 Zuhura & Party were approached by the local Polygram studio to record some songs, but the record did not catch on as the lp format was not suited to the tiny portable record players in use in Kenya back then, and the record industry as a whole collapsed in the wake of the 1982 coup d’état attempt and the resulting economic slump. Only a few records were pressed and have since become collectors’ items. Locally the songs survived and remained popular as pirated dubs (first on cassette now on CDR).Buda Musique is proud to present one of the few Taarab LPs ever recorded for the first time on vinyl outside of Kenya.

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260311

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24.00
Tracklist: 

Side 1
1. Singe Tema
2. Jino la Pembe
3. Zizi la Huba
4. Hasira Zako
5. Wasafiri
Side 2
1. Bado Yuko Hai
2. Kisu
3. Ya Zamani
4. Chungu
5. Humvui Alovikwa

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Non
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Re-Issue
Newsletter: 
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Nakara Percussions

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Hypnotic percussion tracks and organic soundscapes drawing on Africa, Asian, Indian & South American traditions, recorded deep in the French countryside in 1984.Komos Records are proud to present the first-time reissue of a cult French private press rarity at the intersection of jazz, percussion and experimental sounds.Founded by long-time friends Gerard Kurdjian and Stéphane Olivier alongside compatriot Christian Berthier in 1983, Nakara Percussions was a trio from the south of France, fascinated with percussion instruments, rhythms and textures from across the world.Steeped in Jazz and ethnographic recordings, the trio designed and built their own instruments and played across the South of France throughout the 80s, recording a single album in the tiny village of Alliens in 1984.Self-produced and mainly sold at gigs, the record reflects the inquisitive, experimental approach of the group and has become a cult album among DJs and music lovers for its blend of complex rhythms and organic soundscapes, taking in everything from Brazilian batucada to Indian tabla rhythms by way of West African thumb pianos and the drums of the Maghreb.The track “Balimba” has become a dancefloor classic, finding a home in the sets of open-minded techno DJs as well as on the jazz dance and tropical scenes.Press kit contains interviews with Gerard and Stéphane and vintage band and concert photos.

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KOS 001

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20.00
Tracklist: 

Side 1
1. Awa Mama
2. Balimba
3. Kainte
4. Kompaa
5. Le Pont D'la Riviere
Side 2
1. Elixir
2. Honky Vahea
3. Desert
4. Boutout Balata
5. N'Djole

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Non
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Re-Issue
Newsletter: 
Non
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Hawsasounds 1978

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ARRONDEL 002

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18.00
Tracklist: 

Side 1
1. Funk Coffee Ensemble - Je Pense L (feat Sasa Mendoza)
2. Paul Martin - Get Up (Frigodelik Reedit)
Side 2
1. Nawari - Dance On (Albion Reedit)
2. Nawari - Stand Up (Frigodelik Reedit)

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Non
Forthcoming: 
Oui
Origine: 
Original
Newsletter: 
Non
Partager: 

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