US

Voyaging Bird (feat Jowee Omicil)

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As menacing and unhinged as ever, the pride of Staten Island is back with their fifth full-length offering, V. Raw and absent of modern technological trappings, the Budos pick up where they left off with 2014’s “Burnt Offering,” and finds the Budos expanding on the brooding, fuzz-fueled riffs, whilst harkening back to the Ethiopian inspired rhythms and percussive proclivity that put Budos Band on the map. “Old Engine Oil,” a rocker at heart, kicks things into gear and delivers a high-octane burst of Budos mayhem. “The Enchanter” serves up a classic dose of upbeat afro-soul, drenched in a venomous assault of wall-melting proportions that leads you to the “Spider Web,” a rumbling ode to the Cowbell Colossus whose punctuated horn stabs take you on an untamed ride to the dark side of the spoon. The side closes with “Peak of Eternal Night,” whose odd time signature and haunting horns transport the listener to the peak of a menacing otherworldly landscape that’s further explored in the final track “Ghost Talk” – a guitar driven groover that gives way to an organ-washed space ritual beneath sun-summoning trumpet blasts.Side Two opens with “Arcane Rambler,” an interstellar ramble across space and time that leaves the listener in cosmic purgatory. “Maelstrom,” released as a single shortly after the release of “Burnt Offering,” boasts waves of furious sonic power that batter the listener via a maw of snarling sea-foam bubbling with the power of the Budos. Soon darkness falls as “The Veil of Shadows” is draped across the land – in this realm of twilight one quickly loses their way, only to find themselves at a dusk-to-dawn pyre of budonian proportions. “Rumble from the Void” then pulls you into a percussive black hole of formless beat-worship. There are no horns to help you here, just the tentacles of rhythm that tirelessly pull you back into the void. “Valley of the Damned” closes the record, it’s twisting groove coupled with hypnotic drones of synth and horns transports you to a place of little hope and and even less reason.You’ve been warned…- Album cover features a linoleum print by Budos Band Drummer, Brian Profilio, a NYC public school art teacher- Previous PR/Radio coverage: Wired, Pitchfork, NPR Music, NY Times, Last Call w/ Carson Daly, CBS Saturday Session, WNYC Soundcheck, KUTX, WFUV, WFMU...- Tour Dates confirmed in Seattle, Portland, San Francisco, Brooklyn & New York- Official music for “Old Engine Oil”- Radio campaign by Distiller Promo + PR campaign by Girlie Action- "A punishing set of instrumentals...an uncompromising visceral appeal...party music with a scary edge" - Billboard- "Spooky, funky, freedom-loving fun: The chance to embrace something like that doesn’t come along often, and it’s to be cherished" - Pitchfork

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DAPT 57

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Tracklist: 

Side 1
1. Old Engine Oil
2. The Enchanter
3. Spider Web (part 1)
4. Peak Of Eternal Night
5. Ghost Talk
Side 2
1. Arcane Rambler
2. Maelstrom
3. Veil Of Shadows
4. Rumble From The Void
5. Valley Of The Damned

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Oui
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Original
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Non
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The Grodeck Whipperjenny

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Sho is Funky Down Here and The Grodeck Whipperjenny are a pair of albums that are the result of an unlikely but highly productive musical relationship between James Brown, a superstar at the creative and commercial peaks of his long career, and David Matthews, a then young arranger-musician whose limited professional experience had little or nothing to do with the funk and soul of his collaborator. The Grodeck Whipperjenny A psychedelic classic, created by his James Brown’s bandleader David Matthews, the first album issued on Brown’s famed People imprint. As progressive as it is funky, this album was issued in tandem with another Matthews project issued under Brown’s name – Sho Is Funky Down Here. One of the deepest albums in the Brown catalog, its story is finally told. Both albums were lacquered directly from the original master tapes at Capitol Studios. This is the first official reissue of both of these rare titles. Each album contains an extensive booklet with full annotation, liner notes by Brown historian Alan Leeds and never-before-published photos.

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NA 5182LP

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Side 1
1. Sitting Here On A Tongue
2. Wonder If
3. Why Can't I Go Back
4. Conclusions
5. You're Too Young
Side 2
1. Put Your Tongue On Me
2. Inside Or Outside
3. Evidence For The Existance Of The Unconscious

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Oui
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Re-Issue
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Non
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I Come For Your Love

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Direct to you from Mickey de Grand IV's private Miami studio. Featuring Cecilia de Cardenas and mastered by Dave Cooley. Miami's finest electronic funk.

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CC 79

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28.00
Tracklist: 

Side 1
1. I Come For Your Love
Side 2
1. The Witching Hour

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Non
Origine: 
Re-Issue
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Non
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Themes And Cues For Movies & Television

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Previously Unreleased Cinematic Jazz-Funk for Film & Television by Arranger/Composer J.J. Johnson. 21 tracks featuring music from Across 110th Street, Top Of The Heap, The Fuzz Brothers, The Bold Ones.Funky Moog modulations, car chases, moody library cues and a righteous soul sister preaching universal truths all revealed in these recently discovered recordings.Masterful arranging and lush orchestration by one of the giants of the Jazz & Soul/Funk Genres.Cut direct to vinyl from the reference tapes.

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FGSP 10

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Tracklist: 

Side 1
1. Here Come De Fuzz
2. Ballad For Bobby
3. Mr M
4. Cosmetics
5. Chox
6. Five/Four Opus
7. Hot Flash
8. Zeroids
9. Sun Country
10. Mistoso
11. Moog Rock
12. Finale
Side 2
1. Percussion Chatter: (intro - main Title From Across 110th Street)
2. Top Of The Heap - Title Song
3. Top Of The Heap - Percussion Fanfare
4. Top Of The Heap - Suspence
5. Top Of The Heap - Melodic
6. Top Of The Heap - Agitato
7. Top Of The Heap - Chase
8. Top Of The Heap - Angry Astronaut
9. Man & Boy - Better Days

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Oui
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Original
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Non Ex Orbis

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Kraut-jazz-rock produced by JJ Whitefield (Poets of Rhythm/Whitefield Brothers). The long-standing band’s third album. Featuring Marja Burchard (Embryo). It’s been over ten years since Karl Hector and the Malcouns’ Sahara Swing saw release on Now-Again in 2008. The album swung with influences from across the African diaspora and set the stage for a cult, but influential following. Hermes designer Christophe Lemaire picked tracks from Karl Hector and The Malcouns as amongst his favorites in the Now-Again catalog, and included them on his Where Are You From anthology. Festival promoters intrigued by the possibility of resurrecting the careers of once forgotten African mavericks – from Ghana’s Ebo Taylor to the progenitors of Zambia’s Zamrock scene – brought Hector and crew across Europe playing festivals for ecstatic fans. Producer JJ Whitefield even founded an Afro-Rock band, Johnny!, with Taylor’s son Henry. Unstraight Ahead, their sophomore release from 2014, found the band exploring territories even outside of the expansive scope of Sahara Swing: West African sounds of Ghana and Mali met the East African sounds of Mulatu Astatke’s Ethiopian jazz, tied together with the groove heavy experimentalism of The Malcouns’ 70s Krautrock godfathers: Can, of course, but also more obscure and equally adventurous groups like Agitation Free, Ibliss and Tomorrow’s Gift. “We look to Middle Eastern funk and psychedelic fusions, and to various ethnic records for sound and phrasing,” Whitefield stated at the time of Unstraight Ahead’s release. “We’re trying to combine the global experimentalism of Krautrock with the backbeat of funk.” Non Ex Orbis, the band’s third studio album, digs deeper into the Krautrock history embedded deep in the soil of their native Munch - three of the most influential bands of the 1970s experimental German rock scene spurng from there: Amon Düül, Popol Vuh and Embryo. Influenced by these musical heroes, Whitefield shapes a sound that takes the experimental approach of the classic Krautrock era and slides between beat-heavy drone and spacey, prog-rock suites. Marja Burchard, daughter of Embryo mastermind Christian Burchard, fronts the group on keyboard, vibraphone and other-worldly vocals. Al Markovic joins longstanding Malcoun Zdenko Curilija to round out the ensemble. Non Ex Orbis, read by Whitefield and the band as Out Of This World, symbolizes an innocent way of composing and improvising music, free from the influences of our contemporary environment, preserving a childlike way of hearing sounds in their unfiltered purity. “Some will classify this as a retro, but for the band it simply is a form of creating, Whitefield states. “We’re drawing from an established musical vocabulary which was popular at a time in Germany, when underground musical culture had its creative peak.“

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NA 5184LP

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Tracklist: 

Side 1
1. Non Ex Orbis
2. Crawling Through Your Mind
3. Hymnin5 (extended)
4. Stossgebet
Side 2
1. Asteroid
2. Inhale/Exhale
3. Mother Seletta
4. Dekagon

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Oui
Origine: 
Original
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Non
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Pier Place Project

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FXHENT 3

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18.00
Tracklist: 

Side 1
1. The Runner
2. Twi-Lite
Side 2
1. I'm Feelin' Hot
2. Starz

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Non
Origine: 
Original
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Non
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1992

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Omar S's new Ep with three tracks influenced by Alan Oldhams Radio show Fast Forward on WDET fm Detroit playing lots of different stuff from 1991 to 1993. Cool stuff as always!

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AOS 1992

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18.00
Tracklist: 

Side 1
1. Light Year Flight
Side 2
1. 1992
2. Homey Trinitron

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Non
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Classiques Volume Fourteen

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GUCLSSQS 14

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18.00
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Side 1
1. Eddie Russ - Take A Look At Yourself
2. Sarah Dash - Come Take This Candy
Side 2
1. Garnett Mimms & Truckin' Company - What It Is
2. Side Effect - Never

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Non
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Original
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Heritage

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The first edition of a two part series, Heritage finds Mark de Clive-Lowe in the process of grand introspection about his Japanese heritage, with specific tracks as memories from the past illustrating the right history of Japan. The albums have a sweeping, almost majestic feel with signature electronic soundscapes throughout.

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RAD 451LP

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26.00
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Side 1
1. The Offering
2. Bushido I
3. Memories Of Nanzenji
Side 2
1. Mizugaki
2. Akatombo
3. Niten-Ichi
4. Asa No Yume

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Non
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Reasons

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ORGONE is one of the most exciting bands in the new generation of funk bands; led by the powerhouse vocals of Adryon de León, ORGONE recalls such legendary groups as Rufus and Sly & The Family Stone at their best. Their new album Reasons illuminates a band hitting its stride, capturing the raw power and refined sensibilities that defines ORGONE.From the a cappella opening of “All Good Things” to the dance floor filler “Easy Love,” Reasons packs a punch. Vocal harmonies channeling late 70s Fleetwood Mac to synth lines evoking Bernie Worrell's involvement in the Talking Heads, 'Reasons' brings in a new set of influences on ORGONE's 10th studio album while maintaining their classic analog sound.De León is front and center on Reasons, and she does not disappoint evoking the deep soulfulness of Chaka Khan and the bedroom sweetness of Minnie Ripperton. Her versatile vocal performance firmly places her in the top echelon of soul singers today.Reasons is another solid step in a long and storied career. ORGONE’s accolades are too long to list in entirety. The well-traveled band has released albums on Ubiquity, Shanachie, and Colemine Records and served as the studio band on hits like Alicia Key’s “Teenage Love Affair” and Cee Lo Green’s Grammy-winning “Fool For You.”

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KS 001

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30.00
Tracklist: 

Side 1
1. All Good Things
2. Hands
3. Cold Side
4. Whisper To Me
5. We Can Make It
Side 2
1. Light In Me
2. Ride My Swing
3. Easy Love
4. Suma Juice

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Non
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Original
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