Ambient

Following The Light

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This record is dedicated to the memory of Art Pepper.Tip-on sleeve with insert. Limited edition of 600 copies.

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LVLP 1904

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Following The Light (part 1)
Following The Light (part 2)
Following The Light (part 3)
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25.00
Tracklist: 

Side 1
1. Following The Light (part 1)
Side 2
1. Following The Light (part 2)
2. Following The Light (part 3)

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The Paralian

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Andrew Wasylyk is the alias of Scottish writer, producer and multi-instrumentalist, Andrew Mitchell.In 2018, Andrew was extended a residency invite from arts centre and historic house, Hospitalfield, Arbroath, Scotland to create new music for their restored, 19th century, Erard Grecian harp.During Wasylyk's five-month sojourn he created melodies and progressions echoing the building's unique relationship with the looming North Sea horizon. Using not only the harp, but the house's original grand piano, Andrew explored the Angus landscape and beyond, gathering field recordings on trips to neighbouring Seaton Cliffs and Bell Rock Lighthouse (the world's oldest surviving sea-washed lighthouse).Winter slipped into spring, and harp-led compositions gave way to an ambitious third, full-length album, exploring a range of themes utilising a broad palette of instrumentation, including flugelhorn, euphonium, oboe, string trio, vintage synthesisers, drones and upright piano.From the wandering, Bob James-esque, Fender Rhodes and shimmering strings in the study of coastal light, "(Welter) In The Haar", to the plaintive brass and farewell transmission blowing through, "Adrift Below A Constellation", punctuated by the fragility of Wasylyk's sole lead vocal of this collection - "The Paralian" (a dweller by the sea), is a conclusion embued with blue and golden melodies that land in a territory akin to experimentalists such as Robert Wyatt and Brian Eno. Through which, Wasylyk weaves the listener along a Modern-classical, Ambient and Jazz dream of Scotland's east coast.Athens Of The North team were stunned by the luminous beauty and creativity at play in this work. Falling between genres and time, it stands next to 60s British Jazz, effortlessly blending notes of Library and soundtracks with dashes of British Folk.

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AOTNLP 028

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Greendrive #2
Flight Of The Cormorant
Westway Nocturne
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25.00
Tracklist: 

Side 1
1. Through The Field Beyond The Trees Lies The Ocean
2. Greendrive #2
3. Journey To Inchcape
4. (Welter) In The Haar
5. Dreamt The Breakers Spill
Side 2
1. Flight Of The Cormorant
2. Westway Nocturne
3. Mariner's Hymn
4. Adrift Below A Constellation
5. Unsurfacing

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Jura Soundsystem Presents Transmission One

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The first in a series of compilations by Jura Soundsystem is a blend of Dub, Ambient, Downtempo, Boogie and Proto House with a focus on music never before released on Vinyl, sought after out of print titles and some special versions edited specifically for the album.The intention with this project was to delve deeper into the reissue pond and unearth some lesser known tracks and artists. Highlights include Smackos (AKA Legowelt) Ambient epic ‘We Can Watch Alf In The Hotel Room’, never before released on Vinyl, the Dub / Psych hybrid of Minus Group’s ‘Black Shadow’, Kash’s sought after ‘Percussion Sundance’ and special edits of Ken Dang and Tabou Combo. The end of the album includes some soothing Ambient tools.

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ISLELP 003

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Seashore Dub
Born In Borneo (Jura Soundsystem edit)
Integration
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30.00
Tracklist: 

Side 1
1. Smackos - We Can Watch Alf In The Hotel Room
2. Astral Engineering - Seashore Dub
3. Minus Group - Black Shadow
Side 2
1. Ken Dang - Born In Borneo (Jura Soundsystem edit)
2. Trevor Bastow - Integration
Side 3
1. Kash - Percussion Sundance
2. Tabou Combo Superstars - Ooh La La (Jura Soundsystem edit)
Side 4
1. Blindboy - Traumerei
2. Mix-O-Rap - All Party People (Special mix - Go-Go Style)
3. Jura Soundsystem - Jungle Ambient Tool
4. Jura Soundsystem - Ocean Ambient Tool
5. Jura Soundsystem - Time Ambient Tool
6. Jura Soundsystem - Pyramids Ambient Tool

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The Order Of Change

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The subject of Music From Memory’s latest compilation focuses on Suso Saiz’s output as part of the group Orquesta De Las Nubes, formed by Suso Saiz and percussionist Pedro Estevan when the two met whilst studying a course on ‘Techniques of Contemporary Composition’ in Madrid.Following on from a retrospective compilation of solo work and an album of recent work in 2016, Music From Memory continue to explore the work of Spanish ambient and experimental pioneer Suso Saiz.Sharing a curiosity for American minimalist and Non-Western music, the pair began to share music through many listening sessions, during which the idea slowly evolved to try and make music together. Pedro’s partner at the time, soprano singer María Villa, would later join the two on vocals. With Suso’s sparse use of guitar loops, synthesizers, and drum computers in combination with the hypnotic percussion of Pedro Estevan and the wordless drifting vocals of María Villa, Orquesta De La Nubes would evolve as a group with a truly unique musical language; an ethereal and almost otherworldly musical realm.Developing at first as a live act, through a number of performances in Madrid and beyond, Orquesta De Las Nubes was very much connected with, and inspired by, the avant-garde arts scene in Madrid at the time. Throughout their shows, a close circle of friends, including a number of painters, sculptors and designers, would collaborate with the trio to create unique imagery and elaborate stage sets for the group’s performances.Yet, despite the growing fascination surrounding Orquesta De Las Nubes’ live performances, the trio would however find it extremely difficult to find a label willing to release their music on record. The group’s then manager Silvia Lovosevic therefore decided to set up her own label ‘Linterna Música’ in order to make the work available. The group would release three albums between 1983-1987, two on the Linterna Musica label as well as an album and CD compilation of live tracks on the cult Spanish label ‘Grabacionnes Accidentales’.Between this period the trio would also team up with American percussionist Glen Velez to record as the group ‘Musica Esporadica’; a one-off project in which they recorded a single album of the same name in 1985. ‘Musica Esporadica’ will be released on Music From Memory in 2019.

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MFM 033

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Un Regalo
Tiempo De Espera
Ella No Lleva Gafas
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22.00
Tracklist: 

Side 1
1. Un Regalo
2. Vendran Lluvias Suaves
3. Tres Ostras
4. Tiempo De Espera
5. Para Que Pasen Las Termitas
6. Cama Diarmonica
Side 2
1. Como Un Guante
2. El Orden Del Azar
3. Me Paro Cuando Suena (part 1)
4. Ella No Lleva Gafas

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Improvisational Loops

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Terekke drifts gracefully onto Music From Memory with a long player of looping ambient pad pressure.'The recording of Improvisational Loops began in 2012 during yoga classes at Body Actualized Center in NYC.In the spirit of past ’New Age’ or Minimal music, it aims to open up a space within the room giving the listener a chance to explore inward or outward.It was recorded using a digital synthesizer, reverb, and looper.Terekke, January 2018

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MFM 028

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Ambien
Arrpfaded
Soft G
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22.00
Tracklist: 

Side 1
1. Another
2. NUWAV2
Side 2
1. WAV1
2. Ambien
3. Arrpfaded
4. Soft G
5. 220+G
6. L8R H8R

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Break At Home (Original Studio Recordings 1981-1991)

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‘Break at Home’ is the collected recordings of the mysterious group ‘2 Katara’ which was formed in Athens, Greece in 1978 by George Theodorakis (keyboards, percussion, vocals) with his close friend Dimitris Papangelidis (bass, guitars, percussion, vocals).This musical-duo recorded quietly over a decade between Theodorakis’ family idyllic home studio in the Philopappou hill of Athens and the nearby studios Theta and SR. For some part, the tracks seem like adventurous experiments or even unfinished samplers or riffs the band starts to develop, but at the same time there are productions that are clearly meant to be the backbone of an album that never came out.Into the light proudly presents 14 sun-soaked productions from the above-mentioned sterling material from 1981 until 1991 where the band split. This sixth installment is meant to be enjoyed as a journey from proggy pop to TR-909 drum driving compositions to Mediterranean disco-not-disco and further futuristic synth-scapes.The many elements from the Greek traditional folk music - especially in ‘I Can Not’ which is an ambient take on a folk lament song from Epirus area and the reverse play recording of a Greek orthodox priest chant on their last ever recorded epic 17min track ‘Greek lady’ -, the unusual but clever combinations of colorful styles and the intense improvisation put the group in the first line of Athens’ best kept secrets

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2 Katara

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Travel 7
Lazy Girl
Mr Blase
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26.00
Tracklist: 

Side
1. Break At Home 1
2. Break At Home 2
3. Break At Home 3
4. Break At Home 4
5. Break At Home 5
6. Break At Home 6
Side 2
1. Travel 7
2. Lazy Girl
3. Mr Blase
4. Mr Blase 2
Side 3
1. Go Go Carid
2. I Can Not
3. Sunrise
Side 4
1. Greek Island

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Les Nouvelles Musiques De Chambre Volume 2

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Following the reissue of the entire recorded output of South London-based experimental act This Heat and its successor, Camberwell Now, Modern Classics Recordings holds the lens up to a special split album created by one of the driving forces behind those groups – drummer Charles Hayward – in collaboration with Italian musician Gigi Masin, whose looping, rhythmic, electronic compositions have seen his cult following grow in his four decades as a recording artist.Originally released on Belgium’s Sub Rosa label in 1989, Les Nouvelles Musiques De Chambre Volume 2 is a split LP on which Masin’s eight tracks occupy side A and Charles Hayward’s long-form piece (at 21 minutes long), "Thames Water Authority”, occupies side B. Geography may have separated the two artists, who each recorded their pieces in isolation from the other, but there’s a commonality to their approach. Previously, Masin had released the inspired 1986 album Wind, while Hayward’s music had long been influenced by the landscape and society of London and the UK.For this album, the label challenged the two musicians to write about the waterways of their respective cities, Venice and London. For Masin, that meant describing the human interactions related to the Italian city’s famous landmarks. “Places, faces, memories... that’s what most of the people love to find when they travel to Venice – some kind of magic that’s deep in the city,” he writes in the new liner notes accompanying this new re-release.For Hayward, it meant describing the physicality of water, the “densities and energies” as he puts it, and the politics of it too. Writes Hayward: “Water was being privatized at the time, the profit margin had been factored in, cost-cutting was implicit, people were being poisoned. Water was a political thing; it still is.”

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MCR 923

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Clouds
La Giara Di Gesturi
The Song Of The Masked Men
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35.00
Tracklist: 

Side 1
1. Gigi Masin - Waterland (Otto Prospettive Veneziane)
2. Gigi Masin - Clouds (Otto Prospettive Veneziane)
3. Gigi Masin - La Giara Di Gesturi (Otto Prospettive Veneziane)
4. Gigi Masin - Three Bridges (Otto Prospettive Veneziane)
5. Gigi Masin - The Song Of The Masked Men (Otto Prospettive Veneziane)
6. Gigi Masin - Underwords (Otto Prospettive Veneziane)
7. Gigi Masin - First Time Ruth Saw The Sea (Otto Prospettive Veneziane)
8. Gigi Masin - Goodbye Kisses (Otto Prospettive Veneziane)
Side 2
1. Charles Hayward - Thames Water Authority

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Re-Issue
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Tower Of Silence

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Travelling extensively across Asia and Africa between 1974-1985 to study music, Roberto made many field recordings and collected many instruments on his travels which he would then combine with synthesizers and electronics back in Italy.Music From Memory returns with their penultimate release of 2016, this time bringing together a compilation of works by the Italian composer and musician Roberto Musci. Whilst studying guitar and saxophone in his hometown of Milan, Musci developed a deep fascination for non-western music and set out to travel across India, Asia and Africa, which he would do extensively between 1974-1985. During his many journeys Roberto would become deeply embedded in each unique world of rhythms, scales and approaches to making and performing music. Throughout this period of travel he would make many field recordings as well as collect and study many traditional and indigenous instruments that he would then later combine with synthesizers and electronics on his return to Italy.Combining personal documents of music and sounds deeply connected to the history and cultures of those lands, with his own explorations and experiments with cutting edge sound technology Roberto Musci would develop through his music a very unique and at times wholly mystical space, where ancient and modern would evolve into a new musical language.As well as making his own music, during the 1980’s and 1990’s Roberto would also regularly broadcast radio shows of experimental and indigenous music on Italian radio stations such as Rai and Radio Popolare. Deeply connected to the arts he would also compose and perform numerous pieces of music for theatre, dance and performance art pieces as well as soundtracks for film and television.‘Tower of Silence’ brings together a double LP of material from Roberto Musci’s solo recordings commencing with the Loa of Music sessions from 1984 up until later very recent works. The compilation also includes a number of collaborative pieces, many performed and written in collaboration with Giovanni Venosa, such as material taken from their ‘Water Messages On Desert Sand’, which as an album was Grammy-nominated in in the UK in 1987. A unique and at times intensely mesmerising musical world ‘Tower of Silence’ offers an introduction to the work of a unique and visionary artist.

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MFM 014

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Improbably Musica
Nexus On The Beach
Lidia After The Snow
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28.00
Tracklist: 

Side 1
1. Improbably Musica
2. Nexus On The Beach
3. Lidia After The Snow
4. Water Music
5. Woman Of Water & Music
6. Lullabies... Mother Sings... Father Plays...
Side 2
1. Rack Railway To
2. Tamatave
3. Semar
4. Tower Of Silence
5. Claudia, Wilhem R & Me
Side 3
1. Voices Of The Ancient
2. Blue Garden
3. When A Dolphin Saves A Baby
4. Katak Dance For H Partch
5. Night Music
6. The Way Of Discreet Zen
Side 4
1. Ghost Train
2. Kioko’s Deck
3. Shadow Player
4. Empty Boulevard
5. The Ups & Downs Of Chewing Gum
6. A Tale For C

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The System EP

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Music From Memory continue their 12” series with the release of an EP. This 4 track comp holds 3 tracks from the LP and one unreleased.Music From Memory’s latest release in their 12” series focuses on the little known UK band The System. A project masterminded by Bob Lamb, a somewhat cult figure in Birmingham's music history; the short lived group released only one album ‘Logic' and a single in 1983 on the somewhat obscure French label ‘Romantic Records’. This distinctively forward thinking new wave/synth pop album met with poor distribution and with almost no promotion to speak of at the time and quickly dwindled into obscurity. The albums sense of technological exploration, outstanding production value coupled with the band’s gift of writing deeply emotive, yearning pop tunes, make it sound though perhaps more relevant today than many other far more successful albums of it's time.Whilst the band and the album might have sunk into obscurity, the band were no novices to the music business. In fact the highly regarded producer Bob Lamb had played as a drummer throughout the late sixties and into the late seventies for a number of progressive rock bands. The last of which, The Steve Gibbons Band, found moderate success both at home and in US, even opening up for The Who on their world tours. Having travelled the world as a musician, in 1979 Lamb would set up a 4-track recording and mixing studio in his basement flat to focus on production. In this state of the art Birmingham studio he would work with Duran Duran on their earliest work as well as producing UB40's very first album. With this highly developed sense of production, it was here in Bob Lamb’s studio that the four members of The System set out to make a pop record very much driven by the new possibilities of technology and developments within studio recording.With instrumental tracks ‘Vampirella’, sounding almost prophetic of Detroit techno tracks that would not be made until some 10 years later and ‘Pendy! You’re In Some Awful Danger’ a vaporous synth excursion and anthemic drum-heavy vocal track ‘Almost Grown’, this 12" also features the unreleased end of the night jam ‘Find It In Your Eyes’, a track which somehow never made it on to the original LP release.

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MFM 013

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Almost Grown
Pendy! You're In Some Awful Danger
Find It In Your Eyes
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16.00
Tracklist: 

Side 1
1. Almost Grown
2. Pendy! You're In Some Awful Danger
Side 2
1. Find It In Your Eyes
2. Vampirella

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Non
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Odisea

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Music From Memory’s latest retrospective is a double album that showcases the solo work of Spanish electronic music pioneer Suso Sáiz. Having been at the forefront of Spain’s experimental music scene since the late 1970s, multi-instrumentalist Suso Sáiz formed the pivotal group Orquesta de las Nubes and studio project Música Esporádica, releasing a string of albums on Madrid’s now cult label Grabaciones Accidentales, which was also home to groups such as Finis Africae, Mecánica Popular, and Ishinohana. A prolific producer, he has recorded with Spain’s most singular popular musicians as well as with a number of luminary electronic and world music artists such as Steve Roach, Jorge Reyes, and Salif Keita.‘Odisea’ draws material from Suso’s early solo works, including music from the rare cassette-only ‘Confidencias’ as well as pieces from his more recent compositions, soundtrack works and previously unreleased tracks. An artist dedicated to experimentation, Suso’s sparse compositions manifest a solitary and stripped back approach to making music. Fascinated by the possibilities of new technology he experimented with guitar loops, synthesizers, and drum computers creating a unique form of musical hypnotism absorbed by avant-garde / minimalist and non-Western musical influences.The most representative figure of Spain’s now cult experimental scene, Suso Sáiz remains an exploratory musician in a musical universe that knows no boundaries. ‘Odisea’ will be followed by a retrospective that will focus on Suso’s collaborative work with Orquesta de las Nubes and Música Esporádica.

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MFM 009

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Un Hombre Oscuro
Una Gota De Asfalto
Light Is Not Like Life
Listen/Ecoute :
Prix panier: 
28.00
Tracklist: 

Side 1
1. Un Hombre Oscuro
2. Ya Son Dos Los Cielos
3. Nada De Lo Que Sucede
4. Para Que Pasen Las Termitas
5. Ceniza Humeda
Side 2
1. Prefiero El Naranja
2. The Guardian
3. Light Is Not Like Life
4. Los Cielos Siempre
Side 3
1. Una Gota De Asfalto
2. Se Que Estas Ahi
3. La Muerte Del Agua
4. The Ten Heads Of Someone
Side 4
1. Linda Cubana
2. Tierra Media
3. La Mano Transparente
4. Aprendiendo A Amerizar
5. Odisea 3

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Original
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