Disco/Nu-Disco

The Afro-Latin connections of Venezuela's coastal region meet London based producers Juan Laya & Jorge Montiel, for the 3rd edition of their latest musical venture: Electropical. Jorge travels to Bolivar Film Studios - Caracas / Venezuela for a 2 days musical experimentation & recordings, accompanied by some of the heaviest players in town, including no other than Mr Spiteri himself, J Pulia Liendo (Ex Pianist of Dimension Latina), and the emblematic Afro-Latin Drum ensemble: Grupo Madera, (between others) for the making of the tunes: "San Juan & Electropical". As a perfect complement for the A side of this record, the studio work gets continued back in London at Imagenes Recordings batcave, for the making of the Afro-Funky-Jazz conveyor of: "Spacial Paradise" plus an updated mix of their classic rework of "Sexmachina".

Pete Herbert, Afro fusion outfit Oyobi and Neo Soul singer Andre Espeut jump on the train to the South American territories in order to meet Juan Laya & Jorge Montiel for the continuation of their latest sonic excursion: Electropical Part 2.Track brakedown:A1 Esta Musica - Feat. Andre Espeut: Andre drops his signature silky vocal sound translated in Spanish for this undercover groover of Synthesized Latin-Soul.A2 Sabana (Pete Herbert Remix) The classic Venezuelan folk tune "Sabana" gets the PH treatment for this massive Balearic conveyor.A3 Sabana "Tonada De Ordeño - Milking songs" are relaxing songs that peasants sing at farms across the entire Latin-American region when rounding up the cows in the early hours of the dawn. The tonada "Sabana" (originally composed by maestro Simon Diaz) gets the Nu Jazz treatment for a full re-composition that shows a clear window into the restless spirit of sonic innovation that's driven Juan & Jorge since the early years of their career.B1 Vuelo Del condor (Oyobi Remix): Oyobi delivers an Epic remix of "El Vuelo Del Condor" combining G Funk vibes with Afro / Latin roots.B2 Semana Santa En Achaguas: A raw recording of live Drums and Congas so locked in a heavy Guaguanco groove, with the trumpet and vocal scatting of Andre Espeut's call and response setting it all off in an improvised jazz style somewhat reminiscent of Ray Barreto's early years of experimental psychedelia.

Infusing tropical vibes and electronic grooves to reflect the vivid ever evolving Latin American soundscape is the fresh musical excursion 'Electropical' as synthesised by London based producers, Juan Laya and Jorge Montiel. 'Electropical' - one word, one sound that distils a melting pot of authentic Latin anthems, jazzy grooves, disco infused songs and Balearic sounds all processed in HD for an immersive experience which explores the colourful influences of the Caribbean, vast Amazonian dimensions and beyond. Its heart-warming journey is a highly seductive experience that further enhances the mood with repeated play.'Electropical' sees Juan Laya & Jorge Montiel (best known for their Los Charlys Orchestra albums and tracks) re-imagine some of the most emblematic tracks from the Latin music world including ''Manduco' and 'Fruta Fresca' as well unveiling new material including an awesome jazzy Latin Disco version of the millennial summer anthem 'Pasilda'. Playful sounds and organic grooves are carefully balanced with a subtle 'Electropical' touch to forge a natural expression of fusion - a perspective that has characterised the work of Juan & Jorge for more than a decade now.From the impressive folk-inspired Todd Terje favourite, 'Cumbanchero' (included on his Radio 1 Essential Mix) to the raw percussive style of 'Tambor Urbano' 'Electropical' elegantly weaves into its textures the primal drums, rippling jazz guitar, undulating bass and unique sounds such as vibraphone, Peruvian pan flute and congas conjuring the roots of Latin music in 'Electropical' style. This unique sonic landscape forges an intimate connection.Flag-bearers for contemporary Latin-infused sounds London/Venezuelan production duo, Juan Laya and Jorge Montiel, celebrated their 10th anniversary in 2017 by joining forces with the soul legend, Omar on 'It's So/History' alongside classic cuts such as 'All Around The World', 'Everlasting Love' & 'Sunshine'

The turntable’s tonearm waves and indicates the West direction, as if it wanted to tear and take off for Brazil? It’s alright; it's just playing Nação África, new single by Camarão Orkestra, the most Brazilian of Parisian bands.Sinewy bass and battery pulsating, it’s stitched to the dancefloor that "Nação África" spreads its groove. And it's with a variety of keyboards and synthesizers that the tight production maintains a level of constant motion, surrounded by the burning riffs of the brass section and Amanda Roldand's refreshing vocals.Anywhere close to a good record, you’d usually find Patchworks hanging around. He satiates here his compulsive remix addiction, first by loosening the pressure of the bass, giving us more fresh air, and covering the mix with airy synth patches. Then with a dub version where he puts vocals and instruments inside echo chambers and effects corridors of different scales. The bass becomes rubbery, the beat is robotized and, slowly, an electro vibes seizes the title.Nação África announces the return of Camarão Orkestra in the crates, just an appetizer before a new album… Or two…