Hot Casa Records

Hot Casa Records present Togo Soul 70: Selected Rare Togolese Recordings from 1971 to 1981 .A treasure-trove of rare and unusual recordings mostly recorded in Lomé during the 70’s , a fusion of traditional voodoo chants , raw soul and Afro jazz. Finding these tracks and their rights holders hasn’t become any easier even after few trips all over this west African country bordered by Ghana , Benin & Burkina Faso.We , at Hot Casa Records decided to select thirteen tracks, a snapshot of some hundreds of rare and often forgotten tapes from the most prolific, professional and exciting phase of the country’s recording history included international stars like Bella Bellow ( who even performed to Maracana stadium in Brazil ) to Roger Damawuzan compared as the James Brown from Lomé to forgotten tapes and brilliant songs in Mina, Kabyié and Fon language. Many of the tracks featured here are peppered with innovation and experimentation highlighting how diverse the music scene in Togo was at the time even if the political context influenced their creation.A must have for all music lovers and soundtrack of the documentary Togo Soul 70 directed by Liz Gomis & Dj Julien Lebrun!– Gatefold Vinyl double LP with Two inner sleeves, photos , and biography– Deluxe Cd Digipack with 32 pages linner notes, photos , portraits .

Deluxe gatefold LPWhen faced with the decision to take a different direction at the risk of getting lost in a synthetic sound or to further explore the same musical path, Vaudou Game didn’t need to consult the oracle for very long when putting together their new album. Since their first acclaimed album, Apiafo and its irresistible single "Pas Contente", these Lyon natives never turned down the heat on over 130 stages across Europe, Africa, America and Asia. Peter Solo has displayed his amulets, charisma and yellow pants around the globe When time came for them to harness their Afro-Funk sound for the second time, they turned their attention once again to their analog strengths. Vintage material, instruments produced in the 70's and cassette tapes were the "grigris" (or lucky charms) which proved most effective to ward off digital corruption of their music and return them to a tight-knit group with a solid groove. This unbeatable trance rhythm, inherited from James Brown and Fela, icons of Funk and Afrobeat, becomes trident when joined by Mawu, the creative voodoo divinity hidden in each of the group's notes. This inspiration transcends their spirit of communion, plunges them deeply into Mother Earth and results in the telepathic trance which is directly connected to Togo Peter's native Togo.Each song then becomes a celebration where the listener becomes the group's voodoo doll, embraced by the rhythm, submitting itself to the mercilessly metronomic cutting of guitars, struck by the copper-colored flashes of lightning forged by the African voodoo deity Hevioso, pierced by the psychedelic visions generated by the organs and a six-string guitar, cheerful songs, and hypnotic incantations.KIDAYU means "sharing" in Kabye, the language spoken in northern Togo. Sharing, is the philosophy of Vaudou Game – both in their recorded music and on stage.

When faced with the decision to take a different direction at the risk of getting lost in a synthetic sound or to further explore the same musical path, Vaudou Game did not need to consult the oracle for very long when putting together their new album. Since their first acclaimed album, Apiafo and its irresistible single "Pas Contente", these Lyon natives never turned down the heat on over 130 stages across Europe, Africa, America and Asia. Peter Solo has displayed his amulets, charisma and yellow pants around the globe. When time came for them to harness their Afro-Funk sound again, they turned their attention once again to their analog strengths. Vintage material, instruments and cassette tapes were the "grigris" (or lucky charms) which proved most effective to ward off digital corruption of their music and return them to a tight-knit group with a solid groove.