Vaudou Game

Deluxe gatefold LPWhen faced with the decision to take a different direction at the risk of getting lost in a synthetic sound or to further explore the same musical path, Vaudou Game didn’t need to consult the oracle for very long when putting together their new album. Since their first acclaimed album, Apiafo and its irresistible single "Pas Contente", these Lyon natives never turned down the heat on over 130 stages across Europe, Africa, America and Asia. Peter Solo has displayed his amulets, charisma and yellow pants around the globe When time came for them to harness their Afro-Funk sound for the second time, they turned their attention once again to their analog strengths. Vintage material, instruments produced in the 70's and cassette tapes were the "grigris" (or lucky charms) which proved most effective to ward off digital corruption of their music and return them to a tight-knit group with a solid groove. This unbeatable trance rhythm, inherited from James Brown and Fela, icons of Funk and Afrobeat, becomes trident when joined by Mawu, the creative voodoo divinity hidden in each of the group's notes. This inspiration transcends their spirit of communion, plunges them deeply into Mother Earth and results in the telepathic trance which is directly connected to Togo Peter's native Togo.Each song then becomes a celebration where the listener becomes the group's voodoo doll, embraced by the rhythm, submitting itself to the mercilessly metronomic cutting of guitars, struck by the copper-colored flashes of lightning forged by the African voodoo deity Hevioso, pierced by the psychedelic visions generated by the organs and a six-string guitar, cheerful songs, and hypnotic incantations.KIDAYU means "sharing" in Kabye, the language spoken in northern Togo. Sharing, is the philosophy of Vaudou Game – both in their recorded music and on stage.

When faced with the decision to take a different direction at the risk of getting lost in a synthetic sound or to further explore the same musical path, Vaudou Game did not need to consult the oracle for very long when putting together their new album. Since their first acclaimed album, Apiafo and its irresistible single "Pas Contente", these Lyon natives never turned down the heat on over 130 stages across Europe, Africa, America and Asia. Peter Solo has displayed his amulets, charisma and yellow pants around the globe. When time came for them to harness their Afro-Funk sound again, they turned their attention once again to their analog strengths. Vintage material, instruments and cassette tapes were the "grigris" (or lucky charms) which proved most effective to ward off digital corruption of their music and return them to a tight-knit group with a solid groove.

Apiafo is a 12 track album, entirely recorded, mixed and mastered from old analog tapes, and played with vintage instruments, recalling the sound of bands like Poly-Rythmo De Cotonou or El Rego!Peter Solo invited his uncle, Roger Damawuzan, famous pioneer of the 70’s soul scene in Togo, to sing on “Pas Contente” & “Wrong Road“. The result of their collaboration is without a doubt two amazing future dancefloor classics!The idea of integrating these haunting lines, sung in honor of the Divinities, to an energetic 70's Afro-funk style, was, in Peter Solo's mind, an obvious extension of the analogy he found between the voodoo tradition and trance inducers such as Soul, Funk, as well as the Rhythm ‘N Blues of James Brown or Otis Redding.