Soundway

Just Do You is the first single from underground super-producer Lord Echo's hotly anticipated 3rd album 'Harmonies'. So long has it's gestation been that it has reached a status reserved only for the mythical and the absurd. Some say it will never be finished with the album devouring its host creator and assuming a life of its own - but this first single proves other wise.Lord Echo emerges from the darkness with a gleaming diamond in his hand - a slice of pure disco dub indulgence with all the rough trimmings that have made him a cult favourite from Tokyo to Trinidad.With the real life concerns of the DJ always foremost in his mind, this 12" has something for every occasion with two different vocals and a radical excursion into the realm of left field disco dub that record collectors sweat over in feverish night dreams of cult record acquisition.Both vocalists are long time Lord Echo collaborators : Electric Wire Hustles' Mara TK and Fat Freddies Drop's Toby Laing.Mara's version sees the golden voiced visionary wax lyrical on a night time affair stemming from a tiresome diplomatic function in a sweaty, exotic location deep in the recess' of your mind. Toby's vocal was recorded in a hotel room in France on one of Fat Freddies Drop's sweeping European Tours and features some of the most obtuse yet deeply penetrating lines in contemporary songbook narrative.

Susso, aka bassist / producer Huw Bennett, creates music inspired by, and directly sampling, the magnificent sounds of the Mandinka people, recorded during a recent trip to Gambia. Initially travelling with the aim of gaining perspective as a musician and to discover a new world of music first hand, Huw found himself humbled by such a welcoming community of artists, mostly belonging to the celebrated Suso and Kuyateh griot families.The tracks are composed entirely from original source material, field recordings and Huw's talents as a multi-instrumentalist, performing tuned percussion from the region including the Mandinka Balafon, Kutiringding drum, as well as drawing on his skill as a professional upright / electric bassist.The music produced has a contemporary electronic sound, whilst still paying homage to a traditional Gambian aesthetic. Keira (meaning peace) guides the listener through Huw's journey up the River Gambia, being welcomed into remote dusty villages, where your people are the most important thing in life.

Ghanaian Afro funk and Boogie from Sidiku Buari is the focus of the next Soundway 12".On the A side a classic Ghana style afro funk cut recorded at Ghana Film Studios has a characteristic Lo-Fi sound led by George Amissah's (Ebo Taylor, K. Frimpong, Uhuru Dance Band) trademark sax over a squelchy synth and drum groove.This is backed on the flip by a boogie funk cut (Music) recoded in NYC in the early 80s with Fanti chants and soulful vocals from the big man himself. 'Alhaji' Sidiku Buari gained fame in the 70s in Ghana and the USA after moving to New York and recording an album (which featured the soul-jazz legend Bernard Purdie) for RCA that was one of the first mainstream afro-funk LPs ever to hit the market in the USA.After two subsequent albums that produced some afro disco classics including the seminal "I'm Ready" he eventually returned to Ghana where he became the chairman of the Ghanaian Copyright Society (COSGA).The two tracks are taken from an obscure 12" release from 1983 that unfortunately had a pressing defect on "Anokwar", so with some twiddling and editing Hide & Smile have restored it ready for some overdue dance-floor use once again.