Modern-Soul-Funk

Natalie GREFFEL Para Todos

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Debut album by prize-winning recording artist, composer & arranger NATALIE GREFFEL out of Berlin.Natalie was born in post-colonial Mozambique and raised in Denmark from infancy. After moving to Berlin in 2010 to attend a music conservatory, and while engaged in various projects – RADIO CITIZEN, KARL HECTOR & THE MALCOUNS, ONOM AGEMO & THE DISCO JUMPERS - that exercised her stylistic flexibility. She was introduced to the pianist of Brazilian star Ed Motta; he encouraged her to record a demo. Inspired anew by the harmonic structures of Antonio Carlos Jobim, Hermeto Pascoal, Noel Rosa, Nelson Cavaquinho, Milton Nascimento, Elza Soares, Elis Regina, Gilberto Gil and Chico Buarque - architects of Brazilian music - Natalie began to interpret these blueprints in her own unique lexicon.

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AR 127VL

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26.00
Tracklist: 

Side 1
1. Nao Sabia Nem Comecar
2. Toquei
3. Blame
4. Canto Pra Voce
Side 2
1. Ficaria Mais Feliz
2. Para Todos (Stuttgart)
3. A Ostra E O Vento

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This Is The Day (red vinyl 7")

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Mamas Gun are a musically diverse five-piece Soul band fronted by singer/composer/producer Andy Platts. Andy is joined by keyboard player Dave Oliver who's musical education has embraced everything from barbershop singing to French horn and now includes jazz, soul and Cuban playing. Alongside stand out guitarist Terry Lewis who studied music in London and now resides on UK's south coast and who's musical journey has seen him work with legendary Marvin Gaye/Minnie Ripperton/Michael Jackson producer Leon Ware, Lewis Taylor, The Impressions, Jamie Woon, The Valentine Brothers, Jean Carne to name a few.Chris Boot took over the band's drum stool in 2016, bringing with him a career that's taken him everywhere from Abbey Road to Glastonbury and all over the world, with the likes of Lucy Rose & Lone. Bass player Cameron Dawson is the youngest but already an old soul in his musical capability and contributions to the energetic and memorable stage shows that Mamas Gun never fail to deliver. Cameron also performs as one third of the much-respected instrumental jazz trio Vels Trio."This Is The Day" is the soulful band version of the final track from the latest album "Golden Days", available in digital formats and a limited edition 7inch vinyl single.

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LEGO 189

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17.00
Tracklist: 

Side 1
1. This Is The Day (Full Band version)
Side 2
1. We

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Stand Up For Love

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The UK's funk brothers are back! After 2 years working hard in their studio in Leeds in the north of England, The Haggis Horns are ready to drop album number 5! "Stand Up For Love" is released worldwide on their own label Haggis Records on the 22nd May on Vinyl, CD and Digital. They should have added a subtitle to it...back to roots! This one has them doing what they've done best from day one...kicking the funk! plus the spotlight is truly on the band - no special guests, just Haggis Horns band members past and present including "Hot Damn!" singer John McCallum who features on seven out of the nine tracks making this their most vocal-led album to date.The Haggis Horns first hit the music scene in 1999 as both a band and brass section, the horns making their first recorded appearance on The New Mastersounds debut album that year. Featuring some of the finest brass and rhythm section players in the UK, Haggis Horns musicians have played live and recorded with a host of major music artists including Mark Ronson, Corinne Bailey Rae, Lou Donaldson, Amy Winehouse, Lily Allen, Martha Reeves, Jamiroquai, John Legend & The Roots, The Cinematic Orchestra, Morcheeba, Roots Manuva, Finley Quaye and Nightmares On Wax.After five singles plus two albums on UK independent label First Word Records, since 2015, they've been releasing their music on their own Haggis Records Label. In 2020 they've expanded the label to include solo jazz albums from band members Malcolm Strachan (trumpet) and George Cooper (keyboards/piano) and also released an EP by soul singer Lucinda Slim but three years after their last full-band release, the time is right for another Haggis Horns album."Stand Up For Love" is their 5th album and as always it drips with funk and soul magic which show the band's love for early/mid 70's artists like Kool & The Gang, Fred Wesley & The JB's, The Blackbyrds, The Fatback Band, The Meters and Sly & The Family Stone. From pure funk club bangers like "Shoulder To Shoulder" and "Haggis Express" to deeper soulful sounds of "Ain't Nothing But Love In The End", "Give It Up" and "Ain't Loving One Another" (which features one of many stand out vocal performances by John McCallum) it's a mix that makes sure all musical bases are covered. Also, original percussionist/conga player Sam Bell is back recording with the band and once again adding some Latin fire to the Haggis Horns sound. There's even a soulful reggae track on this one, the album title song "Stand Up for Love". It's the first time the band has featured a reggae number on a release since their debut back in 2007.Two decades on, numerous releases, hundreds of gigs worldwide, this fifth album proves that The Haggis Horns are still kings of the hill when it comes to UK Funk and Soul.

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HRLP 005

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26.00
Tracklist: 

Side 1
1. Don't Give A Damn
2. Shoulder To Shoulder
3. Suzi Traffic
4. Haggis Express
5. Ain't Nothing But Love In The End
Side 2
1. Stand Up For Love
2. Burning
3. Ain't Loving One Another
4. Give It Up (Don't Take Part In The Madness)

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1st 7 INCH (RE-STOCK)

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Super exclusive and limited 7'' from Scott Grooves. Comes with a cool 7'' adapter.

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20.00
Tracklist: 

Side 1
1. So Into You
Side 2
1. If You Want Me To Stay

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Tomorrow Is My Turn

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Uptight, c’est la réunion en 2013 de 7 musiciens addicts à la scène dont le son navigue entre Soul Music et Heavy-Funk.Le groupe s’est forgé une solide expérience scénique et une véritable identité artistique au fil de nombreux concerts et festivals (le New Morning, le Point Ephémère, le Divan du Monde, Enghien Jazz festival, the Motor and Soul...).En 2015, Uptight enregistre un premier L.P en auto production intitulé « Soul Kitchen » suivi en 2017 d’un E.P 3 titres éponyme " UPTIGHT ".Aujourd’hui le groupe part enregistrer dans le prestigieux studio « Black Box » afin de produire un nouvel Ep au futur son très prometteur…

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6.00
Tracklist: 

Side 1
1. Happiness
2. Sorry
3. One Dance In Your Arms
4. Tomorrow Is My Turn

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Tomorrow Is My Turn

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a propos: 
Uptight, c’est la réunion en 2013 de 7 musiciens addicts à la scène dont le son navigue entre Soul Music et Heavy-Funk.Le groupe s’est forgé une solide expérience scénique et une véritable identité artistique au fil de nombreux concerts et festivals (le New Morning, le Point Ephémère, le Divan du Monde, Enghien Jazz festival, the Motor and Soul...).En 2015, Uptight enregistre un premier L.P en auto production intitulé « Soul Kitchen » suivi en 2017 d’un E.P 3 titres éponyme " UPTIGHT ".Aujourd’hui le groupe part enregistrer dans le prestigieux studio « Black Box » afin de produire un nouvel Ep au futur son très prometteur…

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10.00
Tracklist: 

Side 1
1. Happiness
2. Sorry
Side 2
1. One Dance In Your Arms
2. Tomorrow Is My Turn

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Fluid Motion

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With their third album ‘Fluid Motion’, Melbourne’s 30/70 are set to soar into higher territory as the face of Australia’s newest wave of soul-influenced brilliance. From the swirling opening pads of “Brunswick Hustle” all the way through to the sax-laden shimmer of “Flowers” at its close, ‘Fluid Motion’ is an instant classic, effortlessly shifting between neo-soul and languid, astralfacing jazz textures and authentic vignettes of UK club music history. It’s a formula that those already caught in 30/70’s celestial web are fully aware of; first defined on the local heat of their 2015 debut ‘Cold Radish Coma’ and majestically expanded upon with their critically acclaimed 2017 release ‘Elevate’ on Bradley Zero’s Rhythm Section INTL (mixed by Hiatus Kaiyote’s Paul Bender). ‘Elevate’ did exactly that - elevating both the scope of the band’s sound as well as their standing in the local and international community. Since the last record was released, the music has brought the band on world tours and to the attention of the wider public and key tastemakers alike. Strongly supported by the likes of Gilles Peterson, Tom Ravenscroft, Jamie Cullum, Matthew Halsall and Bradley Zero, the UK has become something of a second home for 30/70. London in particular has openly embraced the soulful sounds of Melbourne, as evidenced by Gilles’ latest Brownswood compilation ‘Sunny Side Up’ which features three tracks from 30/70 members: Ziggy Zeitgeist, Horatio Luna and Allysha Joy. The record is a follow up to his era-defining survey of the UK Jazz scene ‘We Out Here’, the compilation that kickstarted a whole generation of London’s under-the-radar Jazz kids to global headlining heights. It would appear we’re about to witness this same effect take place for the Melbourne contingent, of which 30/70 lead the charge. The city’s invasion is well and truly upon us. While London is undoubtedly in love with what’s happening in Melbourne right now, this is no one way love affair. The 30/70 collective have had their ears to the ground and plugged into the sound of the UK underground. This new album takes inspiration from the syncopation of Broken-Beat, the immediacy of Grime’s and Dub’s sonic aesthetic to create something that is a truly global amalgamation of local sounds, finessed by Allysha Joy’s instantly recognisable vocals; the rawest and realest of voices.

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RS 028LP

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30.00
Tracklist: 

Side 1
1. Brunswick Hustle
2. Addicted
3. Fluid Motion
4. NYP
5. Tempted
6. Reprise
Side 2
1. Echoplex
2. Backfoot
3. Crystal Hills
4. Impermanence
5. Push & Pull
6. Flowers

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Origin

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ZEN 256X

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20.00
Tracklist: 

Side 1
1. Mad World
2. Say Something
3. Mind's Eye
4. Rolling Into One
5. Oasis
6. Wildfire
Side 2
1. Signs
2. You & Me
3. Moda
4. Speak
5. Mantra

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Where We Going?

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Reginald Omas Mamode IV is set to release his third album ‘Where We Going?' via Five Easy Pieces on 10th May 2019.The album was partly recorded on a journey to the Mascarene Islands in search of family roots. 'Where We Going?' is reflective of the search for this lineage, which branches from ancient Mauritian Maroons - whose rich heritage, music and culture includes an unrecognised, undocumented resistance to colonialism - though Swahili and Malagasy to sugarcane plantation Creole slave decent. Influenced by golden era hip-hop, jazz, soul, Afro, funk, Sega and Maloya, and music from Africa, the Caribbean, South London and US; it is in part an attempt to evoke feelings of universal love and compassion. Mamode recorded the album using various drums and drum machines, percussion instruments, Fender Rhodes, and Roland and Korg synthesizers. His two earlier albums - 2016's s/t debut and 2017's 'Children of Nu' - were warmly received, collecting critical success from Mojo (“A brand-new-retro delight”), Mixmag (“Peckham beat brilliance”), Record Collector (“Equal parts D’Angelo to J Dilla”), The Wire (“Soul music turned all the way inward”), DJ Mag "A masterpiece") and Bandcamp (“Lifeforms that are equally steeped in hip-hop, funk, soul and jazz”). He was also nominated for ‘Album of the Year’ at Gilles Peterson’s Worldwide Awards 2017. Along with Mo Kolours, Jeen Bassa, Henry Wu, Al Dobson Jr and Tenderlonious; he’s helped forge in the 22a co-operative that The FADER calls “a kaleidoscopic patchwork of hip-hop, house, and groove investigations bound by one thread: a timeless belief in rhythm as a universal language”.

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FEP 027

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28.00
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Honeycomb

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With his roots in Assam, northeast India, and his hustle now based in Brooklyn, the psychedelic soul-savant known as Jitwam. will officially drop his second album on the Copenhagen-based label Tartelet Records in May 2019.

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TARTALB 010

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27.00
Tracklist: 

Side 1
1. Busstop
2. Temptaions
3. Diamonds
4. Hearts Don't Lie
5. I'm A Rock
6. I Don't Know
Side 2
1. BITCH
2. Universes
3. Trustt
4. Opendoors
5. Country & Western
6. Aria's Song

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