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Bluestaeb's evolution from a beatmaker to a producer is his sophmore album “Everything is Always a Process”.He is one of the key figures of a new generation of up and coming HipHop beatmakers, who have emancipated from genre thinking and instead merge old school aesthetics with a new school attitude and organic instrumentation.Everything Is Always A Process re-iterates Bluestaeb's overall approach to life (and thinking), but also has direct reference to the making of the album itself, which began with moving from Berlin to Paris in 2015 in the search of new influences and a new creative environment. Created between 2015 and early 2018, EIAAP embodies the process of this transition - as well as collaboration with instrumentalists and vocalists from all over the world and recording in different studios in Paris, London & Berlin."Meeting all those musicians and trying out new ways of producing by using real analogue synths, Rhodes, drums and percussion etc. made it possible to overcome the creative boundaries of a home studio with just a midi keyboard" / Bluestaeb.Influenced by Madlib's "Shades Of Blue" and trained in African drum techniques such as Djembé and Daruka, Bluestaeb had been crafting his own beats since his teenage years and gradually found his sound identity through experimenting with HipHop and Jazz – first to be heard by a broader music community in 2013, when he released his debut album "1991 Extraterrestrial" (Radio Juicy). Since then the prolific young artist has released numerous solo and collaboration projects ("B.L.U.E. Friday" in 2015 and „Sidekicks“ with S. Fidelity in 2016). In 2016, he produced collaborative album "LIT - Lost In Translation“ with rapper JuJu Rogers, a keen manifesto against racism, xenophobia and the rise of anti-heroes such as Donald Trump.Today, Bluestaeb lives and works in Paris and Berlin and is set to release his third solo album “Everything Is Always a Process”, a smooth Neo Soul-induced epic featuring artists such as Noah Slee, Harleighblu and Melodiesinfonie, via Jakarta Records in 2018.

BRRWD is a label collaboration between Ta-ku/ repeat pattern & Jakarta Records.Villa Rosa is the second in a series of 8 apartment complexes built between 1964 and 1988 in Shibuya, Tokyo. In 1964, the year of the first Tokyo Summer Olympics, the Villa series pioneered large residential apartment buildings in Japan.Villa Rosa sits somewhere between Fitz Ambrose and Submerse's homes.

A 44-minute long instrumental album that includes a vocal-feature by Akere. It is a matter of opinion whether a face can be incredibly beautiful or particularly disturbing, so that the mere sight deprives the viewer of his ability to act. However, you should never let an appearance freeze you. So: Close your eyes and enjoy the beauty of a mix of timeless vibes, warm sounds and shifted rhythms somewhere between Trip Hop, Boom Bap and G-Funk. The journey leads through ups and downs, influenced by music of all directions and oddities of different genres. L One's Medusa is in a position to cast a spell over the listener. However, this does not result in long-term anesthesia, but rather in a moment that directs all perception of the external world to a place of infinite possibilities. Where this journey leads to is up to everybodys self. A myth, so to say!After the Farska LP, Medusa is already the second collaboration between the young Munich-based HipHop producer and the young Munich-based label Beat Art Department and is released in cooperation with the renowned German HipHop label 58Beats.

"Before slipping this LP on, you need to nail the AOR modus opeara ... That means: a Hawaiian shirt à la Magnum PI, loafers without socks as in Miami Vice, jump in your convertible and drive under the coconut trees. This is a sunset ride through Rio de Janeiro, Los Angeles, Miami, Hawaii. Aloha!" Ed MottaToo Slow to Disco take a dive into an often overlooked side of Brazilian music: Brazilian soul, funk and AORWe’d like to introduce you to the compiler of our new Too Slow to Disco release, a giant of musical endeavour, the young nephew of Brazil’s legendary soul icon Tim Maia, the ‘Colossus of Rio’, as he’s known: Ed Motta. At the end of the 1980s Ed Motta burst upon the music scene as a major singer and one of the writers and producers in the band Conexão Japeri. He’s now fifteen albums into a career that hops from genre to genre, perhaps one of the savviest music makers and curators out there. He is a refined practitioner of jazz, funk, soul, AOR and much else besides, having worked with everyone from Gilles Peterson to Roy Ayers, 4Hero, Seu Jorge, Patrice Rushen, Greg Phillinganes, Bo Diddley, Incognito, Ryuichi Sakamoto and many other insanely talented musos. In this collector’s compilation, you’re coming on a kind of expert guided time travel mission – just picture yourself following Ed’s fingers as they trace along the sleeves in that massive library-sized vinyl vault of his. So we dart back through over two decades of music making, dancing in one style then the next from soul to funk to AOR, you’ll feel the air coming out of the horn section right the way through, and a mixologist’s golden touch tying everything together. The artists Ed has play-listed for you include über-obscure figures like Carlos Bivar or Gelson Oliveira & Luiz Ewerling – both of whose songs here derive from privately pressed albums – so rare they’re not even listed on Discogs! He’s also gathered together a real pantheon of Brazilian musical heroes like Rita Lee (who was part of the legendary Os Mutantes), Cassiano (one of the founders of Bossa Trio and Os Diagonais) and million sellers like Roupa Nova, lovingly referred to as ‘the Brazilian Toto’ (who would have thought that would become a compliment by 2018?)! And as ever with the Too Slow to Disco series, the artists might be new to you, but they’re always bringing a killer tune.Join us to discover another dimension of the Brazilian sound: TSTD Brasil - Compiled by Ed Motta.- Brazil edition of the critically acclaimed compilation series by DJ Supermarkt- Complied by Ed Motta and includes über-obscure figures like Carlos Bivar or Gelson Oliveira & Luiz Ewerling – both of whose songs here derive from privately pressed albums – so rare they’re not even listed on Discogs!- Comes in two formats: compact disc (with o-card) and heavy weight black double vinyl including MP3 download card

Takes the 2 tracks from their 1983 single and add 2 unreleased tracks in the mix. Another strong 12'' on Cree!At the beginning of the 1980s, Fifi Yawson and some other members of the Ghanaian band, Gem Movement, moved to the city of Hanover in Germany. There they met the Trinidadian drummer Martin James who had previously played with the 20th Century Steelband in England for several years.Thanks to his work as a studio musician, Martin was well connected in the Hanoverian music scene where he met sound engineer Thomas Rugel during a recording session. Together with the Ghanaians Fifi Yawson, Francis Dansei, Sam Asante and Tom Blay they formed the group Umoja i-nity. Other members of the band were Christine Clinton and Nyemah George Williams (who both had previously worked with Hugh Masekela and Miriam Makeba) as well as Ingo Erlhoff and Jochen Rose from Germany.

Unreleased early Algerian synth electronic by Ahmed Malek, compiled and co-produced by Flako. In the early 1980s, Ahmed Malek was already in his 50s , when he discovered synthesizers and electronic music for himself and started to experiment with sounds. The result was a mixture of ambient synth music, field recordings he made in Cuba and a wide variation of different sound experiments that he also presented as different avanguarde music festivals in Cuba and the US. None of it was ever released but we got a huge box of master tapes from his family and we're happy to present this different side of Ahmed Malek's music. It was compiled and co-produced by Flako, a fan of early electronic and synth music. This is not a remix album though, Flako's aim was to create an album out of 2 hours of material that sounds like it might have if Mr. Malek would have finished it himself before of his death. Fully approved and licensed from the artists family.The album comes with an informative booklet with liner notes, an interview with Flako regarding his approach towards the production and unseen photos. We will also release a third album by Ahmed Malek which will be more in the vein again of the music he is known for and this album will also be previously unreleased.

Al Massrieen: Disco, Funk and modernized Arabic Pop from Egypt! In the beginning of Habibi Funk, our search was focussed on vinyl records. Around a year ago though, we got to the point where we realized that it became substantially harder to discover music, that we enjoyed and hadn't heard before. It became apparent that it was time to start looking for other formats. Cassette tapes were the obvious alternative. These were introduced in the arabic world around the late 1970s.In some countries they took over a bit earlier, in others a bit later, but eventually they pushed the vinyl format out of the market in the 1980s. In Egypt this trend already even started in the late 1970s. Al Massrieen was one of the first bands I learned about once I discovered the tape format for myself. They were really popular in Egypt in the 1970s and the more of their music I found on either tapes or Arabic pirate mp3 sites, the more I was becoming a fan. Only very few bands from the region can match the band’s versatility as well as their strive for innovation. Hany Shenoda is the man behind the Al Massrieen band. He is a reknown figure of the Egyptian music scene and has worked with everyone from Abdel Halim Hafez to Mohamed Mounir. Al Massrieen was his attempt to introduce his ideas of modernizing Egyptian music, heavily encouraged by Naguib Mahfouz (Egypt's only winner of the Nobel Price for literature) after discussing his ideas with him. Al Massrieen's sound goes from lush disco like “Sah” to psych rock like “Horreya” or incredible jazz fused pop on songs such as “Edba Mn Gded”. I was shocked to realize the band seemed to be hardly known outside Egypt, even though I feel they're at least on the same level as Ahmed Fakroun. An relative obscurity which I largely attribute to the fact that their releases never have been pressed on vinyl (apart from a Greece best of LP which wasn’t a strong compilation of the group’s songs). One way or another it felt like this band and especially their composer, band leader and overall brain Hany Shenoda was in need to get some recognition outside of Egypt. The release is fully licensed from the band and comes with an extensive booklet with liner notes, interviews and unseen photos.

"Non semper erit aestas!" - Like Erasmus once said, it will not always be summer. But we are talking about Summer with an "s" here: Summers Sons! An up and coming hip-hop duo consisting of Turt (rap) and Slim (beats) who are actual brothers. Born and raised in London, now living in Bristol. Good friend Charlie Tappin adds into the mix with vocals and keys. Charlie and Turt were both featured on Twit One's latest album "Hay Luv". Producer Slim has just released a beat through KO-OP. The "Undertones EP" will be released in January 2018 and remixes from FloFilz and Twit One are in the making.And please note: It's Summers with an "s”