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Sol

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Versatile and rare Latin jazz-funk masterpiece repressed in an edition of 500 copies!There's the Funk Fuzz Blaster "Maranatha" or the Ray Barretto Latin Jazz Groove cut "El Que Se Fue" with freaky synth blasts. The Texas Easy Funk moves of "Squeeze" which remind of Steam Heat, or the lounged out soul rendition of Stevie Wonder's classic "Bird Of Beauty”. Something for everyone and impossibly rare!!

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MAR 018

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Tracklist: 

Side 1
1. Maranatha
2. Patrice
3. El Que Se Fue
Side 2
1. Squeeze
2. Someday
3. You Don't Understand
4. Bird Of Beauty

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Forthcoming: 
Oui
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Mystic Beauty

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60s Jazz Holy Grail LP outta California - Mythical album on many Jazz collectors want-lists!180 gram Deluxe Heavy Cardboard Sleeve with OBIThis LP is on the extremely limited and sought after private press label HME. It's a deep, Latin, Afro/Cuban-influenced, primarily acoustic jazz piece. Influences range from the cerebral to the soulful, but it defies any one-dimensional tag like "spiritual jazz" or "soul-jazz" or "jazz-funk." Heralding from L.A. and led by pianist Reggie Andrews, it doesn't sound particularly "west coast".It's a beautiful session all around, really something special and profound. In recent years, Reggie Andrews has taught, mentored, and produced many talented musicians including Patrice Rushen, Terrace Martin, Ndugu Chancler, and the Dazz Band who wrote "Let it Whip" along with his close friend Leon Ndugu Chancler. He is the founder of the jazz-fusion group Karma He worked with Earth, Wind & Fire, produced Moacir Santos for Blue Note Records and served as "Electronics Consultant" for Donald Byrd, and mentoring The Pharcyde to J.Dilla

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MARREG 011

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35.00
Tracklist: 

Side 1
1. Mystic Beauty
2. Song For J
3. Sir Lady
4. Sweet Stuff
5. Ah Na Na
Side 2
1. Chant
2. The Debonaire
3. Look Of Love
4. Everyman's Brother

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Non
Forthcoming: 
Non
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The Geneva Connection

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Hard-to-find Detroit Jazz-Funk ! 180 gram Deluxe Heavy Cardboard Sleeve with OBIAn extremely rare album left by Detroit-based jazz keyboard player Johnny Griffith known for the album "Together, Togetherness" on RCA. An album covering "From The Music Connection" with Freddie Redd Quartet and Jackie McLean. The Music From "The Connection" was composed by jazz pianist Freddie Redd for Jack Gelber's 1959 play The Connection. This first recording of the music was released on the Blue Note label in 1960. It features performances by Redd and Jackie McLean Jack Gelber originally planned for the play to feature improvised music performed by jazz musicians who would also play small roles in the production. Freddie Redd, however, persuaded Gelber to include his original score. Redd re-recorded the score later in 1960 as Music from the Connection.In 1974 The pianist Johnny Griffith, who was a member of the prestigious Motown rhythm section "Funk Brothers", covered the album "The Connection" by Freddie Red as a whole album, playing electric piano here, which really changes the vibe of the music - and the players are supposedly a host of Motown studio musicians - playing jazz here, but with a nice funky soul undercurrent. Originally released on Detroit Geneva Label.Pianist Johnny Griffith can be heard on classic Motown sides, as well as on recordings from other Detroit-area labels. Like Motown's other pianists, Joe Hunter and Earl Van Dyke, Griffith's had an extensive musical background.Signed to Motown's Jazz Workshop label, he recorded the albums "Detroit Jazz" and "The Right Side" of Lefty Edwards. When the march of the Motown hits began, Griffith started playing on sessions for their R&B/Pop acts. But rather than signing a work-for-hire contract with Motown like other musicians, Griffith remained a freelancer, doing other dates and sessions in New York and nearby Chicago.The Motown hits that Griffith played on include: Marvin Gaye's "How Sweet It Is (To Be Loved By You)", his celeste trills are heard on "Mercy Mercy Me (The Ecology)", adding Wurlitzer electric piano on both Gaye's "I Heard It Through the Grapevine" and the Temptations' "Ain't Too Proud to Beg", organ on the Supremes' "Stop in the Name of Love and organ and shotgun effects on Junior Walker and the All Stars' "Shotgun.Griffith's non-Motown hits are with Edwin Starr, Jackie Wilson, The Chi-Lites, and Young-Holt Unlimited's "Soulful Strut" In the '90s, Griffith was still active on the Detroit club scene.

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MARGRI 012

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35.00
Tracklist: 

Side 1
1. Sister Salvation
2. Music Forever
3. Who Killed Cock Robin?
Side 2
1. Wiggling
2. OD (Over Dose)
3. Time To Smile
4. Jim Dunn's Delama

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Out Of The Blue

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The incredible San Francisco Area Jazz Funk Spiritual IMANI"Out of the Blue" original only 500 copies of this privately pressed record was manufactured in 1983. Here is your rare opportunity to own a deluxe reissue of this "impossible to find" original.Privately pressed by Preston Phillipps and Pam Byrd has been called the "ultimate private press vocal anthem" of bay area jazz. If you like John Heartsman, Aposento Alto or Minority Band, don’t miss a true killer record. E s s e n t i a l . . .

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MAR 011

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35.00
Tracklist: 

Side 1
1. Just Another Love Song
2. Somebody's Love
Side 2
1. Byrd's House
2. Friendship Cover Charge

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Non
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Ronie & Central Do Brasil

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Killer samba soul from Ronie's last album.. Smooth songs that are reminscent to João Donato's work in the 70's.. Whole album is GREAT!

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MAR 006

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35.00
Tracklist: 

Side 1
1. Remelexo
2. Atoa Atoa
3. Albatroz
4. Voce Nao Ser
5. Falsa Baiana
Side 2
1. Visgo De Jaca
2. Somente O Samba
3. Madeira De Lei
4. Deus Te Acompanhe
5. Essa Mare

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Edson Frederico E A Transa

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Reissue of this LP that has all the hallmarks of the best to come out of Brazil during the seventies: a perfect fusion of funky rare groove, tropicalia, and jazz. Such a lush warm vibe throughout underpinned by Frederico's use of the fender rhodes for the date. Top musicians on this one as well: Bebeto, Luiz Eça, Orlandivo - Incl the killer tune ''Bobeira''.. Which alone justifies the purchases of the LP! Limited numbered edition on 180 gram Vinyl, Hardcover Sleeve and with OBI

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MAR 005

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35.00
Tracklist: 

Side 1
1. Tava Mais Nao Tava
2. O Gas
3. Ginga Gira Gire
4. Garota De Copacabana
5. Babuino
6. Ligia
Side 2
1. Bobeira
2. Sacode Carola
3. Sambane
4. Multidao
5. A Peteca Na Mao Da Menina
6. Tema De Heloisa

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Som, Sangue E Raca

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The album ‘Som, sangue e raça’ paves the way for future generations of musicians and producers of the carioca scene at the beginning of the 1970s. The lyrics that dealt with the question of race and the explosive fusion of samba, soul, jazz and funk, elaborated by Dom Salvador and his troupe, Abolição, established the bases for the development of new sounds and tendencies in Brazilian music.This isn’t just a seminal album. It is an estuary. All the black rivers that would form Brazilian funk/hip-hop flow through it. Led by Paulista pianist Salvador Silva Filho – Dom Salvador – “Som, Sangue, e Raça” from 1971, one year after the explosion of Tim Maia on the scene, catalyzed the bossa nova and jazz background of its leader with the rhythm and blues of its members like saxophonist Oberdã Magalhães, newphew of samba-enredo master Silas de Olvieira and future leader of Banda Black Rio, who since the group Impacto 8 (which had, among others, Robertinho Silva on drums and Raul de Souza on trombone) had already been trying to reconcile MPB with Stevie Wonder and James Brown. Add to all this a mixture of samba, Nordestino accent, and even the black side of the Jovem Guarda represented by the authorial presence of of Getúlio Cortes (older brother of Gerson King Combo, our James Brown “cover”) in ‘Hei! Você’. Alongside these elements and the preseence of Rubão Sabino (bass), who still called himself ‘Rubens’, drummer Luis Carlos (another member of Black Rio), the disc enlists the trumpet and flugelhorn of symphonic musician Darcy in place of the original Barrosinho (yet one more founder of Black Rio), who was traveling during the recording but would end up being a leading force of the band.

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MAR 004

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32.00
Tracklist: 

Side 1
1. Uma Vida
2. Guanabara
3. Hei! Voce
4. Som Sangue E Raca
5. Tema Pro Gaguinho
6. O Rio
Side 2
1. Evo
2. Number One
3. Folia De Reis
4. Moeda Reza E Cor
5. Samba Do Malandrinho
6. Tio Macro

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Non
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Toni Tornado

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Legendary Funk soul album from 1972. A Black Rio masterpiece reissued for the first time on vinyl. Limited to 500 copies, in authentic collectors 70s ' paste-on' packaging.Son of a Guyanese father and a Brazilian mother, at 11 years old Tony ran away from home and ended up in Rio de Janeiro where he became a street kid and made a living selling peanuts and shining shoes.At 18 he served in the Deodoro School of Parachuting along with the futurely TV presenter and entrepreneur Silvio Santos. In 1957, he fought in the Suez Canal.Tony began his artistic career in the 60s with the stage name Tony Checker, lip-synching and dancing on "Hoje dia de Rock" show of Jair Taumaturgo. That time Tony imitated singers Chubby Checker and Little Richard. Even in the 60s, he traveled to the United States where he lived for five years in New York.In New York, Tony served as drug dealer and pimp, to deceive the immigration department, pretending to be an employee of a car wash. At that time, Tony met another Brazilian who also lived in New York, the also singer Tim Maia.Back in Brazil in 1969, he worked in the group of Ed Lincoln and also sang at night with the pseudonym Johnny Bradfort, the owner of the club forced him to pretend to be a foreigner.In 1970, he adopted the name with he came to be known, "Tony Tornado". Influenced by James Brown, Tony was one of the artists who introduced soul music and funk in Brazilian music.That same year, alongside Trio Ternura defended the song BR-3, which got the first place in the festival. His first role on television was in 1972 , in the 1972 telenovela "Jeronimo" on TV Tupi. James Brown released "I'm Black and I'm Proud" during the height of the Black Power Movement in the United States in 1968. Brown's in-your-face approach to racial pride resonated in the U.S. ghettos as well as the slums abroad. Many black people, all around the world, embraced the Black Power soundtrack and consciousness. Working-class black cariocas (residents of Rio) of Zona Norte began using the English phrases "Black Power," "brother" and "black is beautiful." They played African-American soul records at their bailes(dances) and incorporated the lyrics and sounds into their music.Maia, the godfather of musica soul, spent five years in the United States. He came to know the sounds of black America intimately. When he returned to Brazil in 1964, Maia incorporated the soul and funk influences into his songs. By the 1970s, other Brazilian musicians, such as Tony tornado, Banda Black Rio, Cassiano, Gerson King Combo, Jorge Ben Jor and Gilberto Gil, began making soul records. DJs started throwing soul-only parties. This nova (new) music spoke to an experience both universal and unique at the same time. The time period was known as "Black Rio. By the end of the '70s, funk and disco would take over where soul left off, but it was the latter that helped to shape a generation of artists around a universal black identity.

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MAD004LP

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32.00
Tracklist: 

Side 1
1. Mane Beleza
2. Nao Grile A Minha Cuca
3. Torniente
4. Eu Duvido Muito
5. Sinceridade
6. Podes Crer Amizade
Side 2
1. Aposta
2. Bochechuda
3. Uma Ideia
4. Eu Tenho Um Som Novo
5. Tornado

Second_hand: 
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Non
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Procura-se Uma Virgem

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Reissue for the first time. Limited Edition, only 500 copies. Hand numbered on Obi strip.This is Erlon Chaves e Orquestra Saint Moritz – "Procura-se uma Virgem" OST (1971), supposed to be one of the most sought after Erlon Chaves LP. This OST was recorded to a Brazilian soft porn movie with killer organ funk instrumental tracks and several funky, erotic & modal tracks, arranged and directed by maestro Erlon Chaves.

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MAR LP02

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32.00
Tracklist: 

Side 1
1. Procura se Uma Virgem (prefixo)
2. Procura se Uma Virgem (valsa)
3. Grilo
4. Os Três Ladrões
5. Uma Velha Raposa
Side 2
1. Vamos Nos
2. O Anjo e o Diabo
3. Tema de Amor
4. Ba Oba Oba
5. Procura Se Uma Virgem (Sufixo)

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Non
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Letting It Rest

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"Letting It Rest" was originaly released in 1986 on the New York based Chapter 13 label. Frank Murillo played all the instruments and sings on this killer leftfield disco boogie cut with a heavy italo feel.. Frank Murillo was born in New York City and still lives and works there as a musician, producer and teacher. The multi-instrumentalist mentions Queen, David Bowie and Santana as his biggest musical influences. " Letting It Rest" was originaly released in 1986 on the New York based Chapter 13 label. Frank Murillo played all the instruments and sings on this killer leftfield disco boogie cut with a heavy italo feel.

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OD 009

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19.00
Tracklist: 

Side 1
1. Letting It Rest
Side 2
1. Letting It Rest (extended mix)

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Non
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Non
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Newsletter: 
Non
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