France

Pursuing their explorations of international Funk and Disco music, Favorite Recordings and Patchworks present us Voilaaa.Following a first 2 tracks single acclaimed this summer and clearly revealing the Afro-Disco inspiration of this new experience, here comes Voilaaa’s first album, titled On te l’avait dit. After his projects such as The Dynamics, Mr President, Mr Day, Patchworks Galactic Project, or Taggy Matcher, the insatiable French producer therefore returns to his first love and specialty, Disco music, staring this time at the African and Caribbean influences. The 10 tracks of the album are instantly up to expectations, chaining hit after hit tirelessly, and offering brilliant collaborations with Sir Jean, Pat Kalla, Renaud Bilombo, or label mates Hawa and Fouley Badiaga.

The turntable’s tonearm waves and indicates the West direction, as if it wanted to tear and take off for Brazil? It’s alright; it's just playing Nação África, new single by Camarão Orkestra, the most Brazilian of Parisian bands.Sinewy bass and battery pulsating, it’s stitched to the dancefloor that "Nação África" spreads its groove. And it's with a variety of keyboards and synthesizers that the tight production maintains a level of constant motion, surrounded by the burning riffs of the brass section and Amanda Roldand's refreshing vocals.Anywhere close to a good record, you’d usually find Patchworks hanging around. He satiates here his compulsive remix addiction, first by loosening the pressure of the bass, giving us more fresh air, and covering the mix with airy synth patches. Then with a dub version where he puts vocals and instruments inside echo chambers and effects corridors of different scales. The bass becomes rubbery, the beat is robotized and, slowly, an electro vibes seizes the title.Nação África announces the return of Camarão Orkestra in the crates, just an appetizer before a new album… Or two…

Comet presents the 2nd release from its new Disco Highlife series, featuring remastered originals by Ghanaian legends Ebo Taylor & Pat Thomas and disco re-edits by Monsieur Scott and 2 Paris Septembre.Founder of Comet Records, Eric Trosset started working with those great heroes of West African music, Ebo Taylor & Pat Thomas, back in 2010. Taking on the role of manager/publisher, Comet teamed up with Strut Records and musician/producer Ben Abarbabel Wolff to revive Ebo Taylor‘s international career with a string of album releases. In 2014, Eric collaborated with Pat Thomas & The Kwashibu Area Band on a new album, gathering together the old ‘pals’ (Ebo Taylor, Pat Thomas, Tony Allen) in producer Kwame Yeboah’s studio in Accra and inadvertently creating a new hybrid: Afro-Funk Highlife.It is with great pleasure that Comet launches this second EP of the Highlife series, a soulful afro touch of new Parisian underground. On Side A comes “Peace On Earth” by Ebo Taylor, a stunning track from the album Twer Nyame, originally released in 1978. “Peace On Earth” is definitely a must have! Monsieur Scott, the Paris based afrobeat scientist comes back with a deep and soulful afro-house remix.On Side B is “We Are Coming Home” by Pat Thomas, a classic highlife anthem originally released in 1980 on the LP Stage 2. 2 Paris Septembre is an electronic music group composed of two Parisian brothers, raised with the music of Fela Kuti. Their production is a mix of electronic music, afrobeat and hip-hop. “Remixing Pat Thomas was an honor. He’s a true living legend of Highlife afrobeat music.” Until then get funked with their debut rework on Comet and expect a lot more from the pair in the coming months.

Comet presents the first release from its new Disco Highlife series, featuring remastered originals by Ghanaian legends Ebo Taylor & Pat Thomas and disco reedits by LeonxLeon and Leo Nanjo. Founder of Comet Records, Eric Trosset, started working with those great heroes of West African music, back in 2010. Taking on the role of manager/publisher, Comet teamed up with Strut Records and musician/producer Ben Abarbanel Wolff to revive Ebo Taylor‘s international career with a string of album releases: Love & Death, Appia Kwa Bridge and Life Stories. In 2014, he collaborated with Pat Thomas & The Kwashibu Area Band on a new album, gathering together the old ‘pals’ (Ebo Taylor, Pat Thomas, Tony Allen) in producer Kwame Yeboah’s studio in Accra.It is with great pleasure that Comet launches this new series. Let's make this beautiful and timeless music the soundtrack to an unforgettable summer!On side A, comes “Enye Woa” by Pat Thomas, originally released in 1988 on Nakase Records and taken from the album Me Do Wiase. It’s killer disco cut, and as innovative a piece of highlife as it was 30 years ago. Paris-based producer LeonxLeon has been cooking up songs in his Parisian home-studio since 2013. He did a remarkable remix of Cerrone's "Funk Makossa" and more recently released his new Rokanbo EP on Cracki Records. His remix of “Enye Woa” is a classy modern disco cut with funky bass and spacey synths.On side B is “Atwer Abroba” by Ebo Taylor, a stand out up-tempo track from the album Twer Nyame, originally released in 1978 on Philips West African Records. Tokyo-based multi-instrumentalist/producer/arranger Leo Nanjo formed the first Japanese afrobeat group, Kingdom Afrorocks. Since the band broke up in 2014, Leo has been producing and arranging music with various collaborations, such as DJ Muro, Pushim and Misia. This is a trippy afro-futurist, broken-beat reedit with highlife grooves flying to deep space.

The legendary Disk Union Japan and 180g present the best of today’s Brazilian music!A completely unique and beautiful album from contemporary Brazil blending soft pop, indie folk, sixties psychedelia, lo-fi and flavors of the brazilian Clube da Esquina!- First ever vinyl release of this top album out of contemporary Brazil- Essential solo effort from former member of Brazilian underground leaders Diesel, Udora and Transmissor- Analog recording process- 180g heavy vinyl, comes with download cardLeonardo Marques makes a kind of music that creates bucolic and romantic scenarios whose sound goes among indie folk, sixties psychedelia, lo-fi and the brazilian Clube da Esquina.As Chicago’s Dusty Groove tell us about the album: “A really beautiful album from contemporary Brazil – but one that resonates with some of the best soft pop elements of the late 60s and early 70s! Vocals are in English and Portuguese, and the instrumentation is this fantastic blend of light elements given a really airy spin – almost as if Nick DeCaro and Sean O'Hagan got together in the studio to work on a set that has slight bossa inspirations – but is something completely unique! This is the first we've ever heard of Leonardo Marques, but we'll sure be watching out for him in the future – as he's got this way of embracing so many elements of things we love, yet never stays slavishly in their own territory – wending his way beautifully through songs that include "Ainda E Cedo", "All The Hearts", "Nao Te Escuto", "The Girl From Bainema", "Um Sopro", "In Your Arms", and "So Que Me Enfeita".”