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Known to many as the group Y Society, Insight the Truncator and Damu the Fudgemunk celebrate 10 plus years of friendship and a creative partnership that hold the two in high esteem of their fans.The MC & producer's new 7" is a compelling display of why the duo have always been at the top of their game despite their reserved output since debuting as a team in 2007. Surprising the world at the top of the year with their full length, "Ears Hear Spears" was a great way to sound the alarm for the excitement of new activity.Selective by nature, Insight and Damu's calculations have served advantageous in making moves and presenting listeners with the right music at the right time. The latest incarnation of this truth can be heard in the previously unreleased b-side track entitled "Pyramids to the Ghetto."Although it was recorded in 2008, it was archived and remained unreleased until now. Now in 2017 this particular song couldn't be any more relevant in how the artists analyze the effects racism of the past & present and it's correlation to black plight throughout the Americas (both Insight & Damu drop verses on this track).Continuing narratives of such legends as Public Enemy and Jeru the Damaja in which the track title quotes, the group individually presents short essays in rhyme form that give a candid account of what they've witnessed as black U.S. citizens living in the 20th and 21st Century. Not only are the social effects on the table for examination, but the positive and negative impacts a racist society has had on black contributions to art and culture are discussed.For the songwriters, "Pyramids to the Ghetto" is therapeutic in which harsh realities are confronted in an unapologetic manner contrasting the previous socially charged material in Insight and Damu's back catalog. For the listeners, it's a history lesson and a call to motivate us all that history doesn't always have to repeat itself even when it's been the norm for centuries. Adversity and oppression historically have hold some back and made some stronger, but acknowledgement is the first step of progression.The A-Side, "Never Off (On & On)" speaks on just that. It's a roadmap to dealing with everyday adversity, maintaining faith in self and striving to reach your full potential. Insight presents sermons of encouragement to the everyday person over the Fudgemunk's uplifting beat. The producer chimes in on the chorus with a few words of his own that insists to keep on your path and never fall off. The old saying goes, "Life ain't easy", but the group knows success is not unrealistic. "Never Off (On & On)" was the debut single from the debut album, "Travel at Your Own Pace" which has remained a staple in Insight the Truncator's and Damu the Fudgemunk's legacy. This the song's first official reissue and it's first appearance pressed on a 45.

Fresh off Son Of Sound releases on Delusions Of Grandeur and Local Talk, New York based Henry Maldonado is back on his District 30 label with Son Of Sound 05 / The Love Up Beat Down. This 3-tracker features something for everyone, as Jackin' House, Disco-Chug and even Detroit Techno are well represented.Kicking things off on side A is 'Bout Love Again, an adrenalin induced shot of disco house served up the old fashioned New York way. MPC style loops, chop-ups and breakdowns give a nod to the '90s House 2 House style tracks Henry produced on Strictly Rhythm. Not falling too far from that tree is the disco-house chugger Need Each Other.Rhodes chords accompany a bed of sliced-up New York Disco, for an infectious groove that will defnitely keep that 120BPM momentum.Lastly we round out this EP with Infuence Is Bliss. This one will defnitely appeal to lovers of Detroit Techno and House alike.Pounding drums, 16th note ride cymbals, arpeggiated synth lines and ghostly soulful chord progressions effectively distract you from the fact this track doesn't even have a bassline.

As the label continues to serve up mouthwatering house and hip hop, D3 Elements now dips its toes into more techno leaning territory with a series entitled Technologie. The first release comes from American D'Marc Cantu under his lesser known Rival alias and features three tracks of hypnotic and widescreen grooves.Cantu has put out plenty of EPs and LPs on labels like Creme, New York Haunted and MOS over the last decade, and also runs his own Run Out Run label. As well as working solo he has teamed up with the likes of JTC to great effect, and here he proves he cooks up unusual atmospheres and freaky sounds that really permeate the mind and body.Session 020 is first and is a woozy, spaced out number with trippy melodies and squelchy synths unfolding above a rolling and rubbery drum line. Acid prickles add texture to this serene bit of soul and pained vocals add a human feel, making it a truly intoxicating number. Session 026 is much busier, with frazzled textures, metal synths and hurried melodies making for an urgent tech cut that cannot help but make you dance. Lately, Session 006 is a gorgeous mid tempo number with smeared pads adding depth and soul, distant acid, glowing melodies and well treated vocals panning left and right. It is emotive electronic music with a real heart and heat to it, and it rounds out a classy and elegant

More cut up, heavy dance floor tackle that criss-crosses the boundaries of proto-House and Disco from those anonymous edit masters The Secret Squirrels. Tracky as hell and cut loud for impact, the Squirrels make no apologies for taking aim directly at the dance floor.

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