Afro

With insert.Hand stamped white label.100 copies. Exclusively on Stima Records bandcamp and in very happy few record stores.

BACK IN STOCK !!!500 limited edition vinyl copies & digital album.Dou Van Jou is one of these mysterious and rare records that deserve to be (re)discovered, as an image of a time when modernity and tradition were brilliantly mixed in the mind of a guadeloupean-parisian artist. Recorded in 1987, it showcases an original fusion of gwoka, world music, jazz and enthusiastic use of synths. Some songs reached a cult status in the underground: « Misik A Moun A Kaz », a blend of gwoka mendé rhythm, salsa piano and disco bass, was played by Emil Omar and in Airbear’s Boiler Room set. The pure traditional gwoka « Tambou La & Ti Bois La » became a hit in the Paris-region léwoz, the music and dance events of guadeloupean tradition, that directly come from the Neg Marrons.A true cultural activist, Jimmy Blanche organized lots of concerts on the parisian scene, as programmer of La Chapelle des Lombards or at the New Morning. He worked with the gwoka legend Guy Konket and with the huge Manu Dibango, but also (and it’s not a surprise when you know how creative and open is Jimmy’s mind) with Eric Serra. He incidentally played a role with the latter in cult Luc Besson’s film Subway.We’re happy and proud to have Jimmy’s permission to make available again four of the most danceable and spiritual songs of the album.Side A of STIMA001 includes 4 tracks of the original 1987 album, with the hot dancefloor number “Misik A Moun A Kaz”, the gwoka hit “Tambou La & Ti Bois La“, and two beautiful spiritual songs, the poetic “La Nou Te Ye“ and the gwoka jazzy “Dou Van Jou“. Side B contains Baerlz’s housy remix of “Misik” and the unreleased song “Kimbe” that Jimmy kindly gave us from his private tape recordings made in the 80’s.Release October 26, 2020.

-POCHETTE REPLICA GATEFOLD-SOUS POCHETTES IMPRIMÉES-NOTES DE POCHETTES EN ANGLAIS, ESPAGNOL ET FRANÇAIS-ILLUSTRATION PAR MAMBO-TIP-ON GATEFOLD SLEEVE-PRINTED INNER-SLEEVES-WITH LINER NOTES IN ENGLISH, SPANISH AND FRENCH-ARTWORK BY MAMBOTeaser : https://www.youtube.com/watch?v=TAdCPQKBuSc

First time world wide reissue from this rare Zouk album! Hard-cardboard sleeve + obi 180g vinylFantastic Proto-Zouk from Georges and Pierre-Edouard Decimus. NSI (New sound From the Islands) is a concept launched by the Decimus family, and the album was released at the end of 1981, at the same time as Kassav's Album "N'4" with the singer Jocelyn Moka

Introducing Hamed Farras! The singer, musician and performer from Abidjan.Hamed has been at the center of Ivorian reggae for over thirty years, the sound made famous by Alpha Blondy in the eighties. In 1991 Hamed released his first album Deni: named after his breakthrough track, however two tracks on his debut album never received the attention they deserve….Chef, C'est Pas Moi or "Chef, It wasn't me" features a 17 year old Hamed singing about his friend ‘Polo’ who got into trouble with the police. Slaman Djougou is about a cultural muslim who only prays during festivities. Both tracks feature Hamed’s characteristic singing and have an infectious groove that can top any of the famous Ivorian Reggae classics.Together with composer and arranger Georges Kouakou, who worked with Alpha Blondy on many of his projects, and Hamed’s brothers, magic was created in downtown Abidjan (see pictures). As the album Deni was only released on very limited cassette and CD copies at the time, Chef C’est Pas Moi and Slaman Djougou never saw the light of day. Until now…...It is with great pleasure to release these songs with Hamed for the first time on vinyl after almost 30 years. The release is accompanied by a stellar DJ remix by one of our favorite producers: Lipelis!

"The third release from Canopy features the title track from a tough to catch Afro funk 7” originally released on private press in Benin in the 1980s. While information on the mesmerising Tomede Ehue remains elusive, she is backed by the Beninois powerhouse, the truly almighty, “TP Orchestre Poly-Rythmo de Cotonou”.Electrifying cosmic voodoo disco grooves, heavy bass pulsing, blistering horns and spooky organ riffs set the tone on this transcendental dance floor afro funk cut. A modernised tropical disco remix from bosq & an Afro - acid version from Sam Redmore revitalise this mysterious dance floor incantation and launch it into the present day.These tracks strike a balance between moody afro psych-funk and more punchy electronic aesthetics, while maintaining the subtleties of the original composition and performance. "Includes download card!

BACK IN STOCK !!!