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It’s one of the best kept secrets of the Indonesian archipelago.Hidden away on a pop album inspired by The Police, lies ‘Licik’, a deep vocoder funk workout lasting over nine minutes. It’s the first recorded Indonesian song to use the vocoder in such a way.‘Licik’ is a hauntingly unique track and a testament to the quality of some of the best music the archipelago has to offer. Friends 82, consisting of Delly Rollies, Norman Rachman and the vocoder wizard Harry Sabar, wrote and recorded the track on the spot back in 1981.The B-side pays tribute to the original song, with a re-contextualisation of the original by Jakarta-born, Bali-based multi-instrumentalist Dea Barandana.Fully licensed from the songwriter and living legend Harry Sabar, Jiwa Jiwa seeks to offer a platform and hub to build bridges and connect natives of the archipelago and its diaspora around the world, across different generations. Focusing on the music and creating contemporary projects through a variety of disciplines.The record comes in a custom die cut sleeve with printed inner sleeve and a four page insert with extensive liner notes and photos.

Reissue!Cold Busted has navigated the smooth seas to unearth Sailing, the new album from Moroccan guitarist and beat-flinger saib. The Casablanca-based producer has steered his sound into warmer waters. Mixing tempered hip hop beats with jazzy vibes and a lounge sensibility, saib. touches on a style that's both chill and opulent. The album's opener, "Archipelago," sets the scene with gentle piano, swirling strings, and beachside sounds that would make Martin Denny proud. "Tropics" pushes the agenda further, featuring delightful vibraphone lines, stand-up bass, and boom bap beats, providing the perfect soundtrack for poolside cocktails. The sleepy crooning of "Blue Memories," the future-retro sing-a-long of "Mermaid Dreams," and the guitar/vibes interplay of "Pastel" provide other highlights. Sailing's twelve songs show saib. as an artist capable of bringing a sunny climate to any listening environment.

BACK INSTOCK !!!!!The legendary Prescription Records defined the 1990s deep house sound. Now captured in this monumental 6LP anthology boxset! Holds numerous classics that have been out of press for years + previously unreleased tracks, huge tip!! *Includes Download Code* “Prescription: Word, Sound and Power” presents the groundbreaking Chicago based house label’s anthology, holding milestone songs + four previously unreleased tracks.Prescription Records defined the 1990s deep house sound. Chez Damier and Ron Trent started the label in 1993, released some two-dozen singles in a four-year span, many of which attained legendary status on the underground scene. “Chez Damier and I started the label, because we had the idea to take a certain level of fidelity and bring that fidelity to what people call tracks. Tracks being drum orientated Chicago rhythm tracks with a minimalistic melody. We were playing with that idea, expounding a point of that minimalistic aspect and making it more complex”, Trent explains.Ron Trent was born in Massachusetts but raised in Chicago, listening to jazz and learning percussion. He began DJing in 1982, playing at area high schools. His first EP, containing the epic instrumental“Altered States,” was released on Armando Gallop’s Warehouse Records in 1990. Chez Damier (Anthony Pearson) grew up in Chicago, where he danced at the Warehouse as a youth. He left for Detroit in the 1980s, helping to open the Music Institute and working A&R for Kevin Saunderson’s label, KMS. Damier and Trent met while Damier was visiting Chicago and immediately hit it off.Today, Prescription is cited by countless producers as a major influence. “It’s a very dub experimental label... sound bites, samples, rhythms, and a lot of ethereal stuff, too,” Trent expounds—not to mention. Prescription’s embrace of heavy sub-bass. Concludes Trent, “It was ahead of its time, definitely.”

Freestyle puts out another reissue 12" in their drive to unearth rare and classic UK funk, soul & boogie records - this time a much needed pressing of the late Candy McKenzie's heavy boogie-funk cover of Patrice Rushen's classic Remind Me. Produced by Candy's late cousin, and seasoned session bass player, John McKenzie (and licensed from the family estate) this was originally released in 1983 - and comes with an excellent dubbed-out 'Different Style' instrumental version on the flip.