SEALED

This is Vice Beats’ full-length tribute to legendary Jay Dee called “Dilla: The Timeless Tribute” where he is using Miguel Atwood-Fergusson’s Mochilla tribute “Suite For Ma Dukes” as the foundation. 14 tracks full of harmonies that are connected to one of the greatest. Features Greg Blackman, Audessey (of Soundsci), J-Dubble, Brotherman and many more.

The follow up to Juicy The Emmisary’s fantastic 2017 SCM debut isn’t truly a follow up.The A-side of 2019’s “Timber” was found by SCM head House Shoes in 2016 while digging around on SoundCloud. ‘Shoes hit Juicy and let him know he was interested in releasing it on Street Corner Music, he just needed him to give him the B-side tracks. Juicy said he would oblige, but told ‘Shoes he had just finished another project and would sent that thru as well. That project would turn out to be ‘Attention Kmart Choppers’, one of the illest beat tapes ever in the medium. Juicy dissected a vault of Kmart’s musical library that would be played in-store while customers shopped in the 1980’s. Flawless.He eventually completed the B-side that ‘Shoes needed to complete the album that initially garnered his interest in Juicy. And here it is. Timber. Chop Chop.

Legendary Detroit MC Guilty Simpson & New Zealand producer Leonard Charles team up as The Leonard Simpson Duo and provide a one of a kind 70’s inspired, psychedelic & acid influenced Album.The psychedelic sound of this album is heavily drawn from rare acid influenced records from New Zealand’s 60’s and 70’s, carefully selected, picked and sampled by musical multi-talent Charles himself and accompanied by very well placed instrumentals and interludes taking direction from late 60’s jazz/rock fusion, fuzzed out African records and compulsory David Axelrod leanings. All of that combined with the lyrics and the beloved attitude of Motor City’s finest makes this album a beautiful, inspirational and surpassing Trip.Active since the mid ‘90’s Guilty Simpson (100k monthly listeners on spotify) has become an institution and earned his spot in Detroit’s hip-hop legacy alongside friends, fellows and colleagues such as J Dilla, Slum Village, Eminem, D12, Danny Brown, Big Sean, Phat Kat or Black Milk and receives nothing but love and respect from the hardest street emcees as well as from acclaimed producers wherever he goes. Over the last decade Guilty continued the name he made for himself since his 2008 debut “Ode To The Ghetto” (produced by i.e. Dilla, Madlib and others) and has delivered plenty of features, mixtapes and studio albums ever since.Leonard Charles has been a music producer since 2001. In his late teens he already played and toured with i.e. Randy Crawford. Charles attended the Red Bull Music Academy in South Africa in 2003 where he performed i.e. with Hugh Masekela and attended lectures with synth pioneer Bob Moog. He has won New Zealand Music Awards for his production and composing work with the Band Opensouls (previously released on Jakarta Records) and singer Hollie Smith. As a session guitarist Jeremy has played on recordings for i.e. Aaradhna, Teeks, David Dallas and many more while as a producer he has worked with i.e. Grandmaster Caz, Kimbra, Mara T.K., Georgia Anne Muldrow, Declaime and others.The Duo met for the 1st time when Guilty came through Charles’ hometown Auckland, NZ, on tour in 2016. Charles reached out to Guilty and the two connected immediately, started working together and what was initially planned as an EP soon turned out to become a full-length album with late 70ies inspired psychedelic and acid influenced beats by Leonard and Simpson’s distinctive and uncompromising lyrics.Artwork and design for this record were contributed by conceptual mastermind Simone Cihlar (Anderson .Paak, Seeed, Habibi Funk, Tom Misch and many more.)The record will feature at least three singles accompanied by two videos, being released in January 2020. International promotion for this project will be handled by Jonathan Kim, while additional promotion for AUS/NZ will be accompanied by Josie Campbell.