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No!

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Danish producer Uffe Christensen returns to Tartelet Records with his second LP 'No!', a deeply personal LP to follow 2015's unanimously unfuckwithable debut 'Radio Days'.Every bit as abundant as his first, it's a record that scales polyrhythmic percussion, improvised jazz, & billowing ballads. This, that and so much more, it's a triumph of one man's instinctive ear –– and should be consumed in one sitting.A year after his dynamic debut 'Radio Days', Uffe resurfaces on Tartelet with a record cut in the same spirit as the last: a borderless approach to music-making with organic instrumentation at its heart. Genres collide peaceably ––off-beat soul with jazz, hip-hop with the heft of house–– and are melded smooth with an earthy warmth. Like nearly all at camp Tartelet, he's a producer who is more interested in cutting loose than playing to the tune of dominant modes in dance music. In that, his album's title is instructive: a 'no' to the tyranny of trends, to slavish Facebook likes, to creative compromise. Beyond the babble of fleeting fads, Uffe enjoys his place on the perimeter –– an outlier searching critically for something closer to a timeless groove.Uffe has all of the intuition of the self-taught instrumentalist, following his ear into unexpected rhythmic and tonal combinations. It's what gives the album its urgent appeal: the sound of tentative experiments being made live, of sequences improvised amongst friends. Far from a churn of simple floor fodder, the album is a journey through a consummate narrative. Shy guitar interlude 'Fridge Magnet Radio Theme' feels its way out of the warbling jazz breakdown in 'Lesser Known Values'. 'The Fact', an unexpected vocal ballad, follows the broken beat of 'Solo, So Loud'. With the record's pleading closer 'From Me', it's a story with a start, middle, and end. A long player as long players should be.As Tartelet continue their run of consistently solid EPs & 12"s, it's still these album moments that remain the best gateways into the label's distinctive sound. Alongside Max Graef's debut 'Rivers of the Red Planet' and Glenn Astro's 'Throwback', Uffe's 'No' is a mirror to the Tartelet spirit and sits amongst the imprint's best. For lovers of the true album –– the full-length proper, the one-take listen –– this one's for you.

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TARTALB 006

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15.00
Tracklist: 

Side 1
1. No!
2. Lesser-Known Values
3. Fridge Magnet Radio Theme 1
4. I Care For You
Side 2
1. Come On Try
2. Keep Smiles On The Side
3. Next To You
4. Black Hole
Side 3
1. Jump Into
2. Solo, So Loud
Side 4
1. The Fact
2. You Seem Happy
3. From Me
Side 5
1. Track 1
Side 6
1. Track 2

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Off Track Volume III: Brooklyn

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Digging duo Kon & Amir occupy a select corner of the DJ world, with radio, mix-CDs, live sets and compilations on their radar. Theirs is a slowly-but-steadily growing catlogue crammed with timeless releases: six volumes of their widely celebrated On Track mixtape series, a highly regarded compilation The Cleaning (2004), a breaks-heavy instalment called Kings of Digging (2006) with DJ Muro from Japan and now the third volume of five in their Off Track series for BBE. Not to mention tours spanning the US, Europe and Far East taking in appearances at clubs, festivals and weekenders, in addition they have a strong affiliation with record diggers' bible 'Wax Poetics', and have just completed an 18-month residency of their own monthly show on online music 'zine Spine Magazine's radio station.Off Track III finds the New York/Boston-based pair shining light on another diverse array of underexposed vinyl. The eclectic African disco and soul cuts Amir highlights on his disc are Americanized by style but inherently authentic in feel, demonstrating the very best of the region's dance music from the period following Fela Kuti's mid-70s creative peak. Some standouts: Tee Mac's 1980’s insistently catchy 'Living Everyday', Effi Duke's percussive materpiece 'The Time Is Come', and Christy Essien's glorious 'You Can't Change', which features famed bandleader Geraldo Pino's Show Train outfit. Also in the mix are a couple of cuts from unsung Nigerian star Dizzy K. Falola aimed at sophisticated dancefloors.Kon's disc opens with an extended edit of Donny McCullough's 'From The Heart' from a pricey 1981 album. Rudolph Baker's little known album track 'Getting Next To You' is a floor-filling anthem in the waiting. Edge of Daybreak were a prison band whose punchy title track from their rare Eyes Of Love album provides a solid argument for subsidizing more music programs behind bars. 'Tin Top' is another cut with a Kon edit, but Kenny Mann & Liquid Pleasure are the antithesis of mysterious indy-label group, the veterans performing to this day and maintaining a comprehensive website loaded with videos and resumes.

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BBE 130CLP

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35.00
Tracklist: 

Side 1
1. SFB - Burnin' Up (Kon's edit)
2. Donny McCullough - From The Heart (Kon's Multi remix)
3. Taxie - Rock Don't Stop
Side 2
1. The Mazyck Project - More Power To You
2. The Edge Of Daybreak - EOB (Edge Of Daybreak)
3. Shake - Lost In Space
Side 3
1. Oby Onyioha - Enjoy Your Life
2. Bomp - Disco Power
3. Christy Essien Igbokwe - You Can't Change A Man
Side 4
1. Harry Mosco - Sexy Dancer
2. Goddy Oku - Dont' Ask Me

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Non
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Re-Issue
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Body Wash

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Mndsgn, born Ringgo Ancheta, grew up in south New Jersey raised with Gospel music at church, B-Boy culture, and his older sisters' favourite artists like SWV, TLC and Mariah Carey. Experimenting with beatmaking in his teen years, he befriended fellow Stones Throw labelmate Knxwledge and the two formed the influential Klipmode collective along with Devonwho and Suzi Analogue.Mndsgn's music flourished when he moved to LA, quickly catching the attention of Stones Throw, who released Yawn Zen, an LP of complex beat creations. Mndsgn then toured the world, co-founded Akashik Records & Tapes, and provided the beat for "Sweeney Song", a high profile collab with underground superstar Danny Brown.Body Wash is a full set of realised songs hinted at on Yawn Zen. Influences here include the likes of early SOLAR records material, Leon Sylvers III, Kashif, and Dave Grusin. Mndsgn adds, "I was also digging back into some early '90s R&B sounds and started really imagining what it would be like if I had mashed the two eras together."This mashup works magically, a clean synthesis of anthems (“Cosmic Perspective”), romantic reflections (“Ya Own Way" / "Guess It's All Over”) and Mndsgn's R&B proclivities ("Lather” / "Vague//Recalibrate”)."A soul record that plays with nostalgic elements in a positive way. Think about it as a box of crayons for you to draw emotions with."

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STH 2372

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35.00
Tracklist: 

Side 1
1. Overture
2. Cosmic Perspective
3. The Origin" (interlude)
4. Alluptoyou
Side 2
1. Ya Own Way
2. Use Ya Mind (Twentyfourseven)
3. Enter Her Abode (interlude)
4. Vague//Recalibrate
Side 3
1. Transmissionnn
2. Prelude 2 Purification
3. Lather
4. Where Ever U R
Side 4
1. Searchin I (4 That Familiar Feelin)
2. Searchin II (4 Sumthn New)
3. Searchin III (4 Nothin Else)
4. Guess It's All Over

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Yes Lawd!

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'Yes Lawd!', the much anticipated debut album from NxWorries (pronounced "no worries") is coming October 21 on Stones Throw Records. On Yes Lawd!, Anderson .Paak plays a theatrically brash version of himself who raps and sings like a '70s superstar and talks shit like a stone cold player. The performance is seeded with details from his life, which has seen a fair share of struggle and hard-won triumph. Meanwhile Knxwledge weaves a tapestry of sampled bits and live fragments - bass, brass and violin - that smooths everything over, reminding us that despite whatever struggle it took to get here... well, you already know the name: NxWorries.

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STH 2370

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35.00
Tracklist: 

Side 1
1. Intro
2. Livvin
3. Wngs
4. Best One
5. What More Can I Say
6. Kutless
Side 2
1. Lyk Dis
2. Can’t Stop
3. Get Bigger/Do U Luv
4. Khadija
Side 3
1. HAN
2. Scared Money
3. Suede
4. Starlite
Side 4
1. Sidepiece
2. Jodi
3. Link Up
4. Another Time
5. Fkku

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Non
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Color Therapy EP

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VP 004

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10.00
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The Backup EP

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180 gram vinyl 12"

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VP 006.1

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10.00
Tracklist: 

Side 1
1. RW
2. Nightshift
Side 2
1. Groove Control
2. Morning Blues

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Non
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Original
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A Healthy Obsession With Pétanque

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RacecaR & Grant Phabao met at Paris DJs' studio in 2014, thanks to an introduction from hip hop activist Miska with whom the French label has been doing hip hop-themed compilations. They decided to try something new together. Grant Phabao had never produced any hip hop artist before. And RacecaR had never tried to write and record on afro, funk or reggae music in the past. So they planned to produce new tunes together, and blend RacecaR's unmistakable flow with Phabao's unique take on deeply funky American, African and Jamaican grooves.The goal of Grant Phabao and RacecaR's collaboration was not from day one to be in competition with their other projects, or to jump on the beatmaking bandwagon, but instead to explore where both of their musical worlds could meet. What if they tried recording one's hip hop rhymes over the other's reggae, ska, afro, jazz or funk productions ? Exploring some new rare grooves with rhyming and rapping, is uncharted waters in terms of tempo for a boom-bap aficionado ! indeed there's no boom bap here, no maverick beats, no wonky, no wobble — all breaks, skanks, drops and more polyrhythmics. The word was : "let's turn our worlds upside down, and make something different together".LISTEN : https://soundcloud.com/parisdjs/sets/grant-phabao-presents-racecar

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PARISDJS 090

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25.00
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Massive Hits From The Grant Phabao Factory

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Includes a two sided 12"x12" poster.Limited edition 500 copies private pressing.

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PARISDJS 065

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25.00
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Side 1
1. Grant Phabao Afrofunk Arkestra - Ymoja
2. Grant Phabao & Racecar - We Do Anything (feat Taiwan MC)
3. Grant Phabao, Carlton Livingston & The Lone Ranger - A Message To You Rudy
4. Grant Phabao Afrofunk Arkestra - Mazouglave
Side 2
1. Imagine This & Grant Phabao - The Break Through
2. Grant Phabao Afrofunk Arkestra - Ogun
3. Grant Phabao & Racecar - Return Of The Dig-Fu
4. Grant Phabao & The Lone Ranger - Usain Bolt The Puma
5. The Beta Club - Brassa Nova (Grant Phabao remix)

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San Jose

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Bosq (Whiskey Barons, Ubiquity) teams up w/ cream of Old San Juan: Roberto Roena, Tempo Alomar, Tito Cruz, Ray Lugo, Luis De La Rosa Solá, more to explore the intersection of Puerto Rican music w/ African styles, reggae, funk, house, etc.

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CANDELALP 04

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30.00
Tracklist: 

Side 1
1. Aquarembe
2. Vengo Arrollando
3. San Jose 51
4. Balancea
Side 2
1. Ron Blanco Con Coco
2. Se Acabo
3. Me Estan Llamando
4. Calle Arriba

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Non
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Original
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Special Night

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There are a few terms that get thrown around loosely, two of which are legend and retro-soul. One of these fits Lee Fields hand and glove, one of these doesn't fit at all. Very few people in music have both earned the status of legendary and continue to solidify it. 50 years in the game and only getting better, gaining more fans, and evolving his sound on each album, Lee is in fact a Living Legend. This brings us to the misuse of the term "retro-soul" when talking about Mr. Fields. You don't have to look far to find a younger generation emulating the essence and styles of an era the've only experienced through music and movies. It seems unfair to tag Lee with a term that implies imitation when he is part of the generation that actually defined the genre. Plain and simple, this is not that. "Special Night" is a masterclass in soul music past and present.“I feel that every human being’s purpose is to do what their inner voice says to do,” says Lee Fields. “And my inner voice, my driving force, wants me to put out music and keeping making better records.”Produced by Leon Michels and Thomas Brenneck, and brilliantly performed by the Expressions, Special Night was written, recorded, mixed, and mastered entirely to tape in three weeks at the legendary Diamond Mine Studios in Queens, NY. A sense of urgency, equal parts fun and inspiration, and a decent amount of beer and Jack Daniels were the driving forces during the sessions that produced Lee Fields & The Expressions latest offering. Special Night is also the first record in the Expressions catalogue in which every song was written jointly by Lee Fields and The Expressions. “When I record, I make every song like I actually mean it. I mean every word I say. On Special Night I’m talking to my lady — literally, expressing the way I feel.” says Lee Fields. “You can tell if a song is real or not, and every moment I’m recording, those moments are real, this is a record about what people do in real life”. For one example, he cites the song “Work to Do,” which tells the story of “a guy going to counseling, drinking too much, apologizing to the old lady and trying to keep family together, doing the manly thing.” On “Make This World”, Lee makes a nod back to his early funk roots with a cautionary tale about the health of the planet. The world was designed to last indefinitely,” says Fields. “We’re the only living species on Earth who can alter that process. I’m hoping that song has a chain reaction, helps somebody put into action whatever contribution they can to change what the world is going through.” As always, sticking to the formula but pushing the boundaries “Never Be Another You” from the first note doesn’t sound like something you would hear on a Lee record, that is until he starts singing anyhow. A low tempo ballad with a head nodding drum track, sparse piano lines, and all the space Lee needs to lay down what is sure to be one of the flyest love songs of 2017.Whether tackling a tune about love lost, found, or broader topics like the state of humanity, Lee has a very unique and honest perspective that is on display with each unforgettable performance. Also, The Expressions have never been sharper, they, along with Lee, have created a collection of music on Special Night which holds court with pretty much any soul music that came before it.

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BC 021LP

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32.00
Tracklist: 

Side 1
1. Special Night
2. I'm Coming Home
3. Work To Do
4. Never Be Another You
5. Lover Man
Side 2
1. Make The World
2. Let Him In
3. How I Like It
4. Where Is The Love
5. Precious Love

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Non
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Original
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