2019

“Changin’ Times” was released in 1976 on L.A. International and Trio Records and was the only album Ike White released. It was written at Tehachapi State prison where Ike White was an inmate at the time.The sleeve notes at the back of the sleeve were written by Stevie Wonder and confirm he was in jail at that time : “There are many Ike White in this world, let’s give these men a fair chance making not the color of his skin final fate for being behind the bars” – Stevie WonderThe song “Love and Affection”, a real dancefloor burner, has been compiled on many rare groove compilations (included the Ultimate Breaks & Beats series).“Changin’ Times” is an album for life for all soul and funk fans !- 1970’s lost soul / funk Masterpiece !!!- Unique record by Ike White, “Changin’ Times” is a pure gem- Never re-issued since original release in 1976- 180g vinyl pressing- Original artwork- Remastered

Previously Unreleased Boogie Funk from Dayton, Ohio. Webster Station was a demo session recorded for Warner Bros. in 1979. The demo was rejected for not being 'mainstream' enough for their label and the tape remained in an A&R office for over 3 decades. Family Groove has faithfully restored the original 1/4" demo reel.Limited repress 500 copies

For Record Store Day 2019 we have a limited edition re-press of an impossible to find album by iconic Jazz Funk legend Roy Ayers from 1983. Unique to this album are “Chicago” (the highly sought after seven minute version), “Keep On Movin’”, “Smiling With Our Eyes”, and “Good Good Music”. The make this release extra special, we have 850 individually numbered copies only and album will be issued on original Uno Melodic label art.

The second in a two part project, Heritage finds Mark de Clive-Lowe digging deep into his Japanese roots in both composition and style. Heritage is an opus - the signature MdCL grooves are there but take a back seat to the elaborate compositions and deep feeling of the record.

The first edition of a two part series, Heritage finds Mark de Clive-Lowe in the process of grand introspection about his Japanese heritage, with specific tracks as memories from the past illustrating the right history of Japan. The albums have a sweeping, almost majestic feel with signature electronic soundscapes throughout.

Kraut-jazz-rock produced by JJ Whitefield (Poets of Rhythm/Whitefield Brothers). The long-standing band’s third album. Featuring Marja Burchard (Embryo). It’s been over ten years since Karl Hector and the Malcouns’ Sahara Swing saw release on Now-Again in 2008. The album swung with influences from across the African diaspora and set the stage for a cult, but influential following. Hermes designer Christophe Lemaire picked tracks from Karl Hector and The Malcouns as amongst his favorites in the Now-Again catalog, and included them on his Where Are You From anthology. Festival promoters intrigued by the possibility of resurrecting the careers of once forgotten African mavericks – from Ghana’s Ebo Taylor to the progenitors of Zambia’s Zamrock scene – brought Hector and crew across Europe playing festivals for ecstatic fans. Producer JJ Whitefield even founded an Afro-Rock band, Johnny!, with Taylor’s son Henry. Unstraight Ahead, their sophomore release from 2014, found the band exploring territories even outside of the expansive scope of Sahara Swing: West African sounds of Ghana and Mali met the East African sounds of Mulatu Astatke’s Ethiopian jazz, tied together with the groove heavy experimentalism of The Malcouns’ 70s Krautrock godfathers: Can, of course, but also more obscure and equally adventurous groups like Agitation Free, Ibliss and Tomorrow’s Gift. “We look to Middle Eastern funk and psychedelic fusions, and to various ethnic records for sound and phrasing,” Whitefield stated at the time of Unstraight Ahead’s release. “We’re trying to combine the global experimentalism of Krautrock with the backbeat of funk.” Non Ex Orbis, the band’s third studio album, digs deeper into the Krautrock history embedded deep in the soil of their native Munch - three of the most influential bands of the 1970s experimental German rock scene spurng from there: Amon Düül, Popol Vuh and Embryo. Influenced by these musical heroes, Whitefield shapes a sound that takes the experimental approach of the classic Krautrock era and slides between beat-heavy drone and spacey, prog-rock suites. Marja Burchard, daughter of Embryo mastermind Christian Burchard, fronts the group on keyboard, vibraphone and other-worldly vocals. Al Markovic joins longstanding Malcoun Zdenko Curilija to round out the ensemble. Non Ex Orbis, read by Whitefield and the band as Out Of This World, symbolizes an innocent way of composing and improvising music, free from the influences of our contemporary environment, preserving a childlike way of hearing sounds in their unfiltered purity. “Some will classify this as a retro, but for the band it simply is a form of creating, Whitefield states. “We’re drawing from an established musical vocabulary which was popular at a time in Germany, when underground musical culture had its creative peak.“

B2 is a vinyl exclusive track, that won't be available for download anywhere.All original tracks are officially licensed from Analog Africa, and taken from the compilations "Angola Soundtrack" and "Angola Soundtrack 2".A1 is also called "London Luanda Part 1"A2 is also called "London Luanda Part 4"B1 is also called "London Luanda Part 3"

Comes with a full size, double-sided insert, and an HQ mp3 / .wav download code