Modern-Funk

Independently released album of 80s influenced / new era Boogie, Disco and Jazz fusion performed and recorded by Skymark. Great songwriting and drum programming skills are on display throughout while he deftly works an array of synths (ARP, Prophet, Moog, Roland and Korgs).

Night Palms is the first compilation from Hobo Camp. It explores the vibes of Adult Oriented Rock, G-Funk, Jazz, Boogie, and Soul, synthesizing these genres to a form more loaded and laid-back (perhaps on a careless night time stroll, returning from the dispensary or watering hole, to the jacuzzi, houseboat, or waterbed). A smoother approach to funk, similar in production ethos to many classic G-Funk tracks (where producers created or sampled the smoothest yacht-rock and jazz-funk moments to create bass heavy rap), Night Palms takes it one step further, offering original tracks that return more to the inspiratory sources of G-Funk... sonically and chillingly cruising at the perfect tempo. A vibe perpetuated by perfect night-time temperatures, mist, ocean breeze, the sound of flowing water, and the laid-back grooves that seemingly accompany it under the silhouettes of California Palm.Brian Ellis kicks off the compilation with Tides, a drifting instrumental opus of melodic currents that glide and weave in and out of each other. BOY DUDE introduces the first vocal with Modern Day Confusion, a wavy, pitch-bending journey describing the mental woes and issues in modern society. XL Middleton and Ghost close out the A side with Forgot About Each Other, a mid-tempo, keyboard-forward groove, echoing the notions of dying or diminishing love, accompanied by his signature emotive driving keyboard lead. On the B side, Mat/Matix starts it off with the deeply aquatic Bay Breeze, which swings along with textured padding with an epic wet guitar solo by Liam Kevany. Moon B pours Marina Player directly into the harbor with a beautifully mutant and tranquil theme that would seem perfectly-placed in a moody montage scene of a speedboat cruising silkily along the waters at night. Jomeo Pugz ups the ante in Hidden Zone, a drum machine love anthem that describes the nerve- racking and inspiring aspects of new lust, romance, and the possibilities created between two potential mates sharing space together—yet alone. Deregulate by Elegant Borzoi closes it out with sweeping synths, loose grooves, and the subtle and sweet vocal accompaniment of Megan Doherty (of Social Lovers).This LP is dedicated to designer, artist and friend, Trevor Tarczynski (RIP). The title “Night Palms” was a recurring theme in his work, and the jacket cover was created from his archives.- Night Palms is a compilation LP dedicated to Night Palms’ artist Trevor Tarczynski (RIP)- 7 individual tracks written, performed and produced by Brian Ellis, BOY DUDE, XL Middleton feat. Ghost, Mat/Matix, Moon B, Jomeo Pugz, Elegant Borzoi feat. Megan Doherty- Cover/Jacket Artwork by Trevor Tarczynski with layout by Margaux Solano and inner label artwork/layout by Michael Steffen

Ethereal new age funk infected out from the neapolitan crew.

Released in gatefold sleeve, 180 gram vinyl. Limited edition of 500.

Heads may not know it, but Olmos (real name Oliver Graham) has been one of the busiest influencers on Australia’s underground music culture this side of the 90s. Through family-run operation Paradise Loft Records, he has quietly imported thousands of dead stock Disco, Boogie and early House records into crates across the country - affording tastemakers a slice of digging culture only a trip to NYC would previously have allowed.Thus Ol’s arrival at Gulf Point gleams with the jewels you’d expect from a producer with such inspired tastes. These are set free on “Luna’s Groove”, a star-chasing collection of nouveau post-disco works, crafted in earnest with dancers in mind. Raised on a healthy diet of Levan mixes and M+M dubs, his own use of juicy Moog basses, progressive arrangements and glittering melodies have bought forth an EP which modestly harnesses the New York Garage aesthetic he loves so dearly.Three Olmos originals are teamed with an astral mix by Benny Badge, reigniting his Freekwency namesake to redo the title with cosmic pads and the gravitational pull of a timeless 808 sequence. Jack Doepel, known for his work with Melbourne's rising Krakatau, also makes an appearance on sax - landing this interstellar mission somewhere on Jupiter’s fifth moon, Rhea.This is Ollie and Benny’s second meeting, the first being Freekwency’s “Flip The Coin” on Voyeurhythm. Recorded in 2011, their collaboration fuelled a simmering Boogie revival and remains in high demand alongside similar transmissions from Tom Noble, Psychic Mirrors and PPU. Since then, Olmos’ evolution has scored him some deserved points of his own - “Luna’s Groove” however, may have just hit the bulls-eye.