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Where Do We Go From Here? (remixes)

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(180gr) FOMDO12 is the latest in this series, with fresh interpretations from Dego, Andres and Ben Hauke of the as yet unreleased 'Where Do We Go From Here?The Far Out Monster Disco Orchestra is Far Out's in-house, Brazilian disco super group. It features the arrangements of Azymuth's late Maestro José Roberto Bertrami and the legendary Arthur Verocai amongst a host of other Brazilian musical icons. With a consistent stream of original modern disco sounds, the project has also played host to a series of remixes from some of dance music's greatest pioneers. FOMDO12 is the latest in this series, with fresh interpretations from Dego, Andres and Ben Hauke of the as yet unreleased 'Where Do We Go From Here?'Like 'Step Into My Life', which came out last year via two John Morales remixes, 'Where Do We Go From Here' is taken from the forthcoming second instalment of the Far Out Monster Disco Orchestra project. Check the first here: A1 is Dego's 2000 Black remix. The broken beat innovator streamlines his sometimes more rugged sound, with the funk as priority. It's a sophisticated and irresistibly slick disco-house roller, reminiscent of his recent single for Neroli, 'Don't Stop (Let It Go)': with the same cross-genre appeal, a deep and deeply inviting groove, with Dego's signature swing.A2 is a study in contrasts, Ben Hauke's take looks inward to find its feet, an intriguing riposte to Dego's open-arms welcome to the dancers. Organic rhythmic elements pile on top of each other, so loose and precariously balanced they seem to be perpetually on the verge of collapse. It's to Ben's credit that he pulls it off while showcasing a gifted ear for minor-key melody, with warm synths and piano notes taking his mix to another level. An essential slice of soulful, broken house, it effortlessly builds upon the tracks foundations, adding deeper, darker dimensions to the original's classy disco sound.B1 is Andres' mix. It's got the touch of smooth Detroit class that we have come from to expect from him. Woozily silken keyboard chords work their way around an insistent bassline, the jazzy interplay perfectly offsetting the locked groove. The latter is a head-nodding house beat with a touch of boom-bap that belies Andres years of experience in the hip-hop world, most notably as Slum Village's resident DJ. Vibe-wise, it sits comfortably between Dego's sophisticated uptempo soul and Ben Hauke's downbeat late night groove. All three make for a stellar addition to The Far Out Monster Disco Orchestra remix roster, showcasing the many dimensions of their pioneering modern disco sound.

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FOMDO 12

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16.00
Tracklist: 

Side 1
1. Where Do We Go From Here? (Dego 2000 Black remix)
2. Where Do We Go From Here? (Ben Hauke remix)
Side 2
1. Where Do We Go From Here? (Andres remix)

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Funktown/Have Some Of Me

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Classic 1979 Miami funk nugget from Henry Stone's Glades Records. Produced by Clarence Reid, this is an epic piece of sunshine soul. Re-mastered and re-issued in conjunction with Henry Stone Music 2016.

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GLAX 1757

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14.00
Tracklist: 

Side 1
1. Funktown
Side 2
1. Have Some Of Me

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Re-Issue
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Smash Hunter Presents Jazzy Grooves

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Most famous for his Remix of Stevie Wonder "Signed Sealed Delivered", Smash Hunter aka 'DJ Smash' was released on the Mowtown Remixed project, alongside such heavyweight bedfellows as DJ Spinna, Jazzy Jeff and King Britt. Smash was also prolific compiler, producer and label boss for the acclaimed Fat Jazzy Grooves series on New Breed Jazz.

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BC 006

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14.00
Tracklist: 

Side 1
1. Escuchame
2. The Groove (Jazz mix)
Side 2
1. The Groove (Boogie mix)
2. Heavy Healin'

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Original
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The Groove Maker

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REPRESS ALERT: Repress of the 3th release of the label. The well acclaimed "The Groove Make". The most wanted release of our catalogue on second hand record stores! On this record one of Stown favorite fellas and admired artists Jef K (Silver Network, Paris) joins with SlowTowns label owner Rhythm&Soul to release this great pack of house beats and sexy grooves.2016 repress with the label logo stamped on

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STOWN 003

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13.00
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Side 1
1. Rhythm & Soul - The Groove Maker (Jef K remix)
2. Jefe Y Soul - Copacabana Blues
Side 2
1. Rhythm&Soul - U Know What I'm Saying
2. Rhythm&Soul - Slow Town

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Last Night/That Good Thing

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Limited to 300 copies "Last Night" featured in Prosumer's landmark Litte White Earbuds podcast - the last of 200 curated by the influential blog. Featuring a combination of Jill Scott's smooth vocals, shuffling percussion and saintly keys, it's easy to see why this track has seen enduring support from the likes of the one-time Berghain resident, as well as Alex Nut and other NTS DJs. "That Good Thing" marries another RnB vocal to a rough-and-ready beat to maximum party-starting effect

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BOUNCIN 001

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14.00
Tracklist: 

Side 1
1. Last Night
Side 2
1. That Good Thing

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Kaleid

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"Kaleid", 4 trax of wonky, late-nite-swing, the first EP of new house stuff by Nail on his own 89:GHOST label. Step away from the drip-tray. Props to Bones. 300 copies on no-frills black vinyl.

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89GHOST 006

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13.00
Tracklist: 

Side 1
1. Virusss 1
2. Cramedit
Side 2
1. Tippi's Pills
2. Wifey's Away

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Shake Edits 1

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12" Repress

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SHAKE 001

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13.00
Tracklist: 

Side 1
1. Glitter Disco
Side 2
1. Buy Yourself Friends

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Contemporary Jazz Mass

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A gem of independent Detroit jazz, reissued for the first time on Jazzman Records. James Tatum's stunning, spiritualised Contemporary Jazz Mass is one of the only true jazz masses ever released. Inspired by Duke Ellington's Sacred Concerts, Tatum's masterwork was recorded on its first ever performance at St Cecilia Church in Detroit, and released on his own private label in 1974. Professional music educator and jazz composer Tatum had been working as a teacher in Detroit, and in the long aftermath of the 1967 riots he had started to instruct local children music in St Cecilia's. The Church commissioned the mass in 1972, and Tatum put together an ensemble of singers from within the church, backed by his own trio and local jazz musicians.Looking toward the great sacred works of Ellington, but with lyrics drawn straight from liturgy, the Contemporary Jazz Mass is a unique work of sanctified vocal jazz - nourishment for the spirit and soul, brought back to you by Jazzman Records!The CD version of this release also includes Tatum's independent second release Live at the Orchestra Hall & Paradise Theater. Another breathtaking long-form vocal jazz composition, Tatum intended Live ... to take the listener on a trip through the deep history of African-American music, expressing the spirit and sound of the past through the medium of jazz music and song.- All tracks fully licensed and digitally restored- Another super rare gem that's part of our esteemed HOLY GRAIL series- Only 1000 vinyl LPs available, all numbered!- Comprehensive and detailed liner notes with pictures and information taken from our interviews with Mr James Tatum himself- CD set with 8 page colour booklet- Only on Jazzman- all because WE DIG DEEPER!

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JMANLP 084

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33.00
Tracklist: 

Side 1
1. Introduction/Lord Have Mercy
2. Glory To God
3. Alleluia
4. Offertory
Side 2
1. Holy Holy Holy
2. Amen
3. The Lord's Prayer
4. Rite Of Peace
5. Lamb Of God
6. Communion

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Henry Stone's Miami Sound

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When Terry Kane - a sound engineer who was barely twenty years old at the time - built an 8-track recording studio above Henry Stone's office space in the Hialeah area of Miami, he probably never envisaged that he was laying the bedrock for a creative hub that would spawn over 25 gold records and over 100 million record sales worldwide. In the process, it would help to make Henry Stone a legend of American music.At one end of the spectrum, warehouse boy turned global superstar Harry Wayne Casey - better known as leader of K.C. & The Sunshine Band - was pumping out disco classics on a massive scale with ubiquitous airplay and sell-out shows. At the other, Rodney Matthew and his group Formula 1, were relying on the might of the T.K. distribution machine to propel them into the spotlight. As remarkable as their 1977 masterpiece on Du-Vern records was, it inevitably failed to have the seismic impact of The Sunshine Band's commercial dance pop.For every success story like T-Connection, with their firebrand funk-disco fusion and major label achievements, there were equally talented acts such as Stevens And Foster who also called on Stone's services to showcase their vision: judging by the scarcity of original copies of their self-written and produced modern soul jewel on Jerri Records, they also failed to reach beyond the Sunshine state, save for the rarified ears of collectors and connoisseurs.The sheer amount of records that came out of those modest premises at 495 SE 10th Court - about 8km from Downtown Miami (as the pink flamingo flies) - is mind boggling. With a huge roster of in-house labels as well as production and distribution deals, label boss Henry Stone was a passionate, busy, and exceptionally well connected man.Stone would nurture the early careers of the likes of million seller Betty Wright, as well as provide a platform for Milton Wright and Leno Phillips (her older brothers) to express their creativity. Clarence Reid (AKA Blowfly) and Willie Clark penned a raft of amazing tracks for acts such as Jimmy 'Bo' Horne and Little Beaver (AKA Willie Hale, who would also write a wealth of material for others), while T.K. in-house band Miami's own Robert Moore also released records on yet another T.K. imprint, Blue Candle.The music scene in Miami and indeed, Florida, at the time was fertile and moved quickly with the times, there were hit-makers and risk-takers, shining stars and those who never went far.As a living document of Henry Stone's remarkable legacy, the diverse styles and ideas coming out of Miami-Dade County and beyond, as well as a glimpse at the successes and near-misses achieved by a dazzling array of artists at the time, this collection serves as an invaluable insight.- Press Page with images and text: http://athensofthenorth.com/henry/- first press of the 2LP includes holy grail bonus 7"- Brand New - Thousand Years- 18 incredible tracks from the Man who invented Disco- Selected by Rare Disco connoisseurs Euan Fryer & Ian Wright- Release will tie in with up and coming award winning documentary 'The Record man' about Henry Stone and his music in Miami. Film to see worldwide cinema release this year: http://www.therecordmanmovie.com/- Almost all tracks on LP reissued for the first time- Extensive sleeve notes from record collector and writer Jason Stirland- Personal Sleeve Notes from Joe Stone (Henry Stone's Son)- Original Artwork by renowned Scottish graph artist Elph - http://akaelph.com/- Unseen personal photographs from the family

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AOTNLP 002

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35.00
Tracklist: 

Side 1
1. Formula 1 - Walking With My Eyes Closed
2. Funky Nassau - Bahama Soul Stew
3. Little Beaver - Concrete Jungle
4. Willie Johnson - Lay It On Me
Side 2
1. Jimmy 'Bo' Horne - If You Want My Love
2. Formula 1 - Life's A Beautiful Feeling
3. T Connection - Do What You Wanna Do
4. Milton Wright - The Silence That You Keep (version 1)
Side 3
1. Leno Phillips - Confusion
2. Raphael Munnings - Sleep On, Dream On
3. Wildflower - You Knock Me Out
4. Jimmy 'Bo' Horne - Hey There Jim
Side 4
1. Johnny K - I Got Bills To Pay
2. Stevens & Foster - I Want To Be Love
3. Robert Moore - Tears Of The World
4. Friday Saturday & Sunday - There Must Be Something

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All Your Way

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Heavyweight Vinyl 12"

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22A 009

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15.00
Tracklist: 

Side 1
1. All Your Way
Side 2
1. Bob's Riddim

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Non
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Original
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