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Needing very little introduction here is soulful Scotsman Al Kent, who delivers the dirty goods for his first outing on RNT. Good Inside and 4006 are a pair of dusty reworks, as gritty and groovy as you like. But the prize of this EP might just be Come Back Home, the crown jewel of his decade-earlier Secret Sounds collection, finally getting a proper vinyl for the first time ever!

First EP of the label by the label-bosses themselves; Detroit Swindle - Releases on Freerange, Dirt Crew, Saints & Sonnets and more - Just back from their first US tour in May 2013 - Pressing on 180 grs black vinyl Info: It's not often that silly, boyish dreams come true. But, if you take a closer look at our past 12 months, dreams seem to come true every other day. We've had a great year with releases on such great labels and had the opportunity to play our music all over the world and we've enjoyed every minute of this musical rollercoaster. And today, we've got another dream that's turning into reality: We're starting our own label.This is Heist Recordings, and you're looking at our very first release. We're extremely proud to share this two track EP of our own music with you and we hope you'll like it as much as we do. The break up is a track that checks all the boxes of the signature DS sound. An infectious set of airy chords, a bumpy bass-line and a lush female vocal give the track that feeling that bridges everything we love about the house from back in the days with the things that get everyone excited today. The make up is a deeper track, but still a genuine house tune, with some repetitive almost hypnotic vocals and stabs and of course, a pumping groove. You'll lose track of everything halfway through the break, but as soon as the beat kicks in, you know its business time. This is just the first step. Enjoy it, and be sure to keep an eye out for more of Heist in the near future. Sincerely yours, Detroit Swindle

All good things come to an end, and The Very Polish Cut-Outs is no different. The fifth sampler will be the last in the much loved & long running series. For the farewell record, label boss Zambon has selected five unique reworks from top producers from Poland and beyond.Side A is aimed at the dancefloor. 'KIEDY BYLEM MALYM CHLOPCEM' was the biggest hit in the long career of Tadeusz Nalepa, the king of Polish blues. The irresistible, smooth guitar groove is combined with conscious lyrics about different views of what's important at different stages of life, served in the form of a conversation between father and son. Miod crew transform this beautiful song into peak-time killer, tailored exactly for the needs of a modern dancefloor.Moscow's man of the moment Beard In Dust edits 'BIALA SOWA, BIALA DAMA, BIALY KRUK' by Kram into a flawless disco funk bomb, fuelled by cheesy synth action. A slice of Eastern European B-Boy disco breaks.Side B brings more ethereal and psychedelic flavours to the table. 'NA KOLANA PASTUSZKOWIE' comes from Laboratorium, Poland's answer to Weather Report. Their unique take on fusion is remixed here by Daniel Drumz, one of the heroes of Polish hiphop & beat scene. This longtime turntablist leaves his rap roots and travels to the psychedelic coast to bring you an amazing piece of Baltic Beat.Last two tracks are chopped and looped by Australian hero Carpentaria in a truly Balearic fashion. 'ZA OSTATNI GROSZ' by Budka Suflera charms the listener with dripping pianos and a misty, endless soft rock groove (with added swirling synths played here by Brennan Green himself), while ZACZAROWNE MIASTO by Kombi is a dark, cinematic piece of slow synth pop.It may be the end, but The Very Polish Cut-Outs finishes off in fine style.

Limited to 300 copies. LISTEN : https://www.youtube.com/watch?v=7yAfrlzJTMk#t=240

Two tracks one from each Rim & Kasa recent albums out in latter part of 2015 on BBE get the official edit treatment from Mukatsuku that have never been out before as official singles.

Official re issue of this timeless classic featuring a fantastic update from Australia's Late Nite Tuff Guy - Tuff Cut Records. Their version has already had 62,000 plays on Soundcloud.In LNTG own words of how "No More War Rework" came around : About 6 months ago, just before I set off on my 5 month tour of Europe I got a message from a good friend of mine asking me if I would edit a track that he loves. I said of course, and asked him what track. Turns out its a big favourite of mine also. 'Why Can't We Live Together' by Timmy Thomas is an amazing song with a strong message that is even more relevant today than it was back in 1972. The message is clear, it's simple, it's beautiful. I'm saddened by recent events around the world and I've always tried to spread love through music, because for me, music is love. I hope you share the message and enjoy. LNTG <3