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Canopy returns, following up their previously well received singles, with the fourth release on the label. This time around the focus is entirely on the remixes, with the original titles from Nigerian Band The Celebrant to feature on the forthcoming reissue of their self-titled LP. The remixes are built around the afro funk breaks and cosmic synths which the 3 producers have re- calibrated and re-celebrated to devastating effect. Stylistically the vibe sits between searing outer space afro funk and classy afro-disco.A1. The Celebrant – Off Beats (OPOLOPO Tweak)OPOLOPO dons his astronaut suit for his first outing on Canopy, propelling Off Beats into the off-world stratosphere in a remake that never rests in its irresistible groove. Weighting down the beat with shuffling house beats while his signature funky synth work augments the synth solos of The Celebrant. Together they ignite the rockets to raise this track into another dimension.A2. The Celebrant – Off Beats (Captain Planet Remix)Captain Planet marks his return to Canopy with a deliriously danceable remake of Off Beats. Upping the tempo and adding a muscular flex he serves up a bassline with just the right amount of grit. Framed by this powerful electronic architecture, the horn lines and guitar solos do serious collateral damage. Impeccable production values combined with the scorching afro funk breaks make this an incendiary weapon indeed. Once the synth lines kick in, there is no doubt who is in control. Prepare to lift off!B1. The Celebrant – Funky Music (Aroop Roy Rework)Aroop Roy blesses Canopy for the first time with this remix of Funky Music, adding his infamously smooth and funky touch. The maestro is well renowned for his skill at flipping already killer material into highly addictive dancefloor bombs. Here he adds an undeniably groovy bassline to back the afro horn arrangements and interstellar synth solos. Setting it all ablaze he transforms these afro chops into a proper late night disco affair. When the Balearic pads ascend, the vibe simply levitates! Wide eyed and euphoric, this joint will sooth even the most savage of souls as they start to elevate into the aether.

It’s a new day – and 2022 marks a very special new chapter for Parisian producer Hugo LX, who delivers his latest sound offering on his freshly founded imprint Doma Music.A collective adventure, « The Platinum Wave » sees the return of Hugo’s most frequent collaborators – trumpeter Hermon Mehari and guitarist Christopher Johnson, with the addition of pianist Tony Tixier – the four of them connecting, building and weaving their sonic textures over these five sound cuts.A starting point in the Doma music catalogue, « The Platinum Wave » aims to propose a different sound in dance music, both a continuation of a certain musical legacy and an exploration of today’s boundless possibilities, as much as an intimate soundscape from four artists deeply involved in the Paris creative scene – and most definitely, a first taste of things to come on the label.

One of the rarest and most requested Neapolitan track around. Originally recorded in 1983 at the Rico Sound studios, the budget made available was not managed well by the artistic crew (money wasted on women, dinners and night clubs …) and it was not enough to be able to produce an LP on vinyl and only very few copies were produced on cassette. Occasionally some promotional vinyl copies appeared in flea markets, probably intended for radio stations of the time but to date neither the label nor the author remember ever having distributed or authorized this press. There are also counterfeit copies circulating through private-to-private sales channels. It was not easy to track down Tonino, namesake of his uncle Antonio Balsamo, master flautist of great fame, and it’s with great pleasure that we can finally announce, almost 40 years after its creation, the official release of "Sta Guagliona Mo Ddà" enriched by the instrumental version plus an unpublished variation on the original theme - "Voglie 'E Mare" - written by keyboardist Enzo Anoldo in the early 90s.