12"

Multi artist comp covering disco, slomo house and beatdown, funk & soul, reggae. Versatility in your crate on one record. Vinyl only DJ promo. Hand stamped natural chipboard jackets.

Multi artist comp with one side dedicated to disco floor heat from Osmose & The Silver Rider, and the other offering a midtempo bouncy number from JP Source & a sultry obscure edit from Hristo. Hand stamped chipboard jackets.

Brazilian Shakedown is back! The second release in this series brings you a collection of outstanding mixes by Rio de Janeiro's own Carrot Green. On the A Side you'll find 'Ponto Gira', which already is an underground anthem in Brazil. The traditional chanting, combined with CG's super groovy production will certainly also smash the European dance floors this summer. Good vibes galore! Straight after there's 'Movimento'. In this tune Carrot Green transforms roots music from the North-East of Brazil into an intense dance track, which mesmerizes with its passionate vocals and violin played in peculiar unison. The B Side takes off with a heavy nu-disco remix of 'Mariama'. The acidic bassline, calling vocals and wide synth-chords will make you feel like flying over the Brazilian seashore. The final destination of this journey leads you to the bass heavy 'Capoeira', where the classic Berimbau and hypnotic call-and-response vocals get dirty over a stomping groove. Badaross, who lives in the Streets of Sao Paulo created the cover-artwork for this release.

Limited Edition 12" released in conjuction with the forthcoming compilation, Tropical Disco Hustle Volume Two - COS 13-LP.

For those with a passion for the mid-80s sound of New York, the sporadic releases from Mark Seven's Parkway operation have always been essential listening. Taking influence from freestyle, the proto-house dubs of Paul Simpson, early garage, and '80s soul, the project's releases to date have been like a delicious blast from the past. "The Feeling" doffs a cap to all of these styles, with his usually authentic production (stuttering drum machine drums, reverb-laden vocals, killer tape edits etc) being joined by the kind of saucer-eyed melodies associated with early Balearic house. The alternative versions are good too, with the dub style "Can't Stop This Feeling", in particular, standing out.

More killer stuff from Gay Marvine: a lost michael cut, obscure depeche mode, his own original music for his take on see line woman, and first choice's 1974 the player turned into a house jam but still using the 70s drums.

BHE 8 continues the devastation from Gay Marvine: totally transformed donna summer, a prince disco edit that removes all the vocals, his liaisons avant apres mars master edit, and iggy bowie eno sister midnight.

Following the runaway success of their re-release of James Mason's cult classic "I Want Your Love" a few years back, Rush Hour asked the legendary disco-soul producer whether he had any unreleased material in the archives. After rooting around, he unearthed enough material to fill an album, Recollection Echo, which hits stores later in the year. Before that, Rush Hour present two previously unheard gems; the breezy, soulful disco brilliance of "The Rhythm of Life" (which, brilliantly, features Bernard Purdie on drums, and Fonda Rae on backing vocals), and "Up Jump", a brilliantly strange - and thrilling - combination of pitched-down electro beats, vocoders and spiraling soul vocals. That album should be pretty sensational; until it's released, these two tracks will more than suffice.

Not content with providing us with the tune of summer 14 - the Mood Hut released "Something (On My Mind)" - Jack Jutson has only gone and done it again on his Future Times debut. "Thirstin" is every bit as likeable as its' esteemed predecessor, delivering a subtly sun-kissed blend of loose, delay-laden deep house percussion, rich Rhodes chords and yearning vocals. Truly, it's magical - the kind of warm, evocative fare that will still be getting rotations decades from now. Flipside "Atmosphere", an instrumental cut built around jazzy drums, live disco bass and brilliant eyes-closed piano solos, is almost as good. Clearly, the Pender Street Steppers man is one serious talent.