LP

Another must have part of Marc Mac's "Beats n knowledge" series of mixtape style albums.A Documentary on Wax. Looking back (and forward), reflecting on the movement / organisation known as "The Black Panther Party for Self-Defense. Often the term "Self-Defense" is left out of discussion and far too often knowledge of the social programs developed by the Panthers gets push aside to continue a narrative of a violent group of anti-society revolutionaries. Revolutionary yes, anti-society no. All Power To The People.Produced by Marc Mac and pretty much all straight out of his MPC2500 (sampling sequencer), the 'college mixtape' style with sound bites from the era mixed with 90s style hip hop beats is now a trademark of this series. Limited to 300 copies worldwide. don't sleep.

Edition of 300. With folded poster.

Creating songs of both eulogy and revolution, the expansion of 21st century black consciousness is felt in waves through Ohio’s Mourning [A] BLKstar. A force that has deep conviction, purpose, and weight, songs are voiced through the a lens of chopped up drum grooves, stark melodies, washed-out synth tones, and historic sample pulls. On The Garner Poems, the group traffics their signature gritty strain of DIY Afrofuturist soul music, balancing hip-hop production techniques with lo-fi experimentation to create a sonic suite that eulogizes victims of police brutality, including Tamir Rice and Eric Garner, as well as bringing forth a conversation that aligns with the political and emotional state of this world. The Garner Poems are modern day spirituals of reverence and despair that serve as both a force of light and a schematic for hope, survival, and independence.

Before any of the excitement could die down, Kev Brown hasn’t let off the gas. In less than 2 months after his long awaited and critically acclaimed Homework album, the latest release entitled Fill in the Blank is nothing short of the perfect surprise for the hip-hop world. In the famous words of Kev, this is just “another classic joint!”. Classics are synonymous with his legacy and if you release 2 classic albums back to back in under 90 days, not only is your work ethic setting you apart from your contemporaries, but the talent and quality of your product is the real standout. In the vein of Homework, Fill in the Blank continues the same formula of pairing sporadic beats and raps in an unorthodox, yet seamless presentation. The two projects may share similarities, but as an artist, Kev Brown is all about evolution. The mixing is tighter, the beats are bolder and his rapping is more aggressive. Some may observe that this album is more polished than the previous, but “the grit” he is known for is still prominently audible. As a vocalist, Kev has found a great balance of being smooth, concise, unapologetic and passionate with his honesty, love for the craft and ?ashes of dry humor. Making a guest appearance as the in house DJ, Damu the Fudgemunk exclusively handles all of the scratching. The album may be called Fill in the Blank, but the audience will state the obvious. At 20 tracks, there’s no mystery in Kev Brown’s creativity or his skills as producer/rapper as he blends vocal tracks with instrumental pieces and even throws in a few complimentary interludes. This is what the fans want. Collecting cosigns from Large Professor, Diamond D and even Questlove from the legendary Roots was seen on social media praising Kev’s recent output. Dr. Dre’s Pharmacy show on Beats Radio recently included some new Kev joints in their popular playlists / programs too. Also notable is the fact that Brown is just returning home from a European tour in which he used the tour dates to announce the surprise release of Fill in the Blank. Responding to a frenzy of hype, Redefnition Records proudly designed and packaged the new album on black vinyl printed with full color artwork. The cover art features images of the artist in his hometown neighborhood of Palmer Park made famous by boxer Sugar Ray Leonard and located in Landover, Maryland. While listeners have been instructed to Fill in the Blank, Kev’s agenda is to fll up the year with continuous projects.

Landover, Maryland's Kev Brown continues his shockwave of new music with his 4th vinyl release of 2018. From carrying PG County on his back and arguably saving hip hop with his solo albums Homework and Fill in the Blank, the producer/MC made sure the world knows who he is. Never a dull moment in his timeline, he introduced a series of beat tapes with his "Delve into Classic Moog" as the first. The latest sees Kev Brown leaving the east coast to sample the sights and sounds in the midwest, specifically Minneapolis, Minnesota. Aptly titled, The Minneapolis Project, it is 100% instrumental and proves to be a surprising yet adventurous direction in his ongoing series. With such a strong legacy spearheaded by "You know who: The Artist" himself, Kev took inspiration from the whole Minneapolis scene and the results are nothing short of brilliant. One may ask why a producer like Brown known for his own trademark sound would venture into someone else's bag. The answer is pretty simple. A good friend, DJ Iran nominated Kev with the challenge of fusing the iconic 80's era Minneapolis grooves into the Kev Brown universe. To commemorate the special occasion, this rare moment is captured on vinyl as part of Black Friday RSD 2018. Limited quantities are available and based on the performance of Kev's previous titles, don't expect vinyl copies of this album to sit around. While supplies last.