2xLP

Limited 180gram edition of 1,000 individually numbered records.Previously unreleased & fully digitally remastered. Heavy stock gatefold jacket.Recorded May-June 1974 and February-March 1975 at STRATA SOUND STUDIOS, 45 Seldon, Detroit.

Gatefold Double LPArranged And Composed By Piero Umiliani.Taken from the 1973 movie directed by Luigi Scattini.

BBE present the lost private press album Rim Arrives / International Funk from Rim Kwaku Obeng / Rim and The Believers officially the first release under BBE Africa. A new and exciting cultural and lifestyle outlet focusing on the arts across the continent. Includes the tracks of International Funk a 12” recorded by Rim Kwaku Obeng later as Rim And The Believers, with drum machines and synths in full 1980s effect. Also includes a MP3 download code.

After the Brazilian Disco Boogie Sounds compilation, Favorite Recordings follows-up with the concept, this time focusing on its homeland language. Digging into the mysterious Charles Maurice’s vinyl collection, the label and the DJ extracted 10 amazing hidden dancefloor hits, all produced between 1975 and 1984 within the French music scene.In the late 70s, like most part of the world, France was deeply touched by the influence of American music. The Disco sound therefore quickly reached the French Pop charts, and as always, a creative and prolific independent scene emerged in the shadow of this trend, with quite unequal results, but also some obscure real classics.Helped by a close connoisseur friend, DJ and collector Charles Maurice presents a fine selection of what he thinks represent best the amazing energy and quality of this specific movement and period. With 10 rare titles, he draws a perfect picture of the different styles and productions you could find in French record stores at that time;On one hand, tracks by Overdrive, Marché Noir, Didier Makaga or France-Lise, were mostly composed and produced by underground artists and labels from the French Caribbean and African community, and also filled with the raw spirit and power of this Tropical stamping. On the other hand, tracks by Beckie Bell, Kelly, Le Club, or Bernard Guyvan, were all released by major French labels such as Trëma, Carrere, Disques Vogue, or Pathé Marconi, and created by confirmed independent producers, acting not only in France, but also in Canada and the US.For example, Philippe “Honeyman” Renaux was the founder of Clever label and has credits for Grace Jones, Sheila & B. Devotion, or Gino Soccio to name a few. Canadian composer and producer George Thurston is internationally known as Boule Noire, with his worldwide success “Aimer d’amour”. And Pierre “Berjot” Jaubert was part of the famous Lafayette Afro-Rock Band, before becoming a prolific producer who revealed the Disco diva Chantal Curtis among others, collaborated on recordings for Motown or Tom Moulton, and even scooted the lead singer of Vladimir Cosma’s most famous hit, “La Boom”.With all this talent and “savoir-faire”, each of these 10 forgotten songs had nothing to be ashamed of compared to some majors’ Disco hits and productions, but unfortunately didn’t get the same fate. Today, Favorite Recordings and Charles Maurice are very proud to shed some light again on these gems, and hopefully offer them a new life on your turntable.

2 years after the release of his first solo album, Favorite Recordings proudly presents SOLAR, second album by acclaimed Brazilian composer Lucas Arruda.Lucas Arruda’s born in 1983, in a Brazilian state called Espírito Santo, near Rio de Janeiro. Coming from a musical family (his dad and older brother are musicians) he started playing and listening to music very young. At the age of 13, he was also playing professionally already. After studying electric guitar and playing in various bands, Lucas passion quickly turned into Rhodes and keyboards, expanding his musical range of skills.At the same time he started his own home-studio and a real musical career in Brazil, playing and producing for various projects with his older brother Thiago, and gaining great local support from people like Ed Motta, William Magalhães (Banda Black Rio), Robert Lamm (Chicago) or Hyldon (Brazilian soul legend).In 2012, Fabricio Di Monaco (from Modo Solar) introduced Lucas’ music to Favorite Recordings’ head honcho, Pascal Rioux, who was immediately seduced by Lucas’ demos and talent. One year after, Favorite Recordings released Lucas Arruda’s first solo album titled Sambadi, and received great supports from many international DJs and media, who all acclaimed Lucas’ natural skills for composition and arrangement.Following this successful first effort, here comes SOLAR, new and second solo album by Lucas Arruda. Pursuing the sound established with Sambadi, this new project is again fully composed by Lucas, and filled with his fusion style, mixing influences and elements from his Latin musical background, with his genuine admiration for Jazz, Soul and Funk music; On “Melt the Night” for example, Lucas asked legendary producer Leon Ware for his help, reminding his collaborations in the 80s with Marcos Valle, when they perfectly merged together the sophisticated Boogie and AOR touch from California, with the blazing sense of rhythm from Brazil. For “Uma Onda”, he invites Alex Malheiros, bassist of the famous Jazz band Azymuth, for a splendid tribute to their specific fusion sound and influence on the Brazilian music scene. Finally the song “Agua”, co-written with his longtime friend Fabricio Di Monaco, is a beautiful ballad which illustrates perfectly Lucas’ passion for Soul music stars such as Stevie Wonder or Curtis Mayfield.On top of these great collaborations and a few more surprises, SOLAR also differs from its predecessor by a lot more elaborated production process, offering an authentic and warm sound, faithful to Lucas’ heroes and inspirations. Mostly recorded at Sala A Studio in Brazil, many drums parts were also taken at the fully analog Ambience Studios in Finland, by label mate drummer Jarkko Lepisto. The entire mix was also done in Finland on a Neve 8108 console from 1978, and under the direction of Andre Solomko and Petri Asiala, using only analogic technology and a Studer master tape to record the final pre-master.The result is a timeless album, which should definitely established Lucas Arruda as one of the greatest and most talented Brazilian musicians these days.SOLAR will be released as a deluxe gatefold double LP and limited CD edition on May 4th 2015.

At long last, the instrumentals to Blu and Exile’s modern classic Give Me My Flowers While I Can Still Smell Them. Available for the very first time on vinyl, limited.

Nine unreleased and rare tracks from the amazing Roger Damawuzan also known as the “James Brown from Lomé”, backed by the tremendous “Les As du Benin” orchestra, and recorded between 1972 and 1981. Deluxe 2LP in Gatefold Tip-On Jacket. TIP!!! Born in 1952 in Aneho (Togo), “The king of Gazo” (a traditional rhythm) is one of the most popular singer of his native country. He started his career in 1968 with the “Ricker’s” but his first record was released in 1972 with his now classic hit “Wait For Me”. From 1972 to the early 80s alongside “Les As du Benin”, they worked more than 5 days a week at the Hotel Tropicana in front of the sea with many tourists around and it was a very good exercise to work and create a perfect Afro-Soul sound. During this period they also recorded many tracks, sometime in Ghana at the famous Philips studio, sometime during live session for big events in the “Palais des Congres de Lomé” and studio Otodi in Lomé, always live and analog. Today Roger Damawuzan lives in Lomé; in 2014 he was the featuring singer on the smash hit “Pas Contente” by Vaudou Game and performed with the band in different European big festivals. Roger Damawuzan & Les As Du Benin can be considered as one of the biggest figure of the African Funk scene from the 70s: A must have record!

Limited Gatefold 2xLP + MP3 Download Code + Stickers RSD edition of the third album by Blundetto, the man behind French radio station Radio Nova. *postponed Record Store Day Item* We regret to inform that this no longer comes with a 7" record. A limited edition poster has been inserted into the sleeve instead.For this album, he digs further his own musical way : soulful reggae, with a cinematic, latin or African vibes and the same team of musicians around him.As usual he invited some guests on vocal, some big names of the French reggae scene (Biga Ranx or PupaJim), NY MC Jahdan Blakamoore or some new comers as John Milk and Marina PWith his first two albums, Blundetto has built a strong fan base of music lovers around the world.Once again in parallel of the quality of the music, the quality of the packaging will be there : Double LP replica cover with stickers and download card included.

Gatefold Blue Vinyl 2xLP With Obi Strip + Poster + MP3 Download Code, Lizzy Mercier Descloux may have come of age in Paris, but it’s in New York’s Lower East Side that she really came alive. Great overvieuw of her work here - check!!The French punk pioneer, a friend of Patti Smith and Richard Hell, moved to New York in 1977 and soon immersed herself in avant-garde poetry, performance art, and punk music.Closely associated with the founders of ZE Records (home to Was (Not Was) and Kid Creole & The Coconuts), Descloux released her debut album, Press Color, in 1979, revealing a punk-funk sound that positioned her as the French answer to the UK group The Slits or New York’s own ESG. Just as The Slits gave "I Heard It Through The Grapevine" a makeover fit for warehouse parties on their celebrated Cut LP, Descloux’s album revealed a penchant for the unexpected cover version too. It kicks off with a brilliantly rhythmic take on The Crazy World Of Arthur Brown’s Fire–a hit, like Marvin Gaye’s in 1968. There’s also a version of Lalo Schifrin's theme from Mission Impossible that appears to predate the breakbeat scene by a good twenty years. Elsewhere, we hear echoes of Serge Gainsbourg’s Afrobeat-influenced work, Blondie’s disco-inflected punk, and Talking Heads’ world music-inspired art pop.Βacked by guitarists/bassists D.J. Barnes and Erik Elliasson plus drummer Jimmy Young, Descloux creates a naïve musical world in which rhythm is everything—not a byproduct of the song but the reason for its existence. It’s neither played nor sung with any great skill, but it has feel and character in spades and a looseness that’s all too rarely achieved.Of course, an artist with song titles including “Tumor" (a cover of “Fever" with amended lyrics) and "Herpes Simplex" is never a shoo-in for mainstream acceptance, and like many a No Wave classic, the album sold little. Now regarded as a cult classic, this Light In The Attic reissue is presented in an extended 18-track edition, collecting much of Descloux’s work, including "Morning High," recorded with Patti Smith.Descloux returned to Paris upon scoring a contract with CBS and soon found herself travelling to Africa to research the Afrobeat sound experimented with–from afar–on Press Color. The hit single "Mais où Sont Passées les Gazelles?" and album Zulu Rock followed. By the 1990s, Descloux had turned her back on music in favor of painting and writing, which she continued until her death in 2004. Her playful spirit lives on in this album.