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Tearz

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With the full length, Return To The 37th Chamber dropping April 14th, El Michels Affair releases another flawless two sider to hold us over.Side A’s cover of Tearz is as much an homage to the Wendy Rene sample as it is to the Wu-Tang Clan track.The song starts as a glazed over cover of "after laughter, comes tears" with Shannon Wise of The Shacks singing Wendy Rene's timeless mantra. Halfway through, the mood dramatically shifts and the drums and organ that drive the original RZA sample, take over. A dubbed out Lee Fields taps in like only he can, and the song spirals into outer space.Side B finds EMA dipping into the deeper side of the Wu catalog with Raekwon’s Verbal Intercourse. Mixing the grimy, gritty production aesthetic of the original with elements of dubbed out reggae, El Michels Affair once again pushes the definition of a “cover” and truly makes it a tune of their own.

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BC 0087

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14.00
Tracklist: 

Side 1
1. Tearz
Side 2
1. Verbal Intercourse

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Non
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Original
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Real Ones (SFC)

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Teeko is a San Francisco based producer & DJ and half of the the future funk duo Starship Connection. On this collaboration he’s joined by native Bay Area funkster Diamond Ortiz (MoFunk) for a fine serving of synthesized boogie/funk fresh out of California. Teeko performs on a Roland JX3P, Mini-Moog Voyager, & Talkbox. Diamond Ortiz performs vocals on a Microkorg XL with a Rocktron Banshee Talkbox. Real Ones is a lively vocoder slapper written & performed by Teeko with a DJ friendly instrumental on the B side.Limited to 1000 hand numbered copies.

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NTTG 1001

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20.00
Tracklist: 

Side 1
1. Real Ones (SFC)
Side 2
1. Real Ones (SFC) (dub)

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Non
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Original
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Always There/Always There (Kon Remix)

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In 1978, famed Latin Jazz percussionist Willie Bobo released a promo-only 12” single featuring a “Special Disco Version” of “Always There”, a cut from his most recent album Hell of An Act To Follow. Pressed in extremely limited quantities and never available commercially, this 12” quickly became a highly sought-after rarity for DJs and collectors. Now, this lost treasure is back in print while supplies last, complete with an exclusive a new multitrack edit of “Always There” from DJ / crate-digger extraordinaire Kon (BBE / Soul Clap) on the B-side. Released in partnership with the Bobo family, this official pressing revisits a dance?oor-ready masterpiece.

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NSD 74

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22.00
Tracklist: 

Side 1
1. Always There
Side 2
1. Always There (Kon Kick The Bobo remix)

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Non
Origine: 
Original
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Jambu

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2nd album from Los Angeles-based Afro-Latin-funk crew, f/members of Greyboy All Stars, Breakestra & Orgon mix in heavy doses of Afrobeat & Latin, peppered with breakbeats.

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NCL 20153

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32.00
Tracklist: 

Side 1
1. La Kossa
2. Jambu
3. Cumbia De Sal
4. Callejero
5. Efori
Side 2
1. NUSAU
2. Bele Bele
3. Lamento Momposino
4. Mofongo

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Non
Origine: 
Original
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Headnod Suite

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Best known as a jazz drummer and hip-hop producer, Karriem Riggins returns with Headnod Suite. The album is the follow up to 2012’s critically acclaimed debut Alone Together. With 29 instrumental hip-hop tracks, Headnod Suite places Riggins’ beatmaking chops front and center. It’s a testament to why Riggins is the producer of choice for artists like Kanye West, Common, Erykah Badu, and The Roots.

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STH 2377

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36.00
Tracklist: 

Side 1
1. Suite Intro
2. Other Side Of The Track
3. Yes Yes Y'All
4. Invasion
5. Trombone Love
6. Crystal Stairs
7. Sista Misses
Side 2
1. Detroit Funk
2. Oddness
3. Tandoor Heat
4. Chop Chop
5. My Reflection
6. Dirty Drum Warm Up
7. Pay.gio
Side 3
1. Suite Poetry (feat Jessica Cate Moore)
2. 4Es'J
3. Joy & Peace
4. Cheap Suite 1
5. Cheap Suite 2
6. Cheap Suite 3
7. Cheap Suite 4
8. Never Come Close
Side 4
1. Re-doze
2. Bahia Dreamin'
3. Cheap Suite 5
4. Cia
5. Keep It On
6. Fluture
7. Suite Outro (feat Hodge, Poyser & Riggins)

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Non
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Original
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Brand New Wayo: Funk Fast Times & Nigerian Boogie Badness 1979-1983

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Repress! With this release, Comb & Razor Sound launches its exploration of the colorful world of popular music from Nigeria, starting with the post-disco era of the late 1970s and early 80s. The years between 1979 and 1983 were Nigeria's Second Republic, when democracy finally returned after twenty-three years of uninterrupted military dictatorship. They were also the crest of Nigeria’s oil boom, when surging oil prices made the petroleum-producing country a land of plenty, prosperity and profligacy. The influx of petrodollars meant an expansion in industry and the music industry in particular. Record companies upgraded their technology and cranked out a staggering volume of output to an audience hungry for music to celebrate the country’s prospective rise as global power of the future. While it was a boom time for a wide variety of popular music styles, the predominant commercial sound was a post-afrobeat, slickly modern dance groove that retrofitted the relentless four-on-thefloor bass beat of disco to a more laidback, upbeat-and-downbeat soul shuffle, mixing in jazz-funk, synthesizer pop and afro feeling. At the time, it was still mostly locally referred to as “disco,” but has since been recognized as its own unique genre retrospectively dubbed “Nigerian boogie.” A Brand New Wayo: Funk, Fast Times and Nigerian Boogie Badness collects 15 pulsing Nigerian boogie tracks in a lovingly compiled package chronicling one of the most progressive and creative eras in the history of African popular music.

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CRZR 1001LP

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34.00
Tracklist: 

Side 1
1. Mixed Grill - A Brand New Wayo
2. Kris Okotie - Show Me Your Backside
3. Murphy Williams - Get On Up
4. Joe Moks - Boys & Girls
Side 2
1. Amas - Slow Down
2. Oby Onyioha - I Want To Feel Your Love
3. Dizzy K Falola - Excuse Me Baby
4. Chris Mba - Funky Situation
Side 3
1. Bayo Damazio - Listen To The Music
2. Martha Ulaeto - Music Alone
3. Segun Robert - Big Race
4. Amel Addmore - Jane
Side 4
1. Honey Machine - Pleasure
2. The Stormmers - Love Or Money
3. Emma Baloka - Let's Love Each Other

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Non
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Re-Issue
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Calabar-Itu Road: Groovy Sounds From South Eastern Nigeria (1972-1982)

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Limited 2xLP in silk screen sleeve + 44 page booklet"When most people think about Nigerian music, the first thing that comes to mind is Lagos—the country’s main commercial center, the glittering megacity that spawned Yoruba-speaking music luminaries such as Fela Kuti, King Sunny Ade, Sir Shina Peters and Wizkid. But Nigeria is a country of rich diversity, especially in its music: From the Igbo highlife and rock bands of east-central region, to the deep Edo roots rhythms from the midwest, to the keening, ornamented Fulani melodies of the north. But one region whose music has remained largely underexplored is the south eastern land of the Efik and Ibibio ethnic groups in Cross River and Akwa Ibom State—the region colloquially referred to as “Calabar.” A cradle of culture, this region was one of the earliest outposts of Nigerian popular music. Its primordial rhythms traveled across the Atlantic during the slave trade to provide the part of the foundation for Afro-Cuban grooves that would go on to influence the development of jazz, rock & roll, R&B and funk. With the new Calabar-Itu Road compilation, Comb & Razor Sound presents15 heavy tracks recorded in the decade between 1972 and 1982, spotlighting rare music from “Calabar” superstars such as Etubom Rex Williams, Cross River Nationale, Charles “Effi” Duke, The Doves and Mary Afi Usuah. The package features a magazine-style booklet containing a wealth of information about the milieu with rare photographs and illustrations. The Calabar-Itu Road is the major artery linking modern-day Cross River and Akwa Ibom States. And Calabar-Itu Road: Groovy Sounds from South Eastern Nigeria (1972-1982) will link the region’s music to the rest of the world!"

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CRZR 1004LP

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36.00
Tracklist: 

Side 1
1. Isadico Dance Band Of Nigeria Led By Isaiah Disckson - Mbre Isong (intro)
2. Cross River Nationale - Nyong Eyen Unen
3. The Visitors - Eyen Erong Nwa
4. Mansion - Akam Itoro Abasi
Side 2
1. Monica Isaac - Akananwan Isong Idung
2. Emmanual Ntia & His Eastern Star Dance Band - Top Eyop Odo
3. The Sea Lions - Akwa Idim
4. Charles Duke - Suk Usan Idang (Cross River Radio interlude)
Side 3
1. Isadico Dance Band Of Nigeria Led By Isaiah Disckson - Eti Eyeneka
2. The Doves - Akan Anwan Isong Idung
3. Mari Afi Usuah & The South Eastern State Cultural Band - Mma Ama Mbo
4. Sunny Risky & The Vitamin Explosion - Atak Mfat Eyen
Side 4
1. Chief Inyang Henshaw & His Top Ten Aces - Eseme Ikpong
2. Etubom Rex Williams & His Nigerian Artistes - Ererimbot Afayung Oko
3. Bustic Kingsley Bassey's Anansa Engineers - Journey To Luna

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Non
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Original
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Gimme Gimme

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Sun, Skyy, Earth Wind & Fire...; Brooklyn-based IGBO (Indigo Green Brown Orange) reflect an elemental foundation of classic '70s and '80s funk and soul through a prism of hip arrangements and decidedly modern production befitting the diverse set of talented stage performers and composers they are. A sun-drenched celebration of life and musical positivity, their sonic palette evokes the same brilliant and playful colors as their name, the two songs presented here (on 45 for the first time) bursting with irresistible charm. It's a breath of uplifting fresh air in today's hyper-serious club landscape.

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IGB O1

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10.00
Tracklist: 

Side 1
1. Gimme Gimme
Side 2
1. Creamy

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Non
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Original
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Windows On The World E.P.

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Beautiful 12" naturally combining peaceful house elements, UK Garage vibes & dubby techno visions... true deepness!

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WB 00212

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22.00
Tracklist: 

Side 1
1. Windows On The World
2. Windows On The World (Moving Day dub)
3. M 80
Side 2
1. Down & Out
2. Down & Out (SMDH dub)

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Non
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Original
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Time & Place

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Lee Moses was a huge talent and if he’d had the big hit album he richly deserved, Time And Place would’ve been it. A self-taught multi instrumentalist, Moses cut his teeth in the clubs of Atlanta, the ‘Motown of the South’, where he frequently performed alongside his contemporary Gladys Knight (who reportedly wanted him for the Pips, but couldn’t pin him down).It was, however, in New York in the ‘60s that Moses made his greatest bid to find the solo fame he desired. Moses began working there as a session player, even playing frequently with a pre-fame Jimi Hendrix, but his close relationship with producer and Atlanta native Johnny Brantley eventually saw him getting his own break via a series of 45s in 1967 – most notably with covers of Joe Simon’s "My Adorable One", The Four Tops’ "Reach Out, I’ll Be There" and The Beatles’ "Day Tripper".It was 1971 before Moses’ dream of being at stage front was realized, when he released his Brantley-produced LP Time And Place for Maple Records. Recorded with a band including members of The Ohio Players and Moses’ own backing group The Deciples, it was, nonetheless, Moses himself whose star quality shone through, via his scratchy guitar riffs, his throat-ripping vocals and the stirring mood that permeates the LP’s heady mix of funk, soul and R&B.The LP did no business, and Moses’ dream quickly crumbled. Though details on his life are scarce, it’s believed he fled New York disenchanted with the music industry, feeling he’d been double-crossed by Brantley both in credit and remuneration for the countless records he’d played on. Back in Atlanta, Moses returned to playing the clubs, married twice, and fell into depression and drug dependency. He died in 1997 at the age of 56.Time And Place soon became a much-sought-after item for collectors, and its cult has continued to grow over the years. Here, we re-present it on deluxe vinyl, with brand new liner notes from Sarah Sweeney including interviews with Moses’ sister and his closest collaborator, the singer and guitarist Hermon Hitson. Through them, Moses becomes a little – but just a little – less of an enigma.

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FDR 630

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38.00
Tracklist: 

Side 1
1. Time & Place
2. Got That Will
3. What You Don't Want Me To Be
4. California Dreaming
5. Every Boy & Girl
Side 2
1. Hey Joe
2. Free At Last
3. Would You Give Up Everything
4. Adorable One

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Non
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Non
Origine: 
Re-Issue
Newsletter: 
Non
Partager: 

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