Afro

Funky Makossa

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In 1973, EMI Records Nigeria released the 45 rpm disc “Fuel for Love” b/w “Soundway,” credited to a mysterious band called Wrinkar Experience. The record was a finely-crafted gem of pop-rock and funky soul as had never before been heard coming out of the country’s nascent rock scene, and it ended up being the biggest selling Nigerian single up until that point. The success of Wrinkar Experience effectively demonstrated that was a market for homegrown pop and rock, and sent record labels scrambling to sign similar bands, kicking off the Nigerian rock revolution that is still being celebrated and discovered by new generations today.But while Wrinkar Experience launched the movement, the group itself would be short-lived: after another hit single in 1973, the band’s frontman Danie Ian split for a solo career. The remaining principal players in the group—Cameroonian musicians Ginger Forcha and Edjo’o Jacques Racine—tried to keep the Wrinkar name going before giving it up and rebranding themselves as Rock Town Express.Rock Town Express’s debut LP Funky Makossa was recorded in 1974 for ARC Records, the cutting-edge studio and label established in Lagos by English drum legend Ginger Baker. The album showcased in long format the qualities that had only been hinted at on the Wrinkar Experience singles: bright, confident pop melodies, articulate lyrics, and darkly potent funk-rock.Comb & Razor Sound is proud to present a new, fully-authorized reissue of Funky Makossa, featuring the seven tracks from the original release, plus “I Am A Natural Man” and “I Don’t Want To Know,” from Wrinkar Experience’s seldom-heard third and final single.

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CRZR 1008LP

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17.00
Tracklist: 

Side 1
1. Funky Makossa
2. Tell Me My Life
3. Dear Doctor
Side 2
1. No One Else (But Me)
2. We're Makin' A Hell
3. If You Love Your Neighbout You No Go Die
4. Sweet Rock Town

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Non
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Bafana Bafana

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ATFA 027

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32.00
Tracklist: 

Side 1
1. Bafana Bafana
2. Isidakwa
3. Via Botswana
4. Leave Me Alone
Side 2
1. Kancane Kancane
2. Release Me
3. Zama Zama
4. Don't Say You Love Me

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Digital Zandoli Vol.2

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The follow up of the acclaimed first volume of this compilation, a real discovery for many DJs and music lovers worldwide who didn’t know that much about Zouk or DIY electronic music of the french west indies.The selectors Julien Achard and Nicolas Skliris continue the excavation of French Antillas vinyl from the 80’s and the 90’s and for this second volume, they found some really exciting new references which should be soon « classics » on the dancefloors.

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HS 169VL

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23.00
Tracklist: 

Side 1
1. Coco & Fabert - Ban Di Fwan
2. Wach´da - Confrontation (instrumental)
3. Michel Alibo - Pou Jaloux
Side 2
1. Osmose - Melodi
2. Juliane - Blanc E Noir (instrumental)
3. Champagn' - L' Anmou Aw
Side 3
1. Jo Star - Demare Mwen
2. Alex Rosa - Sistem
3. Patrick Nuissier - Pou Qui Ca
Side 4
1. Vik'In - Tension La Ka Monte
2. Joyeux De Cocotier - Pina Colada Coco Loco
3. Djeminay - Sun Plash

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Original
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Africa Is The Future

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Limited edition of 250 copies.

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PARISDJS 091BLACK

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25.00
Tracklist: 

Side 1
1. You No Lie
2. Abandon Property
3. Adjoleru
4. Who Is Who?
Side 2
1. Africa Is The Future
2. Another Man Thing
3. Don't Mind Them
4. My People

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Bian Kou

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Kalita Records release their first in a series of coveted reissues, starting with the three choice cuts from NST Cophie's' 1980 private press Ivory Coast Afro-disco album 'Mon'Da Center'. After moving to Paris in 1976 and having played with other well-known bands such as N'Bamina, Osibisa, and with numerous artists including Jimmy Hyacinthe and Papa Wemba, 'Mon'Da Center' was Ernest's first solo album. Recorded at Studio Caroline in Paris's 20th sector over the space of one week, this self-funded ultra-rare album regularly exchanges hands for eye-watering prices. Pretty much unknown except to the most hardened of diggers, 'Bian Kou', 'E Clolo' and 'Mioukouna' are guaranteed to set any dance floor alight, with hypnotic Afro-disco grooves, killer drums and angelic female vocals.

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KALITA 12001

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16.00
Tracklist: 

Side 1
1. Bian Kou
2. E Clolo
Side 2
1. Mioukouna

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Original
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Say You Love Me

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Say You Love Me wasn’t “Om” Alec Khaoli’s first solo recording but the 1985 EP solidified the bass player and songwriter’s standing as one of South Africa’s most consistently innovative pop auteurs. He built a career on ubiquitous rock, pop and soul hits with groundbreaking bands like the Beaters, Harari and Umoja. But Khaoli’s seemingly endless fountain of music continued outside these ensembles, where he usually played bass and contributed songwriting and vocals.Khaoli released several successful solo works while he made records with Umoja and worked on other productions with friends. This creativity was aided by Khaoli’s own recording studio. He was the first South African to have a privately-owned studio. As black artists were forced to record during lunch breaks and didn’t get sufficient access and time in the white-owned studios, having his studio allowed Khaoli to develop in his own way. Hence his productive output during the 80’s and early 90’s, releasing 5 LPs with Umoja and 5 solo LPs, along with numerous singles and EPs.There’s something broad and dynamic about the almost epic pop sound Khaoli creates on Say You Love Me. Being the first South African to take control his recording process and thereby free himself from one of apartheid’s many strictures, he took his vision of music to new realms and made timeless music for the dance floor in the process.

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ATFA 026LP

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22.00
Tracklist: 

Side 1
1. Say You Love Me
2. Make Me Your Lover
Side 2
1. Crosslines
2. Enjoy It

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Inye

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Deluxe LPAfro funk and Political Soul from Togo.Recorded in the beginning of the 80's and self-produced by Itadi in 1983 , this obscure album contained deep soul and controversial rare grooves backed by the 5 band members called the “Afro Funk Band de Lomé”.Itadi's music is unique, in his second album, he kept the same recipe: a mixture of soul, reggae, hi-life and Funk, with heavy lyrics which sounds like slogans and caused him big trouble after its release. He was obliged to escape the country to USA. A real definition of a revolutionary musician!This deluxe LP contains also two unreleased tracks, interview, and photos and was fully licensed with his family.Remastered by Frank Merritt at Carvery Studio.

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HC 52

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22.00
Tracklist: 

Side 1
1. Inye
2. Hustle
3. Ye Ye Ye
Side 2
1. Africa Is Hot
2. Why? Why?
3. Agamimi
4. Inye (7" version)

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De Bonaberi À Douala

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40 years after the original release, Nanga boko Records is very proud to present you the official reissue of the first album from the Cameroonian musician Nkotti Francois and his band, « The Black Styl ».High quality remastered sound.Reissued by Armand de Preseau.Transfert, Restoration & Mastering : Baptiste Bataut at "Vrai Son"Sleeve Restoration and Inner Sleeve Design : Eazy-NiLinner Notes : Armand de Preseau & Guillaume Le ClercA very detailled biography in both English and French langages with exclusive pictures come with the record, for a better comprehension of the work of the musician.Each vinyl includes a voucher to download the album in a HD digital format for free.Available in LP vinyl record and HQ digital format.Approuved by the artist himself, 100 % legit, all 8 tracks are under exclusive license of Nanga Boko Records.Limited edition.A l’occasion des 40 ans de la date de sortie de l’album original, Nanga boko Records est fier de vous présenter la réédition officielle du premier album de l’artiste Camerounais Nkotti François et de son groupe, « Les Black Styl ».L’ensemble des morceaux de l’album a été soigneusement re-masterisé, dans le souci d’apporter aux auditeurs un son de très haute qualité.Réédité par Armand de PreseauTransfert, Restoration des pistes d'origine & Mastering : Baptiste Bataut at "Vrai Son"Restoration de la Pochette et Création du Livret : Eazy-NiBiographie et Notes du Livret : Armand de Preseau & Guillaume Le ClercUne biographie détaillée de l’artiste en anglais et en français ainsi que des photos inédites du groupe accompagnent le disque, pour une plus grande compréhension et appréciation de l’œuvre du musicien.Chaque disque vinyle est accompagné d’une carte de téléchargement permettant de télécharger l’album en haute qualité audio.Disponible au format vinyle 33 tours et en téléchargement en haute qualité audio !Réédition approuvée par l’artiste lui-même !Edition limitée.L’ensemble des 8 titres de l’album est sous la licence exclusive de Nanga boko Records.

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NBK 001

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25.00
Tracklist: 

Side 1
1. Ndola Njomba Bodi Mba Da Monjo Na Mbundo
2. O Mende Wele
3. O Ma Dia Mba Nuwe Nola
4. Loko La Mboa
Side 2
1. Natiki O Mundi Nwa Bato
2. Bikwae Bigam Bima Nuse
3. Bino Senga
4. Muboledi

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Mulatu Of Ethiopia

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Strut present the first official reissue of a landmark album in the field of African music , Mulatu Astatke’s ‘Mulatu Of Ethiopia’ from 1972. Recorded in New York , the album arrived at a time when Astatke had begun to master the delicate fusion of styles needed to create Ethio jazz. “I left the UK for America and studied at Berklee College in Boston. I learnt the technical aspects of jazz and gained a beautiful understanding of many different types of music. That’s where I got my tools. Berklee really shook me up.”Journeying regularly to the Big Apple to play and watch live shows at the Cheetah , the Palladium and the Village Gate, Astatke met producer Gil Snapper on the circuit. “Gil was a nice and very interesting guy. He produced music and worked with all kinds of musicians.” The meeting would lead to a series of albums on Snapper’s Worthy label. The first , ‘Afro Latin Soul’ , documented Astatke’s new-found directions. “Mulatu has created a new sound , ” enthused Snapper on the album jacket. “He has taken the ancient five-tone scales of Asia and Africa and woven them into something unique and exciting, a mixture of three cultures , Ethiopian, Puerto Rican and American.”A second volume of ‘Afro Latin Soul’ followed before Astatke began to hone his sound further , infusing funk and cultural influences into the mix. Returning to a downtown Manhattan studio with Snapper and working with some of the city’s top young jazz and latin session players, ‘Mulatu Of Ethiopia’ began to take shape. “We rehearsed for 3-4 weeks” remembers Astatke. “it took them a while to get the right feeling in the music.” The resultant album represented the first fully formed document of Astatke’s trademark Ethio jazz sound. It features ‘Kulunmanqueleshi’, ‘Dewel’ , and ‘Kasalefku-Hulu’ , tracks that Mulatu would return to regularly on singles and in live shows , the Ethio-Latin workout ‘Chifara’ and the self-titled groover ‘Mulatu’ (“I wanted to make a track for... myself!”). This definitive reissue of the album comes in a limited edition 3LP 6-panel gatefold set featuring the stereo album master , a pre-mix mono master and a selection of outtakes from the sessions , giving the listener rare access to the DNA of the studio process. Also available are standard 1CD and 1LP formats. All formats feature a new interview with Mulatu Astatke and rare photos.- 3LP 6-PANEL GATEFOLD with DOWNLOAD CARD- First ever official reissue of Mulatu Astatke classic from 1972- Remastered by Carvery Cuts from original reel to reel tapes- Limited edition 3LP features unreleased mono version of album + exclusive out-takes from the studio sessions- All formats include rare photos and a new interview with Mulatu Astatke- All formats include full original Worthy Records artwork

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STRUT 129LPB

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38.00
Tracklist: 

Side 1
1. Mulatu
2. Mascaram Setaba
3. Dewel
Side 2
1. Kulunmanqueleshi
2. Kasalefkut-Hulu
3. Munaye
4. Chifara
Side 3
1. Mulatu (mono album mix)
2. Mascaram Setaba (mono album mix)
3. Dewel (mono album mix)
Side 4
1. Kulunmanqueleshi (mono album mix)
2. Kasalefkut-Hulu (mono album mix)
3. Munaye (mono album mix)
4. Chifara (mono album mix)
Side 5
1. Munaye (take 1)
2. Mascaram Sebata (take 1)
3. Mascaram Sebata (take 2)
4. Mascaram Sebata (take 3)
Side 6
1. Kulunmanqueleshi (take 1)
2. Kulunmanqueleshi (take 2)
3. Kulunmanqueleshi (take 4)
4. Kasalefkut-Hulu (take 1)
5. Kasalefkut-Hulu (take 2)

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Non
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Original
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Oté Maloya - The Birth Of Electric Maloya On Reunion Island 1975-1986

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Strut present a brand new compilation documenting the groundbreaking maloya scene on Réunion Island from the mid-‘70s, as Western instrumentation joined traditional Malagasy, African and Indian acoustic instruments to spark a whole era of new fusions and creativity. Compiled by Réunionese DJ duo La Basse Tropicale, ‘Oté Maloya’ follows up last year’s acclaimed ‘Soul Sok Séga’ release on Strut.Traditional maloya, originally called “séga”, described the songs, music and dances of slaves on the sugar plantations of Réunion Island in the 17th Century – maloya ceremonies paid tribute to ancestors and mediated between the living and the dead. The music and culture began to be more widely accepted by Réunionese society from the 1930s as folklorist Georges Fourcade began to play maloya songs. By the ‘50s, maloya tracks were appearing on 78rpm releases and, in the ‘60s, it was used as a form of cultural protest music.In the mid-‘70s, a new generation began exploring new directions in the music, using Créole language, many were self-taught and learned their craft in 1960s dance band “orchestres”. André Chan-Kam-Shu’s Studio Royal in the south of the island became the main hub for experimentation and collaboration. Most notably, the band Caméléon honed their sound here – with maloya legends Alain Peters and vocalist Hervé Imare involved, Caméléon became the leading collective on the scene, using poetic lyrics and creating their own potent fusion of maloya, jazz and psychedelia. ‘Oté Maloya’ tells the story of this fertile period in Réunion Island music for the first time and features the full spectrum of maloya styles. From Caméléon’s genius to the teenage Michou’s classic ‘Maloya Ton Tisane’, Daniel Sandié’s breakbeat sleeper ‘Défoule 3e Age’ and more traditional styles from Maxime Lahope and Pierrot Vidot, this is an essential trip through a lost era of Indian Ocean blues and soul. ‘Oté Maloya’ is released with an extensive booklet on CD and LP featuring a history of maloya by Nathalie Valentine Legros of 7 Lames Lamer. All tracks are fully remastered by The Carvery.- 12” INSERT BOOKLET 12pp - First ever international compilation of 1970s maloya scene on Réunion Island- Includes extensive sleeve notes tracing the history of the culture across four centuries- DJ support from Gilles Peterson, Lauren Laverne, Mr Scruff and more- Essential follow up to Strut compilation ‘Soul Sok Séga’

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STRUT 151LP

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35.00
Tracklist: 

Side 1
1. Cameleon - La Rosee Si Feuilles Songes
2. Michou - Maloya Ton Tisane
3. Jean Claude Viadere - Moin La Pas Fait Tout Sel
4. Daniel Sandie - Defoule 3e Age
5. Cormoran Group - P'tit Femme Mon Gate
Side 2
1. Marie Helen Et Ses Creol's - Sega Le Sport
2. Francoise Guimbert - Tantine Zaza
3. Vivi - Toe Meme Maloya
4. Pierrot Vidot - Commandeur
5. Herve Imare - Mele-Mele Pas Toue P'tit Pierre
Side 3
1. Groupe Dago - Reveil Creole
2. Ti Fock - Se Pi Bodie
3. Gaby Et Les Soul Men - C'est Le Meme Cadence
4. Vivi - Mi Bord' A Toe
5. Maxime Lahope - Sous Pied D'Camelias
Side 4
1. Gilberte - Serre Serre Pas
2. Gaby Et Les Soul Men - Oh Maloya
3. Herve Imare - Mi Donne A Toue Grand Coeur
4. Carrousel - Ote Maloya

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Non
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Non
Origine: 
Original
Newsletter: 
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