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Mamas Gun are a musically diverse five-piece Soul band fronted by singer/composer/producer Andy Platts. Andy is joined by keyboard player Dave Oliver who's musical education has embraced everything from barbershop singing to French horn and now includes jazz, soul and Cuban playing. Alongside stand out guitarist Terry Lewis who studied music in London and now resides on UK's south coast and who's musical journey has seen him work with legendary Marvin Gaye/Minnie Ripperton/Michael Jackson producer Leon Ware, Lewis Taylor, The Impressions, Jamie Woon, The Valentine Brothers, Jean Carne to name a few.Chris Boot took over the band's drum stool in 2016, bringing with him a career that's taken him everywhere from Abbey Road to Glastonbury and all over the world, with the likes of Lucy Rose & Lone. Bass player Cameron Dawson is the youngest but already an old soul in his musical capability and contributions to the energetic and memorable stage shows that Mamas Gun never fail to deliver. Cameron also performs as one third of the much-respected instrumental jazz trio Vels Trio."This Is The Day" is the soulful band version of the final track from the latest album "Golden Days", available in digital formats and a limited edition 7inch vinyl single.

Double sider from Floating Points thats been making dances shake for the past 6 months.Nuits Sonores was first bounced down on stage during FPs set at the amazing festival of the same name. Nectarines is a slice of 11/4 dance with the sweet voice of Rahel.

The UK's funk brothers are back! After 2 years working hard in their studio in Leeds in the north of England, The Haggis Horns are ready to drop album number 5! "Stand Up For Love" is released worldwide on their own label Haggis Records on the 22nd May on Vinyl, CD and Digital. They should have added a subtitle to it...back to roots! This one has them doing what they've done best from day one...kicking the funk! plus the spotlight is truly on the band - no special guests, just Haggis Horns band members past and present including "Hot Damn!" singer John McCallum who features on seven out of the nine tracks making this their most vocal-led album to date.The Haggis Horns first hit the music scene in 1999 as both a band and brass section, the horns making their first recorded appearance on The New Mastersounds debut album that year. Featuring some of the finest brass and rhythm section players in the UK, Haggis Horns musicians have played live and recorded with a host of major music artists including Mark Ronson, Corinne Bailey Rae, Lou Donaldson, Amy Winehouse, Lily Allen, Martha Reeves, Jamiroquai, John Legend & The Roots, The Cinematic Orchestra, Morcheeba, Roots Manuva, Finley Quaye and Nightmares On Wax.After five singles plus two albums on UK independent label First Word Records, since 2015, they've been releasing their music on their own Haggis Records Label. In 2020 they've expanded the label to include solo jazz albums from band members Malcolm Strachan (trumpet) and George Cooper (keyboards/piano) and also released an EP by soul singer Lucinda Slim but three years after their last full-band release, the time is right for another Haggis Horns album."Stand Up For Love" is their 5th album and as always it drips with funk and soul magic which show the band's love for early/mid 70's artists like Kool & The Gang, Fred Wesley & The JB's, The Blackbyrds, The Fatback Band, The Meters and Sly & The Family Stone. From pure funk club bangers like "Shoulder To Shoulder" and "Haggis Express" to deeper soulful sounds of "Ain't Nothing But Love In The End", "Give It Up" and "Ain't Loving One Another" (which features one of many stand out vocal performances by John McCallum) it's a mix that makes sure all musical bases are covered. Also, original percussionist/conga player Sam Bell is back recording with the band and once again adding some Latin fire to the Haggis Horns sound. There's even a soulful reggae track on this one, the album title song "Stand Up for Love". It's the first time the band has featured a reggae number on a release since their debut back in 2007.Two decades on, numerous releases, hundreds of gigs worldwide, this fifth album proves that The Haggis Horns are still kings of the hill when it comes to UK Funk and Soul.

Lascelle 'Lascelles' Gordon - the driving force behind Vibration Black Finger – astonishes us yet again with a magnificent second album. Once more his inspiration is drawn from the obscure spiritual jazz collectives of the 1970s where he employs a vast array of like-minded collaborators to create a listening experience infused with an ever-present undercurrent of personal expression and cultural empowerment that's as enriched with ideas as it is progressive in its form.Having earned his chops as founding member of the Brand New Heavies, Campag Velocet and Heliocentric World, Lascelle's latest album Can You See What I'm Trying to Say bursts with energy and vivid contrasts, flowing effortlessly between beat-laden grooves, oscillating improvisations, soulful recitations, audio verité and moody atmospherics. The album drops like a post-hip-hop reimagining of foundational genres, with a prayer to the future.''Can You See What I'm Trying to Say' is a quote from Marion Brown, the great alto saxophonist' explains Gordon. 'The album was put together over the last three years, not in the conventional way of going into the recording studio with musicians, but starting from ideas I had on various formats (cassettes, mini disc, DATs & reel to reel). I also used field recordings. I did a lot of home recording with long time musical friends Ben Cowen & Diana Gutkind, some of them going back 20 years. The voices of my nieces (heard on Law of the Universe) were recorded 25 years ago. 'Only in a Dream' and 'Empty Streets' are the only songs that were recorded live in the studio.' 'I was blown away by the New Life Trio 'Empty Streets' (from 1978) and was fascinated by the vocals' continues Lascelles. 'I always thought it would be great to cover this tune'. Such is the power of this song, it's used to open the album, with vocalist Ebony Rose turning in a thoroughly haunting vocal performance. While not a concept album as such, Lascelles has nonetheless conceived and presented Can You See What I'm Trying to Say to be heard as a complete listening experience, with each track blending into the next, resulting in a seamless expression of music.Following 'Empty Streets', some instrumental interludes segue into a dimensional drift of beats, space synths, horns and electronics; there's a vocal reprise of 'Acting For Liberation', sung with gusto by Maggie Nichols, and then there's the album's momentous finale, 'Only In A Dream', which takes off as an ominous drone before a delicious bassline from the late Ken Kambayashi transforms it into an intense, soaring epic which finally descends onto another world.In a career spanning several decades, Lascelle Gordon remains an omnivorous musical force, whether as DJ, collaborator or radio broadcaster. As amply demonstrated on Can You See What I'm Trying to Say, he refuses to rest on his laurels and continues to impress with music that is as rich, vital and contemporary as anything he's done before, covering an incredible amount of musical ground in the process.

Prescription Underground is back for 2020 & beyond.The 1st of Prescription classic reissues, remasters & retakes is one of the original 90's afro house templates in the shape of Indigo tracks's' "Rites of Passage" with remix by label head Ron Trent.

Blue vinyl 7"After a long hiatus, Tokyo-based french producer Dela comes back with Électrique, a new project paying tribute to hip-hop legends André 3000 and Big Boi, known together as OutKast. This new 7inch record includes three tracks of Électrique : Yosky Wosky Pisky Wisky, Dimanche Matin, and the bonus track Cergy.Known for his laid-back, jazz influenced, dreamy rap instrumentals, Dela introduced his music to the world with his Atmosphere Airlines mixtapes and his albums Changes Of Atmosphere (2008) and Translation Lost (2011). A student of Q-Tip, Pete Rock and J-Dilla amongst others, Dela’s work foreshadowed today’s increasively popular lofi hip-hop / chillhop movement.Side A features Yosky Wosky Pisky Wisky, a remix of Stankonia’s classic Humble Mumble, featuring Eykah Badu. Dela changes the mood of the original track, mixing samples and live instrumentation together to turn a salsa-breakbeat groove into a melody infused otherworldly super- funk.On side B, Dela remixes Sole Sunday, a Goodie Mob featuring Outkast track, edited to feature only the two ATLiens and renamed Dimanche Matin. The beat is reminiscent of his early work, layering boom bap drums over a haunting saxophone melody. Also on side B, the bonus cut Cergy turns a Brazilian MPB sample into an ode to Dela’s hometown with the help of live drums, bass, electric keyboards and a few of his friends singing.

Stix Records, a sub-label of Favorite Recordings, is back with some heavy dub cuts from label regular Mato.Starting his reggae production career in 2006, Thomas Blanchot aka Mato has released music through various projects on EDR Records, Big Singles or Makasound... In the meantime he developed a real trademark: t a k i n g o v e r classics French, Hip-Hop, or Pop song, into roots reggae-dub new versions. Besides since 2010, Mato has built a solid reputation thanks to his hot remixes of Hip-Hop classics on Stix Records.Today, Mato is back with another target for his special skills as a tailor of reggae music, this time focusing on classic musical themes from R. Strauss’ "Also Sprach Zarathustra" and Herbie Hancock’s "Maiden Voyage ". It’s a great sensation to hear these melodies turned into superbly crafted Dub monsters. As Mato once said, "Play it loud and burn a chalice!"

Llimited 7" to 300 copies