MINT

2015 RSD item! Recordings from 2004 to 2011 in Los Angeles & London. Now available on vinyl for the very first time! In 2011 Hit+Run released the first beat tape by Kutmah entitled "Closure" [HNR15]. The legendary 12-song album consisted of tracks recorded between 2004 - 2011 in Los Angeles as well as his recently transplanted home of London. The cover art was pulled from his collection of drawings made while in US federal detainment, which was later turned into a traveling art show and accompanying book entitled "Two Soups And A Honeybun". In 2015, after the success of last year's vinyl reissue of Kutmah's "Black Wave Tapes" series, HIT+RUN has decided to press up "Closure" on limited-edition vinyl for the very first time [HNR15LP]. The 20-minute record consists of 9-tracks from the original album, all pressed on 10" opaque red wax, plus housed in a one-of-a-kind screenprinted jacket made by Hit+Run in Los Angeles."

Another bunch of successful edits on the unstoppable TVPC label. It's fourth sampler (and already a seventh record in label history) covers a wide array of exceptional gems, spanning from balearic pop, through electro disco, to slavic soul and disco funk. All tracks come from the late 70's and early 80's Poland and were carefully reworked by some of the finest young producers from the country, keen to pay homage to their musical roots.The A-Side is owned by the young and talented Karol Aleksander, who brings two of his most popular reworks to the table. A1, which clocks around 100 bpm, is an irresistible combination of sportive, yet modest groove with slick, sexy female vocals. A2 on the contrary is a melancholy-filled piece of Balearic house, based on old Polish pop track with addictive piano lines triggering the feeling of nostalgia for something that passed imperceptibly.Italo-fueled dancefloor madness opens the B-Side, curated by Kracow based combo of Unitrax & Radar groups. Four deejays, who usually are affiliated with deeper side of electronic spectrum, play around with rather unusual track lifted from Polish rock group debut album. B2 is handled by Polish house wunderkind Selvy, who closes the record with a touch of classy Indian summer vibes.The most beautiful moments of the short original version are extended with a great effect.All in all another must have in The Very Polish Cut-Outs catalogue!

Limited edition of 300 copies. Wax Museum Records (Australia) is proud to present their sixth label release from Melbourne’s own, Dyl Thomas (Milwaukee Banks/Polo Club/Pang Productions).The beat tape came to life as Dylan explains; “I was one of those kids that grew up on a steady diet of 90's hip-hop. There was something about it, something spiritual, something raw and unfuckwithable. I admired the producers sounds, and how they were all using simular equipment but able to get their own style that was distinct. Pete Rock is just one among many i admired and looked up to.I had been listening to a fair bit of newer music at the time i made this tape. I sat back one day and said ‘you know what, imma go back to basics and make some head nodders’. So i pulled out the MPC 2000XL, listened to a shitload of Pete Rock records and just made like 4 beats a day for like a week, and this is what came out of those sessions, raw loops and beats taking inspiration from Pete's music. The result is a 12 track beat tape of original soul sampled productions by Dyl. His montage to the one and only Pete Rock. Originally set for a digital release, once we heard the full tape we had to put it on wax!

TLIM SHUG, a new artist dwelling in cassette tape sounds, 303 drums, and thick pads, he doesn't fail to deliver atmosphere and capture just the right feel with his tracks. With a unique name and even more unique sound, this is an artist you should definitely keep your eye on.

RED COLOR (97/116)This is a numbered & screenprinting limited edition release of 350 copies, each of them unique in color (3 series signed by the artist, 98/98, 116/116 and 54 unsigned promo copies).