2017

Garrett came from the inside of his own mind, from within a home recording studio somewhere on planet Earth. The Private Life of creative awareness and the music captured here is the visceral offering to all outside. Every one of us has a Private Life. This is Garrett’s...

The 3rd part in the Humans Drums & Machines Trilogy by house master Ron Trent!

Sometimes you have to put out a recdord for yourself. I first heard the East of Underground LP from Malcom Catto in the Jazzman Records office in around 2000, after a couple of years i managed to pick one up for $100 from a soundtrack dealer who did not know what he had. Now there is a few bangers on the LP but i have always thought is was the ballads that deserve the shine, so after a chat with Egon at Now-Again i managed to sort out putting my two favorites on 45 for that end of the night slowy. hopeflly a few of you will enjoy this one also.

Letherette step back up with a new release on their own imprint Wulf records with EP4. Letherette has released music on labels Ho-Tep and more recently Ninja Tune, but after starting their own label Wulf at the end of last year have already released EP's 1,2,3, Brown lounge Vol 3 and now EP4.Letherettes signature chops can be heard throughout EP4 from the disco cuts of Flowatch to the piano slices of Feel It. All mastered to cassette this EP centres around the dance floor but stays true to Letherettes sound and melodies.

A sublime slice of boogie-funk, Alec Mansion has steadily gained the status of a "crate-digging classic". Accordingly, it has been near-impossible to unearth a physical copy in good condition for many years. Be With is delighted to present the first ever vinyl reissue, remastered in time to grace the discerning terraces and boat parties of the coming summer months.Originally released in 1983, the LP arrived with impeccable credentials; programming duties were handled by Dan Lacksman (the brains behind Telex, the "Belgian Kraftwerk") whilst production came from Marc Moulin (of jazz-rock fusion heroes Placebo). At the time its merits were mainly praised by radio and studio heads. Today, Mansion's masterpiece is lauded by boogie aficionados from Liege to Los Angeles.It was during a stay in Chicago that the Belgian took inspiration from the communal spirit and sheer power of black American funk. In a recent interview with Vice's Noisey, Mansion cited The Whispers, Prince and Chic as key touchstones in his quest for his desired sound. Upon finessing his idiosyncratic European style of funk for his self-titled sophomore LP, Mansion flirted with perfection.Showcasing a staggering run of instant (non)-hits, this sonically stunning album can be viewed as both of its time and, yet, aeons ahead of it.Amongst the myriad highlights, "Ou Es-Tu" recalls neck-breaking G-Funk roughly a decade before it was ubiquitous. Its swagger conjures the fantasy sound of Dam-Funk producing fellow Francophone masters Phoenix, circa United; all buzzing synths and snapping drums underpinning vocals that ooze European style.The glorious synth-workout "Dans L'eau De Nice" boasts an inordinate amount of instrumental flourishes. Augmented by Mansion's vocal class, it still feels tight and perfectly formed like all timeless pop music, and it has since become infamous as a joyous end-of-night singalong hit for house parties.The startlingly confident "Marche" borders on the arrogant; its sun-drenched cool inviting both awe and irresistible movement. "Quand Je Serai Grand" blasts lazer-guided synth washes over an undeniable groove that would've made Nile Rodgers swoon as he prepped Like A Virgin.The acid squelch that propels the strutting "Laid, Bête, Et Méchant" delivers infectious bounce with enviable abandon whilst the fantastically wonky "Trop Triste" garnered renewed attention after featuring on Zaltan's beloved Quartier Choc mixtape.On the rare occasions it appears on the secondary market, it commands eye-watering figures. A record that has eluded even the most seasoned of vinyl freaks, this officially licensed reissue enables a wider audience to now discover its undoubted genius. Dovetailing neatly with the recent interest in forgotten boogie and obscure Euro-pop, this timely reappearance of a certified lost treasure is sure to be one of the summer's essential releases.As sophisticated and multi-layered as the best of the genre, this is highly recommended if you dig for analogue boogie/synth-funk as well as the more leftfield elements of slick 80s pop. The original artwork of both jacket and sumptuous, full-colour inner sleeve has been faithfully restored; the latter featuring Mansion's memorable lyrics emblazoned across the pleasing jazzy early 80s design. Sonically, Simon Francis' deft mastering adds clarity and muscle throughout and, as ever, it has been pressed at a reassuringly weighty 180g.

Charging from the stables, Royal Athlete is back with another collection of atomic dancefloor weapons. Taking tracks from somewhere between Europe and as far as Japan, we present five brand new stormers to celebrate our 5th release. Berlin'sPrivate Agenda, bring us their Hi-Fi-NRG productions, dripping with melancholy and sweat, swiftly followed by the one man bassmachine Sven Atterton, who's slap n' Linndrum workout is serious funk for the heads. Heading up the B-side, Liquid Pegasus serves up a piano n bass led boogie banger for peak time wish fulfilment joined by the return of Rick Wreck, who's Heartache 2 Heartbreak brews a quiet storm for the lovers. Finishing up is Berlin's I Am The Other Guy, more piano, a solid bass groove and a certified disco winner. All tracks mastered by Tim Xavier at Man Made Mastering Berlin

Clave House debuts with 4 cuts of laid back Midwest grooves. Appian kicks things off with 'For Warm Weather Pt2', a breezy melodic summertime anthem. Gerald Norton answers with 'Wilbert Cobbs' in his usual hypnotic low-slung style. Segv starts off the B-side with sub-120bpm dub echo chugger 'Uhxhxh', and is rounded out by jazzy rumble 'Pitchblack' from Minneapolis mainstay Berndt.

Banoffee Pies Records launches its first white label to date, and it's a three-pronged collaboration by new and exciting faces in the scene. First up is Philou Louzolo and his excellent ''Afrofuturism Dance'', a solid house jerker with lively tribal influences, folloed siftly by Wendel Sield and his moodier, jazzier piece entitled ''History Of Black People''. On the flip, Huntleys & Palmers MMT proceeds to drop some Gipsy King house in the form of ''Ton A Ton'', backed by the more funky disco shades of ''Pangae Flute''. Nice and diverse for ya!