LP

Hand-numbered LP limited to 300Yan Tregger can be considered as one of those composers and instrumentalists who have successfully explored various musical styles during their career, a true experimentalist with a motley repertoire, including Pop, Soul, Jazz, Rock, and even Disco, he remains a must-have for connoisseurs. From the 1960s to the present day, whether as a composer, arranger or conductor, he is the author of more than 25 albums intended for the library music. This reissue of CATCHY, allows the listener to rediscover musical moments from an era full of inventiveness. A spirit of creativity very hard to match again today...

BACK IN STOCK !!!!

Discover Le Deltaplane, fifth album by Andre Solomko, and third produced on Favorite Recordings, pursuing a collaboration that started more than 5 years ago. Born in Ukraine in 1965 and now based in Finland, Andre Solomko is primarily a rich and engaging personality, but above all, a brilliant saxophonist, composer and engineer, whose contagious passion cannot leave anyone indifferent. Between 2012 and 2014, he and Favorite Recordings released 2 albums, Où es-tu maintenant ? and Le Polaroid, hailed by many tastemakers and meeting notable success in Japan. Following Le Premier Disco Sans Toi, an acclaimed single unveiling two new compositions with Disco flavors, Andre Solomko and Favorite Recordings also proudly present Le Deltaplane. Fully composed and arranged by Andre Solomko, the 6 tracks of the album are deeply infused with his longtime passion for Jazz-Funk and Movie-Soundtracks, this time also injecting more influences from WestCoast and Modern-Soul music. Andre Solomko, an artist who spreads love like in the good old days!

Minimalistic funk and boogie disco jams by Mystic Jungle.

Unreleased early Algerian synth electronic by Ahmed Malek, compiled and co-produced by Flako. In the early 1980s, Ahmed Malek was already in his 50s , when he discovered synthesizers and electronic music for himself and started to experiment with sounds. The result was a mixture of ambient synth music, field recordings he made in Cuba and a wide variation of different sound experiments that he also presented as different avanguarde music festivals in Cuba and the US. None of it was ever released but we got a huge box of master tapes from his family and we're happy to present this different side of Ahmed Malek's music. It was compiled and co-produced by Flako, a fan of early electronic and synth music. This is not a remix album though, Flako's aim was to create an album out of 2 hours of material that sounds like it might have if Mr. Malek would have finished it himself before of his death. Fully approved and licensed from the artists family.The album comes with an informative booklet with liner notes, an interview with Flako regarding his approach towards the production and unseen photos. We will also release a third album by Ahmed Malek which will be more in the vein again of the music he is known for and this album will also be previously unreleased.

Al Massrieen: Disco, Funk and modernized Arabic Pop from Egypt! In the beginning of Habibi Funk, our search was focussed on vinyl records. Around a year ago though, we got to the point where we realized that it became substantially harder to discover music, that we enjoyed and hadn't heard before. It became apparent that it was time to start looking for other formats. Cassette tapes were the obvious alternative. These were introduced in the arabic world around the late 1970s.In some countries they took over a bit earlier, in others a bit later, but eventually they pushed the vinyl format out of the market in the 1980s. In Egypt this trend already even started in the late 1970s. Al Massrieen was one of the first bands I learned about once I discovered the tape format for myself. They were really popular in Egypt in the 1970s and the more of their music I found on either tapes or Arabic pirate mp3 sites, the more I was becoming a fan. Only very few bands from the region can match the band’s versatility as well as their strive for innovation. Hany Shenoda is the man behind the Al Massrieen band. He is a reknown figure of the Egyptian music scene and has worked with everyone from Abdel Halim Hafez to Mohamed Mounir. Al Massrieen was his attempt to introduce his ideas of modernizing Egyptian music, heavily encouraged by Naguib Mahfouz (Egypt's only winner of the Nobel Price for literature) after discussing his ideas with him. Al Massrieen's sound goes from lush disco like “Sah” to psych rock like “Horreya” or incredible jazz fused pop on songs such as “Edba Mn Gded”. I was shocked to realize the band seemed to be hardly known outside Egypt, even though I feel they're at least on the same level as Ahmed Fakroun. An relative obscurity which I largely attribute to the fact that their releases never have been pressed on vinyl (apart from a Greece best of LP which wasn’t a strong compilation of the group’s songs). One way or another it felt like this band and especially their composer, band leader and overall brain Hany Shenoda was in need to get some recognition outside of Egypt. The release is fully licensed from the band and comes with an extensive booklet with liner notes, interviews and unseen photos.

The 81-year-old composer, arranger, guitarist and vocalist Ebo Taylor has been a key figure in the evolving afro-funk sound since the Seventies, working with the likes of Apagya Show Band, CK Mann and Pat Thomas. Here he returns with new studio album 'Yen Ara'! . Listen to Yen Ara and you will not only hear the high-energy afrobeat, sweet highlife, jazz and konkoma influences that he’s famous for. There is also a disco pulse and hard-hitting percussive edge to the tracks, which were produced by Justin Adams (Tinariwen, Rachid Taha, Robert Plant) and recorded in the live room at Electric Monkey Studio in Amsterdam. An Ebo Taylor for these times, you might say.His group, the Saltpond City Band, are all handpicked local musicians featuring two of his sons. An appropriate line-up on an album whose titles means “we”. And they are on fine form, ripping through tracks such as ‘Krumandey’ and ‘Mind Your Own Business’ (a simple message delivered over a frenetic drum rhythm).Elsewhere, ‘Aboa Kyirbin’ will please fans of tough afrobeat grooves, while Taylor could well be inciting a riot at his next gig with ‘Mumudey Mumudey’, We hear him calling for ‘preshaaah’ and leading us into a call and response as the trumpet takes us higher. And the lift of those horns on ‘Ankoma'm’ evokes some of his finest work such as ‘Love & Death’ and ‘Come Along’