LP

Transversales is a French label based in Paris founded by Sebastien Rosat & Jonathan Fitoussi. Transversales is specialised in the reissues of long lost tapes, rare original soundtracks and library. This first release is the original soundtrack of the film Rock, composed in 1982 by Bernard Parmegiani (1927-2013). A major figure of Electro Acoustic music and member of the historic GRM (Groupe de Recherches Musicales) where he composed an important work of concert, among which is the masterpiece: De Natura Sonorum.

First ever LP reissue of this timeless masterpiece by Philippe Sarde, the most versatile and talented French film composer. Les choses de la vie, an outstanding score which offers both the wonderful “Chanson d'Hélène” and most of the musical features which appeared later in Philippe Sarde's musical career : Nostalgia, melancholy, experiment and sound discord. Les choses de la vie is the film which confirms Sautet as a genuine author and Philippe Sarde as a rising composer. This is also the start of a long partnership that spanned twenty-five years and eleven films.

After a first year of activity with 3 beautiful single reissues, SOL DISCOS presents its first album, with the compilation Message In Our Music, selected by WAXIST. Focusing on Modern-Soul genre, the selection ranges from 1977 to 1983 and gathers a nice selection of independent and private press records, all officially licensed.From the David Nathan‘s downtempo previously unreleased version of « Ain’t Nothing Like The Love », to the beautiful Glen Missick‘s gospel dancer « Message In Our Music », the album aims at providing to the listener a glimpse of the wide spectrum of productions that exist in this musical genre.Some of these beauties are officially reissued on vinyl for the very first time, including some highly sought after records such as « Deep Inside Of You » by The Harden Brothers, « My Dream » by Harvell Guiton, or « Love With Me » by Don Scott.The album has been fully remastered by The Carvery in the UK, and features liner notes for each of the songs, plus exclusive pictures provided by the involved artists & producers.

A lynchpin in South Africa's new generation of jazz musicians, KwaZulu-Natal-born guitarist and vocalist Sibusile Xaba has all the makings of an acoustic guitar master. With a vocal style that is part dreamscaping and part ancestral invocation, Xaba divines as opposed to plainly singing. Combined with a guitar style that is rooted in expressive picking, Xaba's music shatters the confines of genre, taking only the fundamentals from mentors such as Madala Kunene and Dr Philip Tabane and imbuing these with a mythology and improvisational intensity all of his own.'Open Letter to Adoniah' is an album reverent of life and its connectedness to a higher source. The music emanates from dreams revealed to guitarist Sibusile Xaba over consecutive days. With percussionists Thabang Tabane and Moahanganai Magagula, the trio coalesces both geographic and spiritual influences, hinting at Maskandi (a music style dominant in Xaba’s native KwaZulu-Natal) and the improvisational culture of South Africa's jazz avant garde. Collectively, the musicians remold these influences, situating them within rhythms that span the continent. Thabang Tabane’s influence over the project gives it a spiritual sensibility allusive to the Malombo Music his father, Dr Philip Tabane, originated in the late 1960s.Mushroom Hour Half Hour is a Johannesburg based, independent record label and mobile recording studio that unearths and records unique music from the African continent. Xaba's debut project is Mushroom Hour's first international release. The second will be the eagerly awaited debut album of Thabang Tabane in September 2017.

Things are happening. It’s a perpetual truth and something of a mysterious, even ominous, sentiment as it applies to XL Middleton’s follow up to “Tap Water.” Fittingly, the content of “Things Are Happening” strays down darker or more cynical paths than its predecessor, and in doing so takes the modern funk ethos as a whole beyond tried and true formulas such as love songs or spiritual anthems. The grooves remain uptempo, the synth work is still warm and percussive. But, there’s a heavier story to tell, and greater truths to face. The album opens with the uptempo, lowrider-ready “Never Have Too Many Freaks.” Upon frst glance it’s a hedonistic ode to maintaining multitudes of willing women for carnal conquest, but further listens reveal the story of a man in search of love, let down too many times and thus led away from the pursuit of romance. “Look Who’s Talkin’” details the strenous nature of socializing as an introvert, with tongue-in-cheek lyrics seated atop a warbly electro-funk instrumental. This theme is explored again, in a more introspective fashion, on the album’s closer, “They Don’t Wanna Leave.” On “Better Friend” (feat. Moniquea), XL plays witness to those who would invade social circles for personal gain - an all too common sight in the music business, perhaps foreshadowing a future hip hop album by dropping a few bars before the song sizzles to a close. Him and Zackey Force Funk team up on “Paradise Of Pavement,” an anthem for the highs and lows of living in LA, framed by cosmic chords and grinding synth bass tones. “Purple Sheets” resonates with a slow Linn drum bounce as XL’s vocoder fnally offers a moment of unbridled love/lust, adding a dimension to the album more akin to “Tap Water” than anything else on the project. Some might argue that the internalized nature of “Things Are Happening” is badly timed, with the hyper-politicized environment we are now living in almost demanding social commentary in art above all else. However, this album is a reminder that, no matter who the president is or what global woes we are facing, we also exist outside of the collective mind and have our own individual stories to tell.

LP limited to 300 copies

Released in 1974, Téo Azevedo’s first album Grito Selvagem (“Wild Shout”) is an irresistible blend of soul and rock with an unmistakable Brazilian character.As many other lost gems of time past, the album found little commercial success, and still during the 70s Téo turned forever to the true Brazilian popular music – the forró, the roots of sertanejo and the rhythms and traditions of Brazil’s often forgotten countryside – becoming, from then on, a genuine cultural reference in Brazil not only as musician and composer, but also as a poet and researcher of popular folklore, being awarded the Grammy Latino prize in 2013.This career turn also contributed to push “Grito Selvagem” onto the dusty and forgetful shelves of time, until its rediscovery in recent years by DJs and record collectors. With lyrics reminiscent of the life in the city and the countryside, the album is one of Brazil’s forgotten treasures, with arrangements and production by Téo in partnership with maestro Daniel Salinas – producer / arranger very active in the Jovem Guarda movement, and known to collectors for his 1973 album Atlantis-, ten tracks which deliver the unmistakable groove you’ll only find in Brazilian records from the 70s. If you like Luiz Gonzaga, Tim Maia, Jackson do Pandeiro or Gilberto Gil, get ready to hear Téo Azevedo and his Grito Selvagem!