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Gaston

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Fantastic reissue of the super hot and in demand soulful eighties funk bomb ‘Gaston’ on original collectable Chocolate Cholly’s label. Atlanta funkateers Gaston, aka ‘The Pied Piper of Funkingham’, released this gem back in 1982 and it’s been highly sought after by collectors ever since. Every track here is awesome with incredible tight funky grooves and sweet soulful vocals. Standouts include the floor filling party starters ‘Broken Record’, ‘We Come To Take Control’ & ‘Mind Sticker’ as well as killer slow jams ‘Love Is Gonna Get You’ & ‘You Don’t Love Me’. Essential!

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CC 4

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20.00
Tracklist: 

Side 1
1. Mind Sticker
2. You Don't Love Me
3. Broken Record
4. You Turn Me On
Side 2
1. Benny Hill
2. Here A Funk, There A Funk, Everywhere A Funk Funk
3. Love Is Gonna Getcha
4. We Come To Take Control

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Non
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Non
Origine: 
Re-Issue
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The Love Up Beat Down

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Fresh off Son Of Sound releases on Delusions Of Grandeur and Local Talk, New York based Henry Maldonado is back on his District 30 label with Son Of Sound 05 / The Love Up Beat Down. This 3-tracker features something for everyone, as Jackin' House, Disco-Chug and even Detroit Techno are well represented.Kicking things off on side A is 'Bout Love Again, an adrenalin induced shot of disco house served up the old fashioned New York way. MPC style loops, chop-ups and breakdowns give a nod to the '90s House 2 House style tracks Henry produced on Strictly Rhythm. Not falling too far from that tree is the disco-house chugger Need Each Other.Rhodes chords accompany a bed of sliced-up New York Disco, for an infectious groove that will defnitely keep that 120BPM momentum.Lastly we round out this EP with Infuence Is Bliss. This one will defnitely appeal to lovers of Detroit Techno and House alike.Pounding drums, 16th note ride cymbals, arpeggiated synth lines and ghostly soulful chord progressions effectively distract you from the fact this track doesn't even have a bassline.

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DIST 005

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13.00
Tracklist: 

Side 1
1. 'Bout Love Again
Side 2
1. Need Each Other
2. Influence Is Bliss

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Non
Origine: 
Original
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Non
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Eli Escobar Edits

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RNT 022

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13.00
Tracklist: 

Side 1
1. Bullfight Of Love
2. Everybody
Side 2
1. The Music
2. Seven Eleven

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Non
Origine: 
Original
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Ron Bacardi Edits

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Ron Bacardi joins RNT with a 4-track inferno of disco edit heat! The A-side races out of the gate with the galloping 'Back For More,' followed by the soulful bounce of 'Circles,' which loops a gritty guitar-driven hook to perfection. The B side kicks off with 'Music Play,' an easy-breezy synth-string, electric piano, and horn-laden affair. Swirling percussion and soaring falsettos take us home on 'Never Dance,'but don't get it twisted: with Señor Bacardi at the controls, dance you WILL!

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RNT 024

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13.00
Tracklist: 

Side 1
1. Back For More
2. Circles
Side 2
1. Let The Music Play
2. Never Used To Dance

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Non
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Non
Origine: 
Original
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Non
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Just One EP

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RNT Reserve debuts new project Body Music a collab between Bosq (Whiskey Barons) and Vito Roccoforte (Vito &Druzzi / The Rapture),with a 4-tracker of all-original deep disco flavor. Kicking things off is the title track, a pulsating indie dance stomper that features the magical vocals of Christian Holiday, then gets a chugging makeover from deep house don Lay-Far. The flip side starts off mellow with "Get It Baby," building toward a percussive crescendo, followed by a classic disco rework by French producer extraordinaire Patchworks.

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RNTR 016

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14.00
Tracklist: 

Side 1
1. Just One
2. Just One (Lay Far remix)
Side 2
1. Get It Baby (Drum mix)
2. Get It Baby (Patchworks remix)

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Non
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Original
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Non
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Feel This Way EP

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KLRLTD 022

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13.00
Tracklist: 

Side 1
1. Feel This Way
2. Party Train
Side 2
1. Acid Indie Club
2. Sundown

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Non
Origine: 
Original
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The Point EP

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SR 12898

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13.00
Tracklist: 

Side 1
1. Moody
2. After That
Side 2
1. With It
2. The Point

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Non
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Original
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Poulo Warali

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Awa Poulo is a singer of Peulh origin from Dilly commune, Mali, near the border with Mauritania. Largely pastoral and often nomadic, Peulh- (or Fula-)speaking peoples are found from Senegal to Ethiopia but predominate in the Sahel region of West Africa.Awesome Tapes From Africa releases Poulo's newest recording of highly virtuosic folk-pop, fresh from the studio, broadcasting her vision of Peulh music beyond the grazing grounds and central markets of her remote home region in southwestern Mali. It's not very common to find a female singer performing publicly among the Peulh. But Poulo's mother's co-wife is Inna Baba Coulibaly, who is a celebrated singer most Malian music fans know. Coulibaly herself was brought into music by forces outside her control when a regional music contest required an entry from her village and she was chosen to be a singer. So, set in motion by a surprising series of events, young Poulo's entree into the music world was auspic ious as she gained popularity across the region. After several locally released tapes and CDs, this record is Poulo's first internationally-distributed record. On Poulo Warali, she and her band combine the hallmarks of Peulh music—warm flute floating over cross-rhythmic n’goni (lute) riffs and resonant calabash gourd hand percussion—with broader Malian sounds like lightly-distorted guitar and a heavier, rollicking inertia. Shapeshifting layers of rhythm and woody overtones match Poulo’s commanding voice in a jocular yet deliberate dance. This is a relatively rare example of Malian Peulh music played in a modern, cosmopolitan context, reflecting the mixed society of Dilly, where Bambara, Soninke and Peulh-speaking people live among each other. Poulo’s conscious lyrics about community concerns speak to the distinctive identity of her broadly-flung people. While Peulh represents less than 10% of Mali’s melting pot of languages, the dynamic music here powerfully resonates well beyond the linguistic borders

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ATFA 024

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33.00
Tracklist: 

Side 1
1. Dimo Yaou Tata (feat Afel Bocoum)
2. Djulau
3. Djara Wilam
4. Mido Yirima
Side 2
1. Noumou Foli
2. Poulo Hoto Ngari
3. Poulo Warali
4. Sidy Modibo

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Original
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Erasmo Carlos E Os Tremendoes

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Erasmo Carlos E Os Tremendões is greater than the sum of its pop-rock spitballs. It’s a creative, and at times experimental and groundbreaking album that remains a thrilling listen.Erasmo Carlos has no counterpart in the universe of Anglophone pop music that could begin to hint at his relevance, popularity and his complex relationship with the only Brazilian pop star more universally recognized than himself, Roberto Carlos. He may be a beloved pop star and household name in Brazil, but hardly because of the music found on the three albums reissued by Light In The Attic. While in retrospect they can be appreciated as some of his most creative, consistent and personal albums, they were also some of the least commercially successful and underappreciated of his long career, at least until recently. Embracing the artistic freedom of the global counterculture of the late sixties and early seventies, over the course of these three albums, Erasmo evolved from his bubblegum beginnings into a sophisticated seventies singer-songwriter. Erasmo Carlos E Os Tremendões (1970), Carlos, ERASMO . . . (1971) and Sonhos E Memórias 1941-1972 (1972) collectively find this maturing teeny-bopper delivering a mix of world class psychedelic Rock, traditional Rock ‘N’ Roll, Soul, Funk, Folk, Bossa Nova, and Samba-Rock to an unsuspecting Brazilian audience.Collectively, the songs on Erasmo Carlos E Tremendões sound like an attempt to appeal to nearly every relevant genre of Brazilian popular music at the turn of the decade. From the cover tunes alone there’s a Caetano song “Saudosismo” (Tropicália), an Antônio Adolfo song “Teletema” (Pilantragem/art-pop), and not just any Ary Barroso song, but the unofficial Brazilian national anthem “Aquarela Do Brasil”. Of the new songs, “Menina” is a Soul ballad and “Jeep” brings the Funk. Maybe it was exactly that, a chance for Erasmo to stretch his creative muscles in a lot of different directions as it became clear his Jovem Guarda character and sound had run its course, along with the TV show of the same name.

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LITA 148

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38.00
Tracklist: 

Side 1
1. Estou Dez Anos Atrasado
2. Gloriosa
3. Espuma Congelada
4. Teletema
5. Jeep
6. Sentado A Beira Do Caminho
Side 2
1. Coqueiro Verde
2. Saudosismo
3. Aquarela Do Brasil
4. A Bronca Da Galinha (Porque Viu O Galo Com Outra)
5. Menina
6. Vou Ficar Nu Para Chamar Sua Atencao

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Non
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Re-Issue
Newsletter: 
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Carlos, Erasmo...

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This album is considered a bedrock album within the Brazilian rock scene and a notable late entry in the Tropicália tradition, rocking harder than any album in his catalog, but also including wispy love songs, soul and funk moves, brassy pop tunes and a marimba-driven ode to marijuana . Erasmo Carlos has no counterpart in the universe of Anglophone pop music that could begin to hint at his relevance, popularity and his complex relationship with the only Brazilian pop star more universally recognized than himself, Roberto Carlos. He may be a beloved pop star and household name in Brazil, but hardly because of the music found on the three albums reissued by Light In The Attic. While in retrospect they can be appreciated as some of his most creative, consistent and personal albums, they were also some of the least commercially successful and underappreciated of his long career, at least until recently. Embracing the artistic freedom of the global counterculture of the late sixties and early seventies, over the course of these three albums, Erasmo evolved from his bubblegum beginnings into a sophisticated seventies singer-songwriter. Erasmo Carlos E Os Tremendões (1970), Carlos, ERASMO . . . (1971) and Sonhos E Memórias 1941-1972 (1972) collectively find this maturing teeny-bopper delivering a mix of world class psychedelic Rock, traditional Rock ‘N’ Roll, Soul, Funk, Folk, Bossa Nova, and Samba-Rock to an unsuspecting Brazilian audience.As a student and fan of Elvis, Little Richard, Bill Haley, and Chuck Berry, Erasmo indulged his primal rock urges on these albums, notably getting sufficiently psychedelic and fuzzy on Carlos, ERASMO . . . Arriving in 1971 while Caetano and Gil were still in exile, Rita Lee had recently quit Os Mutantes and Gal Costa was onto a new sound, Erasmo’s 1971 album was the closest thing to Tropicália around. Carlos, ERASMO . . . was co-produced by the Tropicália producer, Manoel Barenbein, including a new composition from Caetano, a few arrangements courtesy of Rogério Duprat and the musical talents of no fewer than three Mutants: lead guitarist Sergio Dias, drummer Dinho Leme and bassist Liminha, not to mention Brazil’s undisputed psychedelic axe-master, Alexander Gordin, aka “Lanny”, Carlos, ERASMO . . . is a virtual all-star team of Tropícalistas (not in exile).

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LITA 149

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38.00
Tracklist: 

Side 1
1. De Noite Na Cama
2. Masculino, Feminino
3. E Preciso Dar Um Jeito, Meu Amigo
4. Dois Animais Na Selva Suja Da Rua
5. Gente Aberta
6. Agora Ninguem Chora Mais
Side 2
1. Sodoma E Comorra
2. Mundo Deserto
3. Nao Te Quero Santa
4. Cica, Cecilia
5. Em Busca Das Cancoes Perdidas No 2
6. 26 Anos De Vida Normal
7. Maria Joana

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Non
Forthcoming: 
Non
Origine: 
Re-Issue
Newsletter: 
Non
Partager: 

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