US

We’ve watched the movies, seen the photos, heard the stories. As in all of New York City, crime was as rampant in the subway as it was on the streets. Thefts, robberies, shootings and killings were a frequent reality throughout the 1970s. In 1979, a group of angered residents led by Curtis Sliwa began taking crime prevention into their own hands, donning red berets – looking very much like a gang and calling themselves the Guardian Angels. This funky track produced by the Legendary Patrick Adams and uptown empresario Peter Brown is an ode to what was hapenning at the time. Like many of the P&P records of the time, this wasn’t dance music for flashy downtown clubs, it was the real uptown funk! “With bass as heavy as rolling stock, and field recordings from the subway tannoy echoing along almost empty train carriages late at night, Margo Williams's vocals supply the inner city funk menace with some almost ethereal soul.” At a crossroads between funk, soul and an emerging Hip Hop culture this track apealled to both the disco crowd and the bravado of the uptown b-boys.

HOLY GRAIL LA/VEG VERSION OF :" MOVE EVERYTHING YOU GOT " -originally released in 1981, and now included B-side with never ever released before mid 80's MODERN FUNK / MODERN SOUL jam : " ANTICIPATION "FIRST TIME EVER ON 12-inch 45rpm vinylTHE L.S. MOVEMENT BAND originally from :SAN BERNARDINO, CALIFORNIA ..." THE LARRY SMITH MOVEMENT BAND "MOVE EVERYTHING YOU GOT was such a hit in 1981 it had been remade and remixed into 2 other different versions.One was under the alternative band name " THUNDDER " on PPL records ... Then after it was remixed again on RCA label with different production.But by far this original LA/VEG (Las Vegas-recording studio location) version, is the heaviest and hardest hitting version of the 3 ... Previous auction prices for the original have soared passed $1000 dollars easily ...For the love of the music and keeping the funk alive, City Of Dreams Records & Tapes has made it affordable and attainable for the people on 12-inch vinyl record, with a special never ever heard mid 80's Modern-Funk / Modern-Soul release on the flip side. The track " ANTICIPATION " was brought back to life by " DISCO " Johnny Williams, who is also featured on the chorus, and blessed by Larry Smith's magic touch on the synthesizer keyboards and drum machine. Both sides represents the true funk sound of the early and mid 1980's.

The Fantasy Touch EP by Midnight Runners delves deep into the sounds of Modern Funk, Disco, Boogie, and Electro, and features vocals by Megan Doherty (of Social Lovers) on the tracks “Disco Is A Dirty Word” and “Fantasy Touch.”

Double LP, Gatefold Jacket w/ Download Card & Printed InsertBADBADBADNOTGOOD is the talented young quartet of Matthew Tavares on keys, Chester Hansen on bass, Alex Sowinski on drums & Leland Whitty on saxophone. They formed and became inseparable friends at Humber College's Music Performance program in 2011 and have been on a critically acclaimed, rule bending musical journey ever since. BBNG took the music world by storm with their 2014 LP, III, a brash yet refined record of angular jazz improvisations, lush ballads, kraut rock, & futuristic hip-hop tinged rhythms which led to a couple years of touring the world & collaborating with some of the best and brightest artists around the globe. The boys are back with the new album IV, their most impressive and highly anticipated project yet. IV continues their forward thinking progression, sounding something like a jam session in space between Can, John Coltrane, Herbie Hancock's Headhunters, Weather Report, Arthur Russell & MF DOOM.With tracks like "Time Moves Slow" featuring haunting vocals from Sam Herring of Future Islands, the syncopated groove of "Lavender," a collaboration with Montreal based producer Kaytranada, the rumbling fusion build of "Confessions Pt. II" featuring Colin Stetson on the bass sax, "Love" which is highlighted with smokey left field raps from Mick Jenkins & the epic chords of "Speaking Gently," IV is an exploration in post-genre virtuosity.

The last couple of years have been huge for Pomo , going from a relatively obscure Canadian producer to releasing his debut EP on HW&W, remixing for the likes of Janet Jackson and Mark Ronson, producing "Am I Wrong?" on Anderson Paak's debt album and touring the globe with Disclosure as their opening act.Bastard Jazz has commissioned Pomo to be next in line for the fourth volume of their "Tempo Dreams" compilation series, following on the heels of the acclaimed Soul Clap compiled Vol. 3. As with other Tempo Dreams records, Pomo has curated a slick and well polished album full of exclusive tracks from friends and collaborators such as Lindsay Lowend, Aloka, Exmag, Syre, Daniel Crawford, FVLCRVM and more. Touching on the shimmering nudisco sound, plodding deep electronic vibes, funky instrumental hip-hop, and even a hint of drum 'n' bass, Tempo Dreams Vol. 4 takes it's rightful place in the series as one of the most forward thinking compilations showcasing emerging young talent.

Homeboy Sandman is set to release Kindness For Weakness, his third full-length album on Stones Throw Records. The album's title comes from Sandman's internal insight that "mistaking kindness for weakness is a weakness I need to have more kindness for". One of Sandman's most poignantly lyrical releases to date, the album centres on the MC's discomfort in his comfort zone, and addresses themes such as his personal insecurities, rapper stereotypes and morality. The prolific Queens MC has been prominently published in Gawker and the Huffington Post. In an extensive feature in The Guardian, he stated "I don't want to write something to be a conversation piece. It has to help change something".Since signing with Stones Throw Records in 2011, Homeboy Sandman has made himself at home with 3 full-lengths, a series of 5 short records and, most recently, a free EP with collaborator Aesop Rock (who has a guest feature on Kindness for Weakness) named Lice, which includes a remix by Mike Shinoda of Linkin Park. With Kindness For Weakness, Sandman has once again established himself as one of the most productive and creative lyricists of this generation.

Four floaty dubs & re-rubs from San Francisco's Ryan Bishop aka The Beat Broker (Bear Funk, Flexx, Adult Contemporary, etc). Many heads probably best know Ryan as the brains behind DREAM CHIMNEY, one of the longest-running and most consistently interesting online hangouts for like-minded music freaks.This 12" busts loose with "Satin Kimono," a funky floor-filler with the most perfect AOR song title in existence. "Make It Happen" cools the A-side down with a mellow yet uplifting soft rock groover; dubby voices beckon the listener to break free and never look back."Honey It's You" is a pumped up edit of an old 'Chimney classic and was crafted specifically as a wedding gift for fellow Dream Chimney member Hatchback - now available for the first time in a physical format! Larceny Dub soars to new heights of AOR bliss, featuring an extensive re-working of a record that was passed along to Ryan by an ex-Deadhead neighbor.

2011 was the year that ''The Groove Grover' made its original debut. Hard to believe it's been over five years now, but time flies when you're slinging records. Over those years, we've taken quite a bit of requests for a repress of LTD006 so we've decided to answer those requests. Norm De Plume & Franc Spangler need no introduction to most of you by now so if you missed it in 2011 - now's your last chance to snag one something from our WAY back catalog.Re mastered for 2016.Repress on Black Vinyl