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Volume 1

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Dan Shake has been making a sterling name for himself as a DJ with many strings to his bow, and now he's launching an exciting new label with a focus on edits that reach into his bag of tricks and provide some genuinely intriguing alternatives to the usual rehashed disco fodder. On this first 12" there's a distinctly Latin theme, not least on "Celebration Suite" which launches into a bona fide party classic after a hailstorm of drumming and carnival whistles. "La Vem Salguiero" is equally boisterous, but there's also "Rico Suave Bossa Nova" to cool things down for those more loungey moments.

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SHAKETAPES 001

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14.00
Tracklist: 

Side 1
1. Celebration Suite (Dan Shake cut)
Side 2
1. La Vem Salgueiro (Dan Shake cut)
2. Rico Suave Bossa Nova (Dan Shake cut)

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Eira

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From 4Lux to Ten Thousand Yen, Earl Jeffers has been serving up plenty of upfront good time house music over the past few years, as well as steering the equally on point Chesus alias. Now he sidles over to the new Melange label with Byron The Aquarius in tow, and the sun kissed vibes are positively pouring out of the record grooves. "Eira" is where Byron flexes some on-point melodic input, laying down ludicrously rich keys to ramp up the soul status of this damn fine garage-y bumper. The "Demo Mix" of "Eira" resides on the flip and shows off a more stripped down, raw version that's no less satisfying on the ears.

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MEL 003

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13.00
Tracklist: 

Side 1
1. Eira (feat Byron The Aquarius)
Side 2
1. Eira (demo mix)

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Edits Vol 1

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The Street Edits label has been playing it cool and deadly since 2013, and now hits its tenth release with two crucial jams for the heads-down party heads. JTT, a shadowy figure with links to the Bristol scene, gets deep in the chop-up on "Know 2 Much", eschewing any obvious vocal licks in favour of the heavy, rolling funk of his source material. Boogie Cafe takes a different approach with "Dynamite", letting the core of the track shine through in all its bright, brassy glory. When he does go in for the cuts and FX on the breakdowns, it's oh-so sweet though. This is how edits should be done.

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SE 010

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13.00
Tracklist: 

Side 1
1. JTT - Know 2 Much
Side 2
1. Boogie Cafe - Dynamite

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Goodbye Miss Misanthropy

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The Marcel Vogel-fronted label Intimate Friends has already done sterling work releasing deep house from the likes of Roman Rauch and Reginald Omas Mamode IV, and now it's Simba's turn to step up and strut his stuff. The Goodbye Miss Misanthropy EP is loaded with curveball house music of the highest order, with "Remind Me Of Dancing" particularly standing out thanks to Jyroscope's inspiring vocal turn. There's some off-kilter jazz moods tumbling out of "ITB Jam", while a fractured soul vibe gives "Love Letter" its power. "Last Time" is a honey-coated closer that rides on the laziest of grooves with some added sample power from a titan of RnB.

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MATE 010

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13.00
Tracklist: 

Side 1
1. Remind Me Of Dancing (feat Jyroscope)
2. ITB Jam
Side 2
1. Love Letter
2. Last Time

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Someday

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The Difusion crew turned some heads last year with the low-key release of their first grip of cult edits, and now they're back with a second installment that keeps the source material obscure, the treatment respectful and the vibes pure and positive. "Someday" is a killer simmering slice of disco funk, while "On The Scene" slows things down and turns up the 70s bombast with Philly strings and brass blasts aplenty. "Freaksta" takes things in a more cosmic direction, while "Right Now" aims right for Studio 54 indebted flamboyance, all stirring diva vocals and bold production to get everyone freaking the right way.

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DIF 002

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12.00
Tracklist: 

Side 1
1. Someday
2. On The Scene
Side 2
1. Freaksta
2. Right Now

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Musica Para El Fin De Los Cantos

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Recorded in Barcelona between 1989 & 1990. Thanks to Nhat-Vu Dang.Special thanks to Hyades Arts Records. All texts on insert and sleeve taken from the "Mudos como piece" collection of poems by Iury Lech.Iury Lech is a transdisciplinary artist of Ukrainian origin part of the few pioneers in the Spanish electronic and digital audio-visual scene that began to develop during the 80's.His open and unclassifiable style made of eerie sonic atmospheres, arrhythmic structures and dense textures create hypnotic ambiance and a new way to conceive experimentalism.Wrongly described as New Age music at that time, "Musica para el fin de los cantos" is a stunning and deeply emotive ambient work, that stares down at the eternal enigma, giving a glimpse of Iury Lech's classical music of the future. Iury recorded this blissful masterpiece in his Barcelona's studio in 1989. It was then published in 1990 by the unique Spanish label Hyades Arts.It's 2017 and it's time to unearth this magical piece of vibrating chords to please your sensitive yet hungry ears. Sit back and enjoy the meditative state.

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CDALP 002

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27.00
Tracklist: 

Side 1
1. Cuando Rocio Dispara Sus Flechas
2. Barreras
3. De La Melancolía
Side 2
1. Ukraïna
2. Posmeridiano

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The Standard EP

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Albuquerque party crew Plastik People just can't get enough of that sweet, sweet garage house sound, and Industry Standard sure know how to lay down such honestly passionate jams in the spirit of messers Chandler et al. "Justify" is a nimble feel-good stepper with gorgeous Rhodes keys and plenty of Todd Edwards style vocal chops. "Shine Bright In The Night" is a tougher offering once the drums get rolling, but there's still space in the mix for more of that spiritually nourishing soul food. Tuff Vibes gets busy with a remix that revels in jazzy vibraphone keys for an altogether different but no less funky flavour of party track.

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PPR 13

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12.00
Tracklist: 

Side 1
1. Justify
Side 2
1. Shine Bright In The Night (Tuff Vibes mix)
2. Shine Bright In The Night

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Coco Dub

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EF 007

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14.00
Tracklist: 

Side 1
1. Coco Dub
Side 2
1. BS

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Escalator

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180 gram Vinyl, Gatefold Sleeve reissue of the classic 1969 album featuring Motorhead's Lemmy. Packaged with their previously unreleased 7" single 'Horse/Back Door Man' as listed in Record Collector, Plus a free Download Code.Sam Gopal took up the tabla in Malaysia at the age of 7, before coming to study music in Britain in 1962. By the mid 1960’s, Indian music was exerting a huge influence on Western rock, most notably on the Beatles (with Indian influences all over ‘Revolver’ and ‘Sergeant Pepper’), but also on the Rolling Stones (exemplified by Brian Jones playing sitar on ‘Paint It, Black’) and the Moody Blues, for whom Justin Hayward played tabla and sitar on the ‘In Search Of The Lost Chord’ album.The time was right for a genuine exponent of Indian music to come to the fore. Sam Gopal put together his first group, ‘Sam Gopal’s Dream’ in 1966. They quickly became a feature of the psychedelic scene, playing at the 14 Hour Technicolour Dream at Alexandra Palace in 1967 and sharing stages with such giants as Pink Floyd, the Move and Jimi Hendrix. Indeed, Jimi jammed with them during a gig at the Speakeasy in January 1968. However, whilst successful live, the band went unrecorded, and disbanded shortly after, only to be reconstituted under the ‘Sam Gopal’ moniker, Sam being joined by Roger D’Elia on guitar, Phil Duke on bass and most famously, ex Jimi Hendrix roadie Ian ‘Lemmy’ Willis on vocals and guitar. Signed to the short-lived Stable label, songs for an album were quickly written, most of them by Lemmy, and the album was released in March 1969, beautifully packaged in a gatefold sleeve.Something of a classic of psychedelic acid rock, complete with fuzzed guitars, but rooted by its Eastern percussion, the album included one cover, a rocked up version of Donovan’s ‘Season Of The Witch’, whilst a projected single release included a version of Willie Dixon’s ‘Back Door Man’, which managed to be even heavier than the interpretation by the Doors on their first album, released two years earlier.‘You’re Alone Now’, one of the Lemmy-written songs on the album, became quietly influential, acting not only as a forerunner of Hawkwind’s seminal ‘The Watcher’, but having an intro that brings to mind Black Sabbath’s 1970 smash ‘Paranoid’.The album ends with undoubtedly the gentlest song of Lemmy’s career, the rather lovely ‘Yesterlove’, which has Lemmy’s vocal floating gently over a backing of tabla and acoustic guitar.Sadly, despite apparently having all the ingredients in place for success, this incarnation of ‘Sam Gopal’ proved to be no longer-lived than ‘Sam Gopal’s Dream’, and broke up not long after the release of this album

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BT 5012

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33.00
Tracklist: 

Side 1
1. Cold Embrace
2. The Dark Lord
3. The Sky Is Burning
4. You're Alone Now
5. Grass
6. It's Only Love
Side 2
1. Escalator
2. Angry Faces
3. Midsummer Nights Dream
4. Season Of The Witch
5. Yesterlove
Side 3
1. Horse
Side 4
1. Back Door Man

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Mulatu Of Ethiopia

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Strut present the first official reissue of a landmark album in the field of African music , Mulatu Astatke’s ‘Mulatu Of Ethiopia’ from 1972. Recorded in New York , the album arrived at a time when Astatke had begun to master the delicate fusion of styles needed to create Ethio jazz. “I left the UK for America and studied at Berklee College in Boston. I learnt the technical aspects of jazz and gained a beautiful understanding of many different types of music. That’s where I got my tools. Berklee really shook me up.”Journeying regularly to the Big Apple to play and watch live shows at the Cheetah , the Palladium and the Village Gate, Astatke met producer Gil Snapper on the circuit. “Gil was a nice and very interesting guy. He produced music and worked with all kinds of musicians.” The meeting would lead to a series of albums on Snapper’s Worthy label. The first , ‘Afro Latin Soul’ , documented Astatke’s new-found directions. “Mulatu has created a new sound , ” enthused Snapper on the album jacket. “He has taken the ancient five-tone scales of Asia and Africa and woven them into something unique and exciting, a mixture of three cultures , Ethiopian, Puerto Rican and American.”A second volume of ‘Afro Latin Soul’ followed before Astatke began to hone his sound further , infusing funk and cultural influences into the mix. Returning to a downtown Manhattan studio with Snapper and working with some of the city’s top young jazz and latin session players, ‘Mulatu Of Ethiopia’ began to take shape. “We rehearsed for 3-4 weeks” remembers Astatke. “it took them a while to get the right feeling in the music.” The resultant album represented the first fully formed document of Astatke’s trademark Ethio jazz sound. It features ‘Kulunmanqueleshi’, ‘Dewel’ , and ‘Kasalefku-Hulu’ , tracks that Mulatu would return to regularly on singles and in live shows , the Ethio-Latin workout ‘Chifara’ and the self-titled groover ‘Mulatu’ (“I wanted to make a track for... myself!”). This definitive reissue of the album comes in a limited edition 3LP 6-panel gatefold set featuring the stereo album master , a pre-mix mono master and a selection of outtakes from the sessions , giving the listener rare access to the DNA of the studio process. Also available are standard 1CD and 1LP formats. All formats feature a new interview with Mulatu Astatke and rare photos.- 3LP 6-PANEL GATEFOLD with DOWNLOAD CARD- First ever official reissue of Mulatu Astatke classic from 1972- Remastered by Carvery Cuts from original reel to reel tapes- Limited edition 3LP features unreleased mono version of album + exclusive out-takes from the studio sessions- All formats include rare photos and a new interview with Mulatu Astatke- All formats include full original Worthy Records artwork

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STRUT 129LPB

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38.00
Tracklist: 

Side 1
1. Mulatu
2. Mascaram Setaba
3. Dewel
Side 2
1. Kulunmanqueleshi
2. Kasalefkut-Hulu
3. Munaye
4. Chifara
Side 3
1. Mulatu (mono album mix)
2. Mascaram Setaba (mono album mix)
3. Dewel (mono album mix)
Side 4
1. Kulunmanqueleshi (mono album mix)
2. Kasalefkut-Hulu (mono album mix)
3. Munaye (mono album mix)
4. Chifara (mono album mix)
Side 5
1. Munaye (take 1)
2. Mascaram Sebata (take 1)
3. Mascaram Sebata (take 2)
4. Mascaram Sebata (take 3)
Side 6
1. Kulunmanqueleshi (take 1)
2. Kulunmanqueleshi (take 2)
3. Kulunmanqueleshi (take 4)
4. Kasalefkut-Hulu (take 1)
5. Kasalefkut-Hulu (take 2)

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Original
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