MINT

12" limited to 300 copies

Finally a fresh MCDE is announced! New one from long time deep house/broken producer, Pablo Valentino... .Its been four years since label co-founder Pablo Valentino became a daddy, and almost as old is the idea of him releasing a record on our imprint. So what makes more sense than to dedicate this record to Hugo-João, his son? On "My Son's Smile" we can hear a recording of Hugo-João's laughter over a mellow, summery house track that has been a big favorite of Danilo over the years.With a little help from Lyon producer Patchworks, who played bass on the track, Valentino pulls off one of his most sophisticated productions yet.GE-OLOGY, legendary Hip Hop and House producer from New York, flips it into a more of a peaktime thing, replacing the Fender Rhodes from the original with layers of thick synthesizer chords and a very vibrant, musical vibe reminiscent of his earlier release on Sound Signature. "Atlantic’s Calling" is one of those signature, late night House tracks that Pablo Valentino has been championing both as a producer and Dj throughout the years.Danilo and Pablo met in the late 90s through their mutual love for obscure Jazz, sampled based House and all things soulful, and 20 years later this sounds like the kind of track that sums it all up, a testament of their musical backbone. Pablo has, like his partner Danilo, started out producing Hip Hop instrumentals back in the 90s, and he continues to do so up until this day. While "Good Ol' Days" is of course a Hommage to that era, it still sounds fresh to our ears.At MCDE, we have always believed in this sound, the rough-and-ready, smoked-out esthetic of 90s sampler based music, and whether its Hip Hop, House, Techno or anything in between, we are proud to carry that Torch.All tracks written & produced by Pablo Valentino.Additional bass on "My Son's Smile" by Bruno "Patchworks" Hovart

Limited Edition, Numbered, 300 copiesDeluxe heavy cardboard old school Tip-On cover with glossy paper on front and mat on back.Credits insert printed on 160gr yellow paperOld school press kit photo insert printed on glossy photo paperHigh quality polylined black innersleeveshttps://www.youtube.com/watch?v=Fr2gvPQUkT8&t=7s

This second Disques Flegon recording is from Greita. After two initial tracks on the V.A. « Buffet Froid », the first and successful release of the French label, the parisian artist is back with his own EP « Faux Signal ».The five tracks stand out blending the different inspirations that define the EP unique sound.From house to broken beat through Greita’s love for Jazz Fusion and French library music, the piece travels with ease from contemporary dancefloors to cosy homes.

Forever faithfully mining the past to keep your shelves stocked with gems that might have otherwise been consigned to history, Emotional Rescue turn their attention towards Carl & Carol Jacobs' cult slice of early house music, and what a treat it is. "Yonge Street Jam Band" comes in the form of two mixes that serve as impeccable examples of late 80s club music in all its culture spanning glory. The playful sample slicing and triggering of the second mix is the winner, although the vocals on the original version are equally on point if you want a little more soul in the mix. Jonny 5 then steps up on the flip for a bold but measured re-rub that stretches the vibe out for nine minutes of perfect party fodder.

The next set of the Japanese musical tales on Hhatri's imprint comes from Takecha (aka Takeshi Fukushima), a producer who has played a part in creating some of the seminal pieces of house music that have originated from Japan. His music is characterised by the perfect marriage of experimentation and emotional content. For those that know, Takecha's first EP 'Kind of Deep' released on his own imprint, GWM records, in 1995 is a secret gem among Japanese House music collectors. Only 100 copies were ever available and it is a subtle reminder of what and how Deep House should sound like. Takecha provides no less in A Tale of Shiga; four gorgeous tracks that provide some insight into his own creative, albeit humble genius in his approach to producing music. Fresh off the press are three previously unreleased tracks with the addition of ""Freak Out"" released in 1998.