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Stone Free

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Lovely overlooked funk/soul LP, originally released on Alwest in 1980 - now reissued.

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OMAGGIO 002

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22.00
Tracklist: 

Side 1
1. More Love
2. Money's Funny
3. Stone Free (Freak With Me)
4. Funk Is Here To Stay
Side 2
1. Keep Dancin
2. Is That The Way To Your Heart?
3. Million Dollar Love
4. I'm So Glad I Found Your Love

Second_hand: 
Non
Forthcoming: 
Non
Origine: 
Re-Issue
Newsletter: 
Non
Partager: 

Paradise Bangkok: The Album Vol 2

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2nd volume of the now highly sought after Paradise Bangkok 45s series, of vintage luk thung and molam that have been released over the past 2 years, collected here for the 1st time - including 3 exclusive tracks that have never been reissued before! Exclusive insert designed and illustrated by Lewis Heriz: ‘Cosmology of Paradise Bangkok’ showing the musical connections between South and South East Asia, The Middle East and East Africa

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PBLP 002

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32.00
Tracklist: 

Side 1
1. Dao Bandon - Lae Pattana Baan Meuang
2. Warin Shinaraj - Noo Yaak Dang
3. Somjai Nilbarun - Lam Plearn Diew Khaen Diew Phin
4. Onuma Singsiri - Lam Plearn Maeng Tub Tao
Side 2
1. Waipod Petchsuphan - Ding Ding Dong
2. Chanpen Pornsawan - Lam Plearn Chern Bump
3. Aa Jaan Jitakorn Molam Group - Lam Plearn Prataad Panom Lom
4. The Super Ranat Band - A Ba Ni Bi
5. Thepporn Petchubon - Sang Naa Laa Nong

Second_hand: 
Non
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Non
Origine: 
Original
Newsletter: 
Non
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African Music

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FVR 131

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13.00
Tracklist: 

Side 1
1. African Music (feat Lass)
2. Decalement (instrumental)
Side 2
1. Problems (feat Sir Jean)
2. Decalement (feat Pat Kalla)

Second_hand: 
Non
Forthcoming: 
Non
Origine: 
Original
Newsletter: 
Non
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Going To A Go Go

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Bruno “Patchworks” Hovart is one of the top producers of today’s groove music scene. After playing as a bassist and guitarist for various bands, he started producing in the mid-nineties and has kept on mixing today’s technologies with the raw spirits of House, Electronic, Disco, Funk, Soul, Reggae & Jazz music’s golden years since then.Following the trail of success left by his various projects as Patchworks, and under many aliases, he’s proved his musical ubiquity and unexpectedly stroke in various genres. Many House music diggers would indeed remember that before Favorite Recordings was launched in 2006, Patchworks produced many deep-house tracks on various labels.On this new EP, he’s back as Mr President with 2 new banging titles brilliantly mixing House music atmosphere, with Soul and Disco vibes. He’s also teaming up again with Sabba MG on vocals, following to their great “Give My Love” efforts, released on EDR Records 3 years ago. As “Going to a Go Go” is a fully exclusive work reminiscent of the early House music scene from New-Jersey or Chicago, the nice Disco flavors of “Night Time” also come to announce Mr President’s upcoming new album in 2017.

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FVR 124

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13.00
Tracklist: 

Side 1
1. Going To A Go Go (feat Sabba MG)
2. Going To A Go Go (feat Sabba MG - Deep mix)
Side 2
1. Night Time (feat Sabba MG)
2. Night Time (feat Sabba MG - dub Strumental mix)

Second_hand: 
Non
Forthcoming: 
Non
Origine: 
Original
Newsletter: 
Non
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Why Can't We Live Together

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GEE 12001

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13.00
Tracklist: 

Side 1
1. Why Can't We Live Together (Discomix version)
Side 2
1. Why Can't We Live Together (Dennis Bovell dub)

Second_hand: 
Non
Forthcoming: 
Non
Origine: 
Original
Newsletter: 
Non
Partager: 

Erasmo Carlos E Os Tremendoes

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Erasmo Carlos E Os Tremendões is greater than the sum of its pop-rock spitballs. It’s a creative, and at times experimental and groundbreaking album that remains a thrilling listen.Erasmo Carlos has no counterpart in the universe of Anglophone pop music that could begin to hint at his relevance, popularity and his complex relationship with the only Brazilian pop star more universally recognized than himself, Roberto Carlos. He may be a beloved pop star and household name in Brazil, but hardly because of the music found on the three albums reissued by Light In The Attic. While in retrospect they can be appreciated as some of his most creative, consistent and personal albums, they were also some of the least commercially successful and underappreciated of his long career, at least until recently. Embracing the artistic freedom of the global counterculture of the late sixties and early seventies, over the course of these three albums, Erasmo evolved from his bubblegum beginnings into a sophisticated seventies singer-songwriter. Erasmo Carlos E Os Tremendões (1970), Carlos, ERASMO . . . (1971) and Sonhos E Memórias 1941-1972 (1972) collectively find this maturing teeny-bopper delivering a mix of world class psychedelic Rock, traditional Rock ‘N’ Roll, Soul, Funk, Folk, Bossa Nova, and Samba-Rock to an unsuspecting Brazilian audience.Collectively, the songs on Erasmo Carlos E Tremendões sound like an attempt to appeal to nearly every relevant genre of Brazilian popular music at the turn of the decade. From the cover tunes alone there’s a Caetano song “Saudosismo” (Tropicália), an Antônio Adolfo song “Teletema” (Pilantragem/art-pop), and not just any Ary Barroso song, but the unofficial Brazilian national anthem “Aquarela Do Brasil”. Of the new songs, “Menina” is a Soul ballad and “Jeep” brings the Funk. Maybe it was exactly that, a chance for Erasmo to stretch his creative muscles in a lot of different directions as it became clear his Jovem Guarda character and sound had run its course, along with the TV show of the same name.

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LITA 148

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38.00
Tracklist: 

Side 1
1. Estou Dez Anos Atrasado
2. Gloriosa
3. Espuma Congelada
4. Teletema
5. Jeep
6. Sentado A Beira Do Caminho
Side 2
1. Coqueiro Verde
2. Saudosismo
3. Aquarela Do Brasil
4. A Bronca Da Galinha (Porque Viu O Galo Com Outra)
5. Menina
6. Vou Ficar Nu Para Chamar Sua Atencao

Second_hand: 
Non
Forthcoming: 
Non
Origine: 
Re-Issue
Newsletter: 
Non
Partager: 

Carlos, Erasmo...

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This album is considered a bedrock album within the Brazilian rock scene and a notable late entry in the Tropicália tradition, rocking harder than any album in his catalog, but also including wispy love songs, soul and funk moves, brassy pop tunes and a marimba-driven ode to marijuana . Erasmo Carlos has no counterpart in the universe of Anglophone pop music that could begin to hint at his relevance, popularity and his complex relationship with the only Brazilian pop star more universally recognized than himself, Roberto Carlos. He may be a beloved pop star and household name in Brazil, but hardly because of the music found on the three albums reissued by Light In The Attic. While in retrospect they can be appreciated as some of his most creative, consistent and personal albums, they were also some of the least commercially successful and underappreciated of his long career, at least until recently. Embracing the artistic freedom of the global counterculture of the late sixties and early seventies, over the course of these three albums, Erasmo evolved from his bubblegum beginnings into a sophisticated seventies singer-songwriter. Erasmo Carlos E Os Tremendões (1970), Carlos, ERASMO . . . (1971) and Sonhos E Memórias 1941-1972 (1972) collectively find this maturing teeny-bopper delivering a mix of world class psychedelic Rock, traditional Rock ‘N’ Roll, Soul, Funk, Folk, Bossa Nova, and Samba-Rock to an unsuspecting Brazilian audience.As a student and fan of Elvis, Little Richard, Bill Haley, and Chuck Berry, Erasmo indulged his primal rock urges on these albums, notably getting sufficiently psychedelic and fuzzy on Carlos, ERASMO . . . Arriving in 1971 while Caetano and Gil were still in exile, Rita Lee had recently quit Os Mutantes and Gal Costa was onto a new sound, Erasmo’s 1971 album was the closest thing to Tropicália around. Carlos, ERASMO . . . was co-produced by the Tropicália producer, Manoel Barenbein, including a new composition from Caetano, a few arrangements courtesy of Rogério Duprat and the musical talents of no fewer than three Mutants: lead guitarist Sergio Dias, drummer Dinho Leme and bassist Liminha, not to mention Brazil’s undisputed psychedelic axe-master, Alexander Gordin, aka “Lanny”, Carlos, ERASMO . . . is a virtual all-star team of Tropícalistas (not in exile).

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référence du label: 
LITA 149

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38.00
Tracklist: 

Side 1
1. De Noite Na Cama
2. Masculino, Feminino
3. E Preciso Dar Um Jeito, Meu Amigo
4. Dois Animais Na Selva Suja Da Rua
5. Gente Aberta
6. Agora Ninguem Chora Mais
Side 2
1. Sodoma E Comorra
2. Mundo Deserto
3. Nao Te Quero Santa
4. Cica, Cecilia
5. Em Busca Das Cancoes Perdidas No 2
6. 26 Anos De Vida Normal
7. Maria Joana

Second_hand: 
Non
Forthcoming: 
Non
Origine: 
Re-Issue
Newsletter: 
Non
Partager: 

Sonhos E Memórias 1941 - 1972

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a propos: 
Sonhos E Memórias 1941-1972 is truly singular within Brazilian pop fusing rock, soul, jazz and singer-songwriter styles. It’s simultaneously rootsy, funky, modern and nostalgic. The lyrics are highly personal, searching for deeper meaning with lots of flower power imagery and language, while the music is tight, highly rhythmic, melodic and restrained in its delivery and effortless groove. Built around the future fusion trio Azymuth with keyboardist José Roberto Bertrami, drummer Ivan Conti aka “Mamão” and bassist Alex Malheiros, a majority of the album’s tunes make excellent use of this trio’s telepathic tightness, subtle funkiness, and melodic mastery. The album dabbles with a few different styles and rhythms, all telling Erasmo’s musical story be it Bossa Nova, Roots Rock, Hard Rock, ballads, and soulful grooves, but a certain sonic frequency or tempo alongside the autobiographical elements unite this masterwork. Erasmo Carlos has no counterpart in the universe of Anglophone pop music that could begin to hint at his relevance, popularity and his complex relationship with the only Brazilian pop star more universally recognized than himself, Roberto Carlos. He may be a beloved pop star and household name in Brazil, but hardly because of the music found on the three albums reissued by Light In The Attic. While in retrospect they can be appreciated as some of his most creative, consistent and personal albums, they were also some of the least commercially successful and underappreciated of his long career, at least until recently. Embracing the artistic freedom of the global counterculture of the late sixties and early seventies, over the course of these three albums, Erasmo evolved from his bubblegum beginnings into a sophisticated seventies singer-songwriter. Erasmo Carlos E Os Tremendões (1970), Carlos, ERASMO . . . (1971) and Sonhos E Memórias 1941-1972 (1972) collectively find this maturing teeny-bopper delivering a mix of world class psychedelic Rock, traditional Rock ‘N’ Roll, Soul, Funk, Folk, Bossa Nova, and Samba-Rock to an unsuspecting Brazilian audience.

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référence du label: 
LITA 150

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0
Prix panier: 
38.00
Tracklist: 

Side 1
1. Largo De 2a Feira
2. Mane Joao
3. Bom Dia Rock 'N' Roll
4. Grilos
5. Minha Gente
6. Mundo Cao
Side 2
1. Sorriso Dela
2. Sabado Morto
3. E Proibido Fumar
4. Vida Antiga
5. Meu Mar
6. Preciso Encontrar Um Amigo

Second_hand: 
Non
Forthcoming: 
Non
Origine: 
Re-Issue
Newsletter: 
Non
Partager: 

Moshi

auteur:

photo: 
a propos: 
Deluxe reissue with additional artwork & remastered audio.20-page booklet including rare pictures, sheet music & original liner notes.Bonus DVD with exclusive artwork of Caroline de Bendern’s movie « à l’intention de Mlle Issoufou à Bilma » documenting this incredible african journey.Ltd. Edition 1.000 copies100 copies have as bonus a numbered enveloppe with a set of 5 postcards, reserved to the first buyers, not resellers.

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FFL 015

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0
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42.00
Tracklist: 

Side 1
1. Moshi
2. Guilde's Song To Binkirri
Side 2
1. Gardenia Devil
2. 14 Temps
3. Bamako Koulikaro
4. Afrika Freak Out
Side 3
1. Zombizar
2. El Hadji
3. Chechaoun
Side 4
1. Tindi Abalessa
2. El Hadji
3. Balandji In Bobo
4. Sannu Ne Gheinyo
5. El Hadji

Second_hand: 
Non
Forthcoming: 
Non
Origine: 
Re-Issue
Newsletter: 
Non
Partager: 

1979

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référence du label: 
G+ 002

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0
Prix panier: 
15.00
Tracklist: 

Side 1
1. Amantes Cosmicos
Side 2
1. Pacifico
2. The Sharm Al Shaykh

Second_hand: 
Non
Forthcoming: 
Non
Origine: 
Original
Newsletter: 
Non
Partager: 

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