MINT

SOL DISCOS is honored to introduce its 3rd reissue, with these two songs from Frank Eddie: « Love Has Never Passed Me By » & « Forever ». While the original record’s been known by a handful connoisseurs, very few people are actually proud owners of it. Originally released on the private INSYNC label by Mr Eddie himself, most of the 1000 pressed copies where abandoned in some random houses he used to live in, in South Miami, Florida.Frank Eddie’s music life started with piano at the age of 13, when he was living in Yonkers, New York in the early 60′s. At this time Soul music was everywhere around and Frank quickly switched to guitar, which has remained his instrument since then. Influenced by Soul as well as Rock Music, Frank met with drummer/singer William Hopkins after settling in Florida. They created a band together, and played music with talented Jazz students from the University Of Miami (Curtis & Carmen Lundy for instance). At the time, they would also jam with people that would later become famous: Steve Morse (Deep Purple), Jazz steel-band player Othello Molineaux, or Jaco Pastorius to name a few. Surrounded by such a creative musical environment, Frank & William co-wrote the two songs you have on this record. They gathered the personnel and recorded within a four days’ time.After a couple of unsuccessful meetings with majors, and partly discouraged by the way music business was conducted, Frank decided to self-release a single record. He then worked on his own to sell it locally, without actually meeting the audience it deserved. According to the singer, « The black radio stations would not play it because I did not give them cocaine or money, and the disco clubs had their own list to promote ».Several decades later, SOL Discos’ A&R and DJ, Waxist, got introduced to Frank Eddie’s beautiful music through « Independant Movement » radio show of Mark Gurney in UK. After months of researches and with the help of US digger Josh Goldman, he’s been able to establish contact with Frank and to get his approval for officially reissuing his music. Today, Frank Eddie is still active by playing American Rhythm & Blues and Jazz in Cuba, as well as supporting the Cuban musicians, bringing instruments to the Caribbean Nation.

The second EP by purveyors of the 'Future Funk' sound, A Band Called Flash. Executive produced by Ron Trent. Recommended!Created by the inspired young Jared Hines and produced by master minds Ron Trent and Jonesy, this self titled follow up to "Mother Confessor" features four etherial, lush tracks that have a live feel and are equally heavenly.Inspired by the Jazz Funk elements of UK outfit Atmosfear and the alternative Disco sounds of Dinosaur L, presented here, A Band Called Flash embrace the energy of “live” dance music. Reminiscent of the early 80’s Boogie sound, A Band Called Flash will surely capture the attention of the more eclectic, global dance floor.

Dope new boogie straight out of Melbourne, Australia"Fronted by long-time collaborators Françoise d’Argent and Benny Badge, “So Good To You” showcases an evolution for Silver Linings and the duo's signature Soul-Boogie sound.Following their debut on Gulf Point with 2014’s “Sleepless”, Benny made the sketches for “So Good To You” during an extended pit-stop in Manchester, from which he returned with a sound palette affected heavily by the rainy city’s disposition for synthetically fused Jazz and electronic music.Bolstered with session work by fellow Melbourne locals Harvey Sutherland (Keys, Drum Programming), Silentjay (Saxophone), Lachlan Peavey (Bass) and more, these drafts became an intricate production that would see elements of Soul, Fusion and Electro layered with classic R&B arrangements and production etiquette.Describing the result of this unique ensemble can only be done by looking at its highlights. Moments such as “Start It Over” and the brooding “34th Floor” are an ode to UK Electro-Jazz; there’s the Sade-esque “Waiting For Your Love”; whilst “This Time” and “So Good To You” are a head-nod to Street Soul Legends Loose Ends and 52nd Street among others.

Last year, Music From Memory released a brilliant retrospective of Vito Ricci. Music for Amiga is Ricci’s first vinyl record of original music in decades. This project was made on the Commodore Amiga (with it's infamous sound chip) composing all the pieces on 'Music Mouse' - Laurie Spiegel's pioneering software from the mid-80s.

Jay, now 25 years old, has become one of the leading artists in the latest generation of Detroit electronic music-makers. In the five years that he has been on the scene, he has released the “Scorpio Rising EP” on Theo Parrish's Sound Signature Records, “Karmatic Equations” on Kyle Hall's Wild Oats Music, and featured on Funkineven’s “Abyss”, all the while gig-hopping from New York to London, Japan to Australia and all points in between. In 2015, Jay took it to the next level with the foundation of his own record label Watusi High, releasing the inaugural EP: “School Dance”. "Broken Knowz" signals a departure from Jay’s previous output. Disillusioned with the constraints of drum programming and the associated deficiencies translating human feeling or emotion; he retreated to his mother’s basement, picked up his drumsticks and started recording into a multitrack mixer for the first time. This was key for Jay, as he knew he wanted the album to sound more live, more natural, and more human. Consequently, ‘Paradise Valley’, ‘Boolin’, ‘Yemaya’ and lead track ‘Knowledge Of Selfie’ are founded on loose-knit, shuffling breaks with Jay’s signature keyboard runs marauding over the top. Refreshingly exposed and overtly reliant on the sheer weight of the grooves, it’s a mighty debut from a young man seemingly oblivious to the weight of expectation associated with the pantheon of music-makers hailing from his hometown.“Broken Knowz” is only the third longplayer on Ninja Tune’s Technicolour imprint which has delivered a string of exceptional leftfield club music EPs from Florian Kupfer, Legowelt, Nathan Melja, NY*AK, U and superb albums from Levantis and Hieroglyphic Being.

Rare brazil album made available again through MR Bongo, incl. 'Voce Abuso' & 'Kabaluere. Nice! A truly fantastic record that sounds the way it looks – psychedelic rock, samba-funk and tripped out MPB. Features ‘Kabaluerê’ as sampled by Marcelo D2 on his hit ‘Qual e?’. Arranged by Rogerio Duprat, featuring legendary guitarist Lanny Gordin. Antonio Carlos & Jocafi were a very successful and famous Brazilian writing duo, born in Bahia. They worked with the likes of Wilson Simonal, Rosinha De Valença, Trio Mocotó, Milton Banana, Toquinho and more. Originally released on RCA Brazil in 1971, this was the duo’s debut LP. Two versions of the album cover exist in Brazil – this, the psyched-out, burnt out version, and a much less exciting photograph of the chaps, pressed to include the single ‘Desacato’ which became a popular hit in Brazil and several European countries.