SEALED

David Axelrod, Michel Legrand, Stefano Torossi, Piero Umiliani, Franco Micalizzi, you say? Well, yes! This album arranged by two Norwegian guys, Thomas and Lars aka Coastal County, is just that; funky, jazzy, moody tracks, just taken out from a 60's cult exploitation movie. Combining the classic soundtrack grooves with italian library funk and top it with some Norwegian mountainside melodies, you get something quite unique; Coastal County.

Greg Foat's 9th album 'The Mage' joins the dots between the past and future of British jazz. Enlisting the talents of jazz/library/soundtrack legends Duncan Lamont, Art Themen, Ray Russell and Clark Tracey to collaborate with their modern contemporaries Greg Foat, Moses Boyd and Heliocentric's drummer Malcolm Catto to create something undeniably British but outward looking and global.A long time personal ambition for Greg was to work with Trinidadian songstress Kathy Garcia, on 'The Mage', this wish is granted as she joins him to re-imagine the deep Xian masterpiece 'Of my Hands', 45 years after recording it as a young girl.Greg's compositions and arrangements showcase the old and new, downtempo folkscapes, free jazz with notes of hip-hop and soul from the young team flavouring the mix. Featuring Simon Ljungman and Friends as a male choir, Greg's EMS Synthi AKS experiments (made famous by Dr Who) the album is a testament to the versatility and pure musicality of all those involved and Greg Foat's ability to bring artists together to record beautiful, timeless music.

This Hampshire & Foat project should not come as too much of a surprise to those familiar withGreg& Warren's music, influenced heavily by not just Jazz but the library sound of the 60s and 70s along with film soundtracks from the same golden era.Greg& Warren are avid collectors of this music,Gregsends me links night and day to LPs he has picked up digging on his travels. This constant search sends him down new musical pathways and often sparks a whole new concepts for projects. Warren and Gregare both fiercely creative talented individuals which means we have to keep them working, a challenge for us all, but the music rewards the effort many times over.We had talked for a long time about doing a Library style LP (somethingGregis very passionate about) so during different recording sessions Greg& Warren started laying down various tracks with a view to the LP we have here.Side one is 5 tracks in very distinct styles, musical paintings for the big screen. The vast sound of the Japanese influenced Jasmine, The Spaghetti Western melancholy of Mariposa Lily, The call to action that is Antonio's Theme, The Breezy Vintage sports car in the sun that Coastal Drivepaints, and Lost in Nostalgia, a late night Poirotesk piece.Side two is a classic library suite, whichGregdescribes as a Detective's theme with different variations on the motifs.

Born in 1949 in Recife (Brazil), Roberto De Melo Santos, despite a very light discography, is among the true icons of the Brazilian Soul music under his artist alias, Di Melo. He s indeed only needed an eponymous album, released in 1975 on Odeon, to assert himself as a star in his native country, but also as a legend for all collectors and connoisseurs of the world. More than 40 years after its release, this famous album sells for several hundred euros in its original version, and even for the few reissues that were offered. Not very active since then, Di Melo however returned in 2016 with the album O Imorrível, released on the Brazilian label Casona Produções.It is then that a year later, came a meeting with the French group Cotonete, that Florian Pellissier, founding member and keyboard within the band tells us about: “On tour in Brazil with Cotonete, we had a few days off in Sao Paulo and I really hoped to make a collaboration with an important artist or band from the Brazilian funk scene. We had thought of Marcos Valle, Meta Meta or Ed Motta... but Rafaela Prestes our Brazilian "sound ingineer-genious" told me she d worked with Di Melo for his recent comeback and gave me his number. No sooner said than done, as I m a huge fan of Di Melo. The next day he arrived at our house with Jo, his wife, and Gabi, his daughter. He takes the guitar in front of us and gives us a private show of 3 hours… we cried the tears of joy. He had 400 original songs never recorded, a gold mine. On the same night, we started working the arrangements for 2 days, followed by a rehearsal and two small gigs in Sao Paulo. Immediately after, we recorded in the magical Epsilon B studio. This album is the summary of this moment, of these 5 days of madness spent together between “the best band in the world” and the legend Roberto Di Melo… Simple, beautiful, Brazilian-French, human music…”Today, Atemporal found its final version in collaboration with Favorite Recordings and is proudly presented as what we believe will become the genuine long-awaited follow-up to the classic Di Melo s LP.

Over 25 years of digging, and more than 2 years in curation. Nick V’s debut compilation pays homage to forgotten gems of the classic Italian House scene, circa 1991-1993.In the early 1990s, Italy hosted one of the most flourishing scenes in the burgeoning world of House music. Whilst the majority of Europe was only just beginning to digest the arrival of this new musical genre born in the US, Italian clubs, DJs and labels were hot on the heels of their counterparts in the already established scenes of New York and London. The clubs of the Adriatic coast – also known as the Italian Riviera –were full every weekend. The soundtrack was provided by the major US and UK acts from the day but also local resident DJs that had been honing their trade since the early 80s. By the early 90s, Italian House music was regularly exported around the world with labels such as UMM, Zippy, D-Vision, MBG, Flying, Palmares, DFC and Irma releasing tracks inspired by the original New York House and Garage sound, but with a very different, unique and emotional take. Distinct from both Italo-Disco and Italo-House, this was the specific aesthetic that was to become the House sound of the Riviera, the soundtrack of the golden era of Italian House music. Nick V’s compilation on Mona Musique brings together 8 iconic tracks from this specific period, covering the whole spectrum of the riviera sound. From the powerful vocal tracks by Korda and Be Noir to the dubbier cuts by Syncopate and Underground Ghosts, without forgetting of course the characteristic Riviera deepness with tracks from Subway Ground Master, Centric House, Groove Sense and Optik. Artists featured include legendary DJs and producers from the day Ricky Montanari, Alex Neri, Enrico Mantini, MBG and Ivan Iacobucci.The compilation comes in a double gatefold sleeve with liner notes by Nick V illustrated by flyers and photos from the original Riviera days. This is a DJ friendly 45 RPM vinyl only release, all tracks have been remastered with the sound staying true to the dynamics of early 90s production.

Voilaaa is one of the many projects led and produced by Bruno “Patchworks” Hovart, who’s proven over the past 15 years, his place amongst the finest producers of groove music in all genres.This time exploring the wide spectrum of the African and Tropical Disco scene, he received a massive international support for Voilaaa’s two first album, On te l’avait dit, and Des Promesses.Following to that success and pursuing the same direction combining of the festive, yet sometime futile nature of Disco, and the instinctive, deep, sometimes rough nature of African music, Voilaaa’s now presenting a new 4 tracks EP, which will be followed later this year by a new LP.Another killer package where Patchworks teams up again with longtime partner Pat Kalla, but also with newcomers to the project, like here Ramatou Traore and Ayuune Sule, both bringing great African languages vocals to “Tu mens devant moi” and “Woman Can Do”.

There have been ups and downs in the long career of Congolese musician Sammy Massamba, but nothing as gruesome as what happened a certain Friday night of the year 1992 at Sammy’s Parisian house.It all started with a mysterious phone call. At the other end of the line, a voice with a strong Japanese accent introduced herself as the nephew of Akio Morito, the renowned cofounder of Sony. His uncle was the man who invented the Walkman, the transistor television, and was running possibly the most powerful music corporation the world had to offer back then. The Japanese heir mentioned he was a fan of ‘Propriété Privée’, a record Sammy had produced himself, pressed in small quantity and barely distributed in 1987. He was in fact so keen on the record that he wanted to sign Sammy Massamba to Sony right away. He added that Prince himself had been influenced by the eponym track’s intro for one of his songs, and that there were potential judicial remedies that could help, amongst other things, to propulse Sammy Massamba to global stardom in no time. He was coming to Paris with his uncle this very monday, and wanted to meet straight away to sign a contract. Sammy Massamba had been a famous musician in Africa and the European diasporas for 2 decades at that time, however he had always kept a cold head towards the glitz and glamour of show business. His wife on the opposite started getting massively excited by the prospect. The week-end passed, and Monday came. Sammy showed up at the meeting point, and waited for hours. Nobody came. A few days went by, without any news. Sammy ended up calling the Sony French office, and after a few unsuccessful attempts, the truth emerged: Akio Morito’s nephew had died in a car accident in central Paris the day before the meeting was due. Sammy was stunned by the news, and spent the next three months on the verge of mental breakdown, unable to write music. He moved on, with a long-lasting feeling that his Propriété Privée album, which had been so painful to release, was cursed.The story continues. The record keeps circulating in France, Italy, Germany and Spain thanks to people making bootleg cassettes. A decade later, youtube arrives. Somebody uploads the album, cementing cult status amongst djs and African music lovers. In 2015, Fred Martin, manager of label / blog Les Mains Noires, meet Sammy Massamba at his home. Sammy has found a full box of mint Propriété Privée vinyl copies, and Fred offers to sell them to his network of buyers for a good price. They sell out in a few days and a new generation of DJs start spreading the gospel. Which brings me to the time I discovered this music. In 2016, invited by the Ethnographic Museum of Geneva, Switzerland to DJ at an exhibition opening, I decide to keep the party going and hit the Gravière club around 3am, where local DJ Jean Toussaint is hosting a vinyl party with the acclaimed German DJ Hans ‘Nomad’ as a guest. When I enter the club those 2 killer DJs are playing back to back a heavy selection of soukous and afro funk. Jean drops the Propriété Privée tune and the sky falls on me. I rush to the booth, asking him what the hell that was. He generously tells me, and I spend the rest of the night obsessing about it. Come back to the hotel at 6am, go online as soon as I hit my room. A copy of the record is for sale on Discogs, its expensive but a no brainer for a 6am inebriated vinyl junkie. When I receive the vinyl a few days after, the reward outlast my expectations: there’s not one but three killer tracks on this 4 songs EP. A deep soukous cut (Mizele Ngue, the second version Sammy has recorded of this great tune) and a slow electrofunk burner called Sala Keba. What a treasure to behold…Propriété Privée is the pinnacle of Sammy Massamba’s style, a successful fusion of African and American music heritage, halfway between Franco and Otis Redding, Fela and Wilson Picket, King Sunny Ade and Aretha Franklin. A one man band army, exploding with charisma and adventure. I am very grateful to present it today in a carefully restored and remastered format, and would like to thank Sammy for his trust, my team and the numerous friends who helped along the way. Let’s hope the curse on the record is ancient history, I have a meeting in Central Paris soon… Etienne ‘DJ’ Tron, Marseille, February 2019.