SEALED

You'll be unsurprised to learn that the latest reissue on Floating Points' Melodies imprint is of a record that is fiendishly hard to find. Collectors have long regarded "Everything That Shines Ain't Gold", a sumptuous funk-soul workout full of bold Hammond organ lines and jazzy guitar licks, as something of a "Holy Grail", so it's fantastic see the track getting a worthy reissue. For this edition, you'll find the full version (originally cut into two parts to fit on a 7") on side A, with a fresh Floating Points re-edit on the flip. His revision is naturally tastefully done, rolling with the sweetest instrumental passages before breaking into Moore's superb vocal.

Folamour has worked under a number of different aliases and makes poetic music. As a DJ he has lit up dance floors all over France, and he also runs the FHUO Records label. This new nine track LP is the start of a busy year that promises more music on Church and Defected, all after some fine outings on labels like Fauxpas Music and All City Records. The excellent album is an ode to his love of Japanese culture and mixes up beats and house samples, disco swing and future jazz in ways that work both in the club and your living room.The warm and musical ‘Night of Desirable Objects’ kicks things off with loose jazz chords, shuffling beats and welcoming moods that come from smart vocal samples. It’s a brilliantly heartfelt opener that makes way for the slowed down grooves of ‘Y’all Right.’ Trumpets, live drums and gorgeous chords all exude genuine soul and funk, and ‘Petit Prince Du Macadam’ is an exquisite hip hop beat that echoes the great Dilla.Elsewhere, ‘Ivoire’ is a big, afro-tinged cut with bouncy drums and vocals as well as party-starting percussion. ‘Look at Me or I'll Steal Your Eyes’ then pulls back to perfect loops of funky guitar, trilling chords and organic drum work. Like much of the music here, the loveably rough style of Moodymann is a big presence in this one. French filter styles characterise the sunny disco influenced grooves of ‘Devoted to U’, ‘Oyabun’ is a blissed out bit of romantic house, ‘Kickflipin’ That Stuff’ is another gorgeous hip hop interlude weighed down by hot soul and ‘Jah Love’ is a masterfully melodic piece with splashes of cymbal, brilliant key playing and jazz drums that find their way into your heart.

PDD are proud to present an official Sony reissue of Charles Earland's 'Coming To You Live' another one of those rare infectious 12" releases which has grown in stature over the years.Championed by big names such as Gilles Peterson, Theo Parrish and Moodymann, it has become a firm favourite with dj's and clubbers alike, entertaining many discerning dance-floors.Pressed on 180g vinyl shrink wrapped, using the original master tapes.

Oddball Japanese electro-fueled vocoder funk with occasional raps from the 80s, including unreleased material... .Japanese Electro original, Minoru Hoodoo Fushimi, self-released four albums. Two vinyl LPs and two CDs between 1985 and 1992. Melbourne`s Left Ear Records have selected twelve tracks, for a double vinyl retrospective. 10 tracks from Minoru`s four albums and a further two unreleased tracks from the archives.Minoru set out to combine his love of all things Funk with traditional instruments and song from his homeland. He uses shamisen on Thanatopsis. Where Parliament`s Flashlight, George Clinton`s Atomic Dog, ride with Osamu Kitajima`s Masterless Samurai. Shakuhachi on Mizuko No Tamashii Hyakumademo. Nohdashi puts koto with a Jimmy Castor riff. All set to popping and locking beats.Minoru`s vocals switch between raps about cellular metabolism and haemoglobin, Soul croon and vocoder. On Shinz-San he adds Metal guitar to vintage Sugarhill. And he goes crazy with his sampler. Scratching in cats, frogs, babies, laughter, giggles, traffic jams, failing ignitions, opera singers, and amorous sighs. Furarete mixes elephant roars and Go-Go. Creating unique avant grooves that share something with Tackhead`s ON-U Sound System, Savant`s tape experiments, and fellow countrymen EP-4.Co-compiled by Left Ear Records and Jerome Qpchan

Official re-issue of Bermudian disco record! 1000 copies initial pressing.In 1981, Bermudian band Paradise recorded ‘Sizzlin’ Hot’, a flawless album of original material in the disco, boogie and AOR style.Producer, writer and pianist Grant Williams formed several bands before becoming the fourth member of Paradise, alongside bassist Wincy Woolridge, drummer Ronnie Lopes and singer June Ventzos - whose voice commands the album. For five years, the group regularly performed in hotels before hitting the local Z.B.M. Studios to record their sole album.‘Sizzlin Hot’ is inspired by the sound of Earth, Wind & Fire. The album delivers several blistering tracks that could have been huge club anthems if the record had been promoted outside of Bermuda.Since Bermuda is a fairly remote island, it’s no wonder that Paradise remains virtually unknown to this day. It is all the more reason why this album stands-out and has universal appeal… though it was only ever intended as a “local thing”, as Grant Williams says.

A collection of improvisations and loops from a 2 hour session @ the studio compiled into a limited edition beat tape....much love. Limited edition.

Music From Memory return with their penultimate EP of 2017, this time with four tracks drawn from Virgil ‘Vincent’ Work Jnr’s little-known cassette only debut from 1987, ‘Fast Forward’. Following on from a previous compilation of works taken from one of Virgil’s collaborative projects as the duo ‘Workdub’, this album under simply ‘Vincent’, reflects a more stripped back and raw musical approach from the St. Louis musician.Experimenting with rhythm programming, midi, layering, sequencing, digital effects and sound synthesis the ‘Fast Forward’ sessions grew out of a series of late night jams with Vincent’s brother Scott who was then living in Kansas. With nothing planned in advance and no written music involved in the final recording sessions, the songs that would form ‘Fast Forward’ very much evolved out of improvisation lending a unique often spatial and searching quality to the tracks.Virgil’s equipment at the time very much lead the experimentation with the album being produced on a Yamaha DX7 Synthesizer, Korg DW-8000 Synthesizer, Yamaha RX-15 Drum Machine, Korg SQD-1 Sequencer and a sequential TOM Drum machine. As Virgil himself explains the title of the album in fact came about because it felt “as if I had fast forwarded to a different sound”.Bedroom produced, the Fast Forward album had an initial run of only 100 copies, of which none were commercially available and were simply sent to friends and family along with a handful mailed out to local radio stations in his hometown of St Louis. Although the album received a good response from local radio DJs and music magazines, the album sadly never gained enough momentum or demand for a further run of copies.Fast forward to 2017, exactly thirty years are their production, and Music From Memory are delighted to be able to finally make Vincent’s music commercially available again."

Say You Love Me wasn’t “Om” Alec Khaoli’s first solo recording but the 1985 EP solidified the bass player and songwriter’s standing as one of South Africa’s most consistently innovative pop auteurs. He built a career on ubiquitous rock, pop and soul hits with groundbreaking bands like the Beaters, Harari and Umoja. But Khaoli’s seemingly endless fountain of music continued outside these ensembles, where he usually played bass and contributed songwriting and vocals.Khaoli released several successful solo works while he made records with Umoja and worked on other productions with friends. This creativity was aided by Khaoli’s own recording studio. He was the first South African to have a privately-owned studio. As black artists were forced to record during lunch breaks and didn’t get sufficient access and time in the white-owned studios, having his studio allowed Khaoli to develop in his own way. Hence his productive output during the 80’s and early 90’s, releasing 5 LPs with Umoja and 5 solo LPs, along with numerous singles and EPs.There’s something broad and dynamic about the almost epic pop sound Khaoli creates on Say You Love Me. Being the first South African to take control his recording process and thereby free himself from one of apartheid’s many strictures, he took his vision of music to new realms and made timeless music for the dance floor in the process.

Deluxe LPAfro funk and Political Soul from Togo.Recorded in the beginning of the 80's and self-produced by Itadi in 1983 , this obscure album contained deep soul and controversial rare grooves backed by the 5 band members called the “Afro Funk Band de Lomé”.Itadi's music is unique, in his second album, he kept the same recipe: a mixture of soul, reggae, hi-life and Funk, with heavy lyrics which sounds like slogans and caused him big trouble after its release. He was obliged to escape the country to USA. A real definition of a revolutionary musician!This deluxe LP contains also two unreleased tracks, interview, and photos and was fully licensed with his family.Remastered by Frank Merritt at Carvery Studio.

Limited Edition, Numbered, 300 copiesDeluxe heavy cardboard old school Tip-On cover with glossy paper on front and mat on back.Credits insert printed on 160gr yellow paperOld school press kit photo insert printed on glossy photo paperHigh quality polylined black innersleeveshttps://www.youtube.com/watch?v=Fr2gvPQUkT8&t=7s